Classical Sculpture and the Culture of Collecting in Britain Since 1760 PDF Download
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Author: Viccy Coltman
Publisher: Oxford University Press
ISBN: 019955126X
Category : Art
Languages : en
Pages : 362
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Book Description
This is an illustrated study of the reception of classical sculptures in the early modern period. Viccy Coltman contrasts the culture of British 18th century collecting, which integrated sculpture into the domestic interior, with the focus upon individual specimens by archaeologists like Adolf Michaelis a century later.
Author: Viccy Coltman
Publisher: Oxford University Press
ISBN: 019955126X
Category : Art
Languages : en
Pages : 362
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Book Description
This is an illustrated study of the reception of classical sculptures in the early modern period. Viccy Coltman contrasts the culture of British 18th century collecting, which integrated sculpture into the domestic interior, with the focus upon individual specimens by archaeologists like Adolf Michaelis a century later.
Author: Jane Fejfer
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 264
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Book Description
Part two of the first volume of a five-volume set presenting a valuable, private British collection of sculpture, including many from antiquity; part one of the first volume was published in 1991. Introductory text and catalogue of 58 items are accompanied by illustrations and followed by 117 black-and-white plates of the sculptures. 10x12.75". Distributed by ISBS. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Caroline Vout
Publisher: Princeton University Press
ISBN: 1400890276
Category : Art
Languages : en
Pages : 375
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Book Description
How did the statues of ancient Greece wind up dictating art history in the West? How did the material culture of the Greeks and Romans come to be seen as "classical" and as "art"? What does "classical art" mean across time and place? In this ambitious, richly illustrated book, art historian and classicist Caroline Vout provides an original history of how classical art has been continuously redefined over the millennia as it has found itself in new contexts and cultures. All of this raises the question of classical art's future. What we call classical art did not simply appear in ancient Rome, or in the Renaissance, or in the eighteenth-century Academy. Endlessly repackaged and revered or rebuked, Greek and Roman artifacts have gathered an amazing array of values, both positive and negative, in each new historical period, even as these objects themselves have reshaped their surroundings. Vout shows how this process began in antiquity, as Greeks of the Hellenistic period transformed the art of fifth-century Greece, and continued through the Roman empire, Constantinople, European court societies, the neoclassical English country house, and the nineteenth century, up to the modern museum. A unique exploration of how each period of Western culture has transformed Greek and Roman antiquities and in turn been transformed by them, this book revolutionizes our understanding of what classical art has meant and continues to mean.
Author: Sarah Burnage
Publisher: Routledge
ISBN: 1351545833
Category : Art
Languages : en
Pages : 279
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Book Description
The British School of Sculpture, c. 1760?1832 represents the first edited collection exploring one of the most significant moments in British art history, returning to centre stage a wide range of sculpture considered for the first time by some of the most important scholars in the field. Following a historical and historiographical introduction by the editors, situating British sculpture in relation to key events and developments in the period, and the broader scholarship on British art more generally in the period and beyond, the book contains nine wide-ranging case studies that consider the place of antique and modern sculpture in British country houses in the period, monuments to heroes of commerce and the Napoleonic Wars, the key debates fought around ideal sculpture at the Royal Academy, the reception of British sculpture across Europe, the reception of Hindu sculpture deriving from India in Britain, and the relationship of sculpture to emerging industrial markets, both at home and abroad. Challenging characterisations of the period as 'neoclassical', the volume reveals British sculpture to be a much more eclectic and various field of endeavour, both in service of the state and challenging it, and open to sources ranging from the newly arrived Parthenon Frieze to contemporary print culture.
Author: Elizabeth Angelicoussis
Publisher: Philipp Von Zabern
ISBN:
Category : Marble sculpture
Languages : en
Pages : 302
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Book Description
Author: Erin L. Thompson
Publisher: Yale University Press
ISBN: 0300208529
Category : Art
Languages : en
Pages : 232
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Book Description
A riveting account of private art collectors' passion from Roman times to the present Whether it's the discovery of $1.6 billion in Nazi-looted art or the news that Syrian rebels are looting UNESCO archaeological sites to buy arms, art crime commands headlines. Erin Thompson, America's only professor of art crime, explores the dark history of looting, smuggling, and forgery that lies at the heart of many private art collections and many of the world's most renowned museums. Enlivened by fascinating personalities and scandalous events, Possession shows how collecting antiquities has been a way of creating identity, informed by a desire to annex the past while providing an illicit thrill along the way. Thompson's accounts of history's most infamous collectors--from the Roman Emperor Tiberius, who stole a life-sized nude Greek statue for his bedroom, to Queen Christina of Sweden, who habitually pilfered small antiquities from her fellow aristocrats, to Sir William Hamilton, who forced his mistress to enact poses from his collection of Greek vases--are as mesmerizing as they are revealing.
Author: D P Mortlock
Publisher: The History Press
ISBN: 075249600X
Category : Biography & Autobiography
Languages : en
Pages : 241
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Book Description
What was life on a great aristocratic estate such as Thomas Coke's Holkham in Norfolk like? Where did the money come from? How does an up and coming young aristocrat make his way in the often murky world of royal and political circles? Using the extraordinary riches of the Holkham archives, D.P. Mortlock recreates in stunning detail the lives of the great and the little people of eighteenth-century England. He brings us those who peopled the world of Thomas Coke; the lords and ladies, the mobile middle-classes, the money-lenders, the country parsons, the arrogant footmen and the footpads. Mortlock's book brings to life a lost world of aristocratic splendour and the illuminated lives of hundreds of ordinary people. Coke's lasting monument is undoubtedly the great house he created at Holkham in Norfolk, at the heart of which is money, and money is at the heart of this book. From the carefully detailed marriage settlement arranged in 1718 when Coke married Lady Margaret Tufton, to the shilling which Coke had to borrow from a footman in an emergency, the financial dealings were recorded in fascinating detail, as were the lives of the people of the age.
Author: Barbara E. Borg
Publisher: Walter de Gruyter
ISBN: 3110204711
Category : History
Languages : en
Pages : 500
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Book Description
In the World of the Second Sophistic, education, paideia, was a crucial factor in the discourse of power. Knowledge in the fields of medicine, history, philosophy, and poetry joined with rhetorical brilliance and a presentable manner became the outward appearance of the elite of the Eastern Roman Empire. This outward appearance guaranteed a high social status as well as political and economical power for the individual and major advantages for their hometowns in interpolis competition. Since paideia was related particularly to Classical Greek antiquity, it was, at the same time, fundamental to the new self-confidence of the Greek East. This book presents, for the first time, studies from a broad range of disciplines on various fields of life and on different media, in which this ideology became manifest. These contributions show that the Sophists and their texts were only the most prominent exponents of a system of thoughts and values structuring the life of the elite in general.
Author: Dr Inge Reist
Publisher: Ashgate Publishing, Ltd.
ISBN: 147243806X
Category : Art
Languages : en
Pages : 289
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Book Description
This collection of fourteen essays by distinguished art and cultural historians examine points of similarity and difference in British and American art collecting. Half the essays examine the trends that dominated the British art collecting scene of the nineteenth century. Others focus on American collectors, using biographical sketches and case studies to demonstrate how collectors in the United States embellished the British model to develop their own, often philanthropic approach to art collecting.
Author: Janet Burnett Grossman
Publisher: Getty Publications
ISBN: 0892367237
Category : Art
Languages : en
Pages : 288
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Book Description
The nineteen papers in this volume stem from a symposium that brought together academics, archaeologists, museum curators, conservators, and a practicing marble sculptor to discuss varying approaches to restoration of ancient stone sculpture. Contributors and their subjects include Marion True and Jerry Podany on changing approaches to conservation; Seymour Howard on restoration and the antique model; Nancy H. Ramage’s case study on the relationship between a restorer, Vincenzo Pacetti, and his patron, Luciano Bonaparte; Mette Moltesen on de-restoring and re-restoring in the Ny Carlsberg Glyptotek; Miranda Marvin on the Ludovisi collection; and Andreas Scholl on the history of restoration of ancient sculptures in the Altes Museum in Berlin. The book also features contributions by Elizabeth Bartman, Brigitte Bourgeois, Jane Fejfer, Angela Gallottini, Sascha Kansteiner, Giovanna Martellotti, Orietta Rossi Pinelli, Peter Rockwell, Edmund Southworth, Samantha Sportun, and Markus Trunk. Charles Rhyne summarizes the themes, approaches, issues, and questions raised by the symposium.
