Author: Alex Field
Publisher: Relevant Media Group
ISBN: 9780974694214
Category : Biography & Autobiography
Languages : en
Pages : 190
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Book Description
Featuring candid conversations with screenwriters, directors, and producers who make films that explore spiritual themes and ask probing spiritual questions, this book provides an exclusive look into the motivation behind the themes contained in their art.
Author: Carell Augustus
Publisher: Sourcebooks
ISBN: 9781728258393
Category : Art
Languages : en
Pages : 240
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Book Description
Carell Augustus is a genius. --Karamo Brown A visionary photography book that brings together the best of classic Hollywood with today's iconic Black entertainers for an immersive experience unlike anything you've ever seen before. Features a foreword by Academy Award winner Forest Whitaker and an afterword by beloved entertainer Niecy Nash! Black Hollywood is a groundbreaking reimagining of Hollywood's most beloved films, including Breakfast at Tiffany's, Singin' in the Rain, Mission: Impossible, Forrest Gump, and more. Visionary photographer Carell Augustus has created a who's who of today's Black entertainers recreating iconic cinematic scenes, renewing readers' appreciation of the past while asking questions about representation in media and inspiring the artists of the future. Compiled over the course of more than ten years and highlighting more than sixty-five stars such as Vanessa L. Williams, Dulé Hill, Karamo Brown, Shermar Moore, and others, Carell Augustus says, Black Hollywood is not just a book for Black people--it's a book for all people about Black people. About the dreams we were never told we could achieve. About the places we were never told we could go. And now, finally, about how we can get there.
Author: James Persse
Publisher:
ISBN: 9780735625693
Category : Business & Economics
Languages : en
Pages : 285
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Book Description
Describes how to translate the project management techniques used in the motion picture industry to the computer software industry.
Author: Vicki Mayer
Publisher: Univ of California Press
ISBN: 0520967178
Category : Performing Arts
Languages : en
Pages : 162
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Book Description
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Early in the twenty-first century, Louisiana, one of the poorest states in the United States, redirected millions in tax dollars from the public coffers in an effort to become the top location site globally for the production of Hollywood films and television series. Why would lawmakers support such a policy? Why would citizens accept the policy’s uncomfortable effects on their economy and culture? Almost Hollywood, Nearly New Orleans addresses these questions through a study of the local and everyday experiences of the film economy in New Orleans, Louisiana—a city that has twice pursued the goal of becoming a movie production capital. From the silent era to today’s Hollywood South, Vicki Mayer explains that the aura of a film economy is inseparable from a prevailing sense of home, even as it changes that place irrevocably.
Author: David L. Robb
Publisher: Prometheus Books
ISBN: 1615924515
Category : Performing Arts
Languages : en
Pages : 384
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Book Description
Directors of war and action movies receive access to billions of dollars worth of military equipment and personnel, but it comes with a hidden cost. As a veteran Hollywood journalist shows, the final product is often not just what the director intends but also what the powers-that-be in the military want to project about America's armed forces.
Author: Giulana Muscio
Publisher: Temple University Press
ISBN: 1439904820
Category : History
Languages : en
Pages : 273
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Book Description
A ground-breaking exploration of the entertainment industry's role in promoting New Deal ideology in the thirties.
Author: Steven J. Ross
Publisher: Princeton University Press
ISBN: 0691214646
Category : Performing Arts
Languages : en
Pages : 386
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Book Description
This path-breaking book reveals how Hollywood became "Hollywood" and what that meant for the politics of America and American film. Working-Class Hollywood tells the story of filmmaking in the first three decades of the twentieth century, a time when going to the movies could transform lives and when the cinema was a battleground for control of American consciousness. Steven Ross documents the rise of a working-class film movement that challenged the dominant political ideas of the day. Between 1907 and 1930, worker filmmakers repeatedly clashed with censors, movie industry leaders, and federal agencies over the kinds of images and subjects audiences would be allowed to see. The outcome of these battles was critical to our own times, for the victors got to shape the meaning of class in twentieth- century America. Surveying several hundred movies made by or about working men and women, Ross shows how filmmakers were far more concerned with class conflict during the silent era than at any subsequent time. Directors like Charlie Chaplin, D. W. Griffith, and William de Mille made movies that defended working people and chastised their enemies. Worker filmmakers went a step further and produced movies from A Martyr to His Cause (1911) to The Gastonia Textile Strike (1929) that depicted a unified working class using strikes, unions, and socialism to transform a nation. J. Edgar Hoover considered these class-conscious productions so dangerous that he assigned secret agents to spy on worker filmmakers. Liberal and radical films declined in the 1920s as an emerging Hollywood studio system, pressured by censors and Wall Street investors, pushed American film in increasingly conservative directions. Appealing to people's dreams of luxury and upward mobility, studios produced lavish fantasy films that shifted popular attention away from the problems of the workplace and toward the pleasures of the new consumer society. While worker filmmakers were trying to heighten class consciousness, Hollywood producers were suggesting that class no longer mattered. Working-Class Hollywood shows how silent films helped shape the modern belief that we are a classless nation.
Author: Peter Stanfield
Publisher: Rutgers University Press
ISBN: 0813543975
Category : History
Languages : en
Pages : 368
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Book Description
The concept of “un-Americanism,” so vital to the HUAC crusade of the 1940s and 1950s, was resoundingly revived in the emotional rhetoric that followed the September 11th terrorist attacks. Today’s political and cultural climate makes it more crucial than ever to come to terms with the consequences of this earlier period of repression and with the contested claims of Americanism that it generated. “Un-American” Hollywood reopens the intense critical debate on the blacklist era and on the aesthetic and political work of the Hollywood Left. In a series of fresh case studies focusing on contexts of production and reception, the contributors offer exciting and original perspectives on the role of progressive politics within a capitalist media industry. Original essays scrutinize the work of individual practitioners, such as Robert Rossen, Joseph Losey, Jules Dassin, and Edward Dmytryk, and examine key films, including The Robe, Christ in Concrete, The House I Live In, The Lawless, The Naked City, The Prowler, Body and Soul, and FTA.
Author: Priscilla Peña Ovalle
Publisher: Rutgers University Press
ISBN: 0813548802
Category : Biography & Autobiography
Languages : en
Pages : 195
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Book Description
Dance and the Hollywood Latina asks why every Latina star in Hollywood history began as a dancer or danced onscreen. Introducing the concepts of ""inbetween-ness"" and ""racial mobility"" to further illuminate how racialized sexuality and the dancing female body operate in film, this book focuses on the careers of Dolores Del Rio, Rita Hayworth, Carmen Miranda, Rita Moreno, and Jennifer Lopez and helps readers better understand how the United States grapples with race, gender, and sexuality through dancing bodies on screen
Author: Tony Shaw
Publisher: Univ of Massachusetts Press
ISBN: 9781558496125
Category : Art
Languages : en
Pages : 356
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Book Description
Examines the role of American filmmakers in the ideological struggle against communism
