The Human Figure in Islamic Art PDF Download
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Author: Eva Baer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 116
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Book Description
"The present study is a first attempt to throw some light on the development of the human figure in the arts of Islam. It progresses chronologically, basing itself primarily on observation of paintings and sculptures in architectural decoration and minor a"
Author: Eva Baer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 116
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Book Description
"The present study is a first attempt to throw some light on the development of the human figure in the arts of Islam. It progresses chronologically, basing itself primarily on observation of paintings and sculptures in architectural decoration and minor a"
Author: Kjeld von Folsach
Publisher: David Collection/ Strandberg Publishing
ISBN: 9788792949967
Category : Art
Languages : en
Pages : 280
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Book Description
This richly illustrated book focuses on an unusually and rarely elucidated subject in the world of Islamic art: human depictions. Through seventy-five important works of Islamic art from the David Collection in Copenhagen, Denmark, The Human Figure in Islamic Art focuses on an unusually and rarely elucidated subject in the world of Islamic art: human depictions. Depictions of man were considered objectionable from an orthodox Muslim point of view since only God can create life, and man should not try to emulate God's work. There was concern that depictions or those who were depicted could be worshipped, something that went against the dogma that only God, Allah, should be the object of worship. The book describes how, despite this reluctance, portraying human figures has nonetheless always played an important role in Islamic art. The human figure is found on many kinds of utility ware, but the motif also has a long and rich tradition especially in miniature painting. The paintings in the book largely feature princes, but also holy men and quite ordinary people in the form of illustrations for works of fiction, depictions of real-life events, and true portraits. This richly illustrated book covers the use of the human figure in many of the forms of Islamic art and describes some of the historical conditions and theological discussions behind it. Light is also shed on the mutual influence of Islamic and European art.
Author: Eva Wilson
Publisher: Courier Corporation
ISBN: 048625819X
Category : Design
Languages : en
Pages : 126
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Book Description
Beautifully rendered from book illustrations, pottery, metalwork, carvings, and other sources, these 280 black-and-white designs include geometrics, florals, and animal and human figures in circular, hexagonal, rectangular, and other shapes.
Author: Wendy M. K. Shaw
Publisher: Cambridge University Press
ISBN: 1108474659
Category : History
Languages : en
Pages : 387
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Book Description
An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.
Author: Jonathan M. Bloom
Publisher: Routledge
ISBN: 1351942581
Category : Art
Languages : en
Pages : 469
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Book Description
This volume deals with the formative period of Islamic art (to c. 950), and the different approaches to studying it. Individual essays deal with architecture, ceramics, coins, textiles, and manuscripts, as well as with such broad questions as the supposed prohibition of images, and the relationships between sacred and secular art. An introductory essay sets each work in context; it is complemented by a bibliography for further reading.
Author: David Talbot Rice
Publisher: Thames & Hudson
ISBN: 9780500201503
Category : Art
Languages : en
Pages : 288
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Book Description
The historical development of Islamic art and the variations of different geographical regions are surveyed
Author: Sheila R. Canby
Publisher: Harvard University Press
ISBN: 9780674023901
Category : Art
Languages : en
Pages : 152
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Book Description
This richly illustrated book allows readers to identify the elements and themes of Islamic art forms, and to examine them in works of painting and metalwork, in calligraphy and manuscripts, ceramics, glass, wood, and ivory.
Author: Titus Burckhardt
Publisher: World Wisdom, Inc
ISBN: 1933316659
Category : Art
Languages : en
Pages : 258
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Book Description
Islam.
Author: Idham Mohammed Hanash
Publisher: International Institute of Islamic Thought (IIIT)
ISBN: 1565646967
Category :
Languages : en
Pages : 90
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Book Description
Divine oneness as the principle of beauty is perhaps quintessentially Islamic artistic expression and experience and what it celebrates. Why has Islamic art evolved as it has, what forms does it take, what is the logic underlying it? What message is the Muslim artist attempting to convey, what emotion is he seeking to evoke? This work views Islamic art as a subject of archeological study and treats its evolution as part of the historical study of art in the broader sense. At the same time, it paves the way for an epistemological shift from viewing Islamic art as a material concept having to do with beautiful rarities and relics that have grown out of Islamic cultural and artistic creativity, to a theoretical concept associated with a vision, a principle, a theory and a method. This theo-retical concept provides the intellectual and cultural foundation for a critical philosophical science of Islamic artistic beauty to which we might refer as ‘the science of Islamic art,’ or ‘the Islamic aesthetic’ that evaluates visual artistic creations in terms of both beauty and practical usefulness. In the process the study also explores orientalist misconceptions, challenging some of the premises with which it has approached Islamic art, with judgement rooted in a cultural framework alien to the spiritual perspective of Islam.
Author: Finbarr Barry Flood
Publisher: John Wiley & Sons
ISBN: 1119068576
Category : Art
Languages : en
Pages : 1448
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Book Description
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
