The Holiday and British Film PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Holiday and British Film PDF full book. Access full book title The Holiday and British Film by M. Kerry. Download full books in PDF and EPUB format.
Author: M. Kerry
Publisher: Springer
ISBN: 0230349668
Category : History
Languages : en
Pages : 258
Get Book Here
Book Description
A refreshing insight into a previously neglected area of popular British cinema – the holiday film - including historical information about the British holiday and analyses of key films from the 1900s to the recent past.
Author: M. Kerry
Publisher: Springer
ISBN: 0230349668
Category : History
Languages : en
Pages : 258
Get Book Here
Book Description
A refreshing insight into a previously neglected area of popular British cinema – the holiday film - including historical information about the British holiday and analyses of key films from the 1900s to the recent past.
Author: Paul Newland
Publisher: Manchester University Press
ISBN: 1526102307
Category : Social Science
Languages : en
Pages : 335
Get Book Here
Book Description
British films of the 1970s offers highly detailed and insightful critical analysis of a range of individual films of the period. This analysis draws upon an innovative range of critical methodologies which place the film texts within a rich variety of historical contexts. The book sets out to examine British films of the 1970s in order to get a clearer understanding of two things – the fragmentary state of the filmmaking culture of the period, and the fragmentary nature of the nation that these films represent. It argues that there is no singular narrative to be drawn about British filmmaking in the 1970s, other than the fact that these films offer evidence of a Britain (and ideas of Britishness) characterised by vicissitudes. While this was a period of struggle and instability, it was also a period of openings, of experiment, and of new ideas. Newland looks at many films, including Carry On Girls, O Lucky Man!, That'll be the Day, The Shout, and The Long Good Friday.
Author: Stephen Glynn
Publisher: Springer Nature
ISBN: 3031412222
Category : Performing Arts
Languages : en
Pages : 273
Get Book Here
Book Description
This book constitutes the first full volume dedicated to an academic analysis of theatrically-released spinoff films derived from British radio and television sitcoms. Regularly maligned as the nadir of British film production and marginalised as a last resort for the financially-bereft industry during the 1970s, this study demonstrates that the sitcom spinoff film has instead been a persistent and important presence in British cinema from the 1940s to the present day, and includes (occasional) works with distinct artistic merit. Alongside an investigation of the economic imperative underpinning these productions, i.e. the exploitation of proven product with a ready-made audience, it is argued that, with a longevity stretching from Arthur Askey and his wartime Band Waggon (1940) to the crew of Kurupt FM and their recent People Just Do Nothing: Big in Japan (2021), the British sitcom spinoff can be interpreted as following a full generic ‘life cycle’. Starting with the ‘formative’ stage where works from Hi Gang! (1941) to I Only Arsked! (1958) establish the genre’s characteristics, the spinoff genre moves to its ‘classic’ stage where, secure for form and content, it enjoys considerable popular success with films like Till Death Us Do Part (1969), On the Buses (1971), The Likely Lads (1976) and Rising Damp (1980); the genre’s revival since the late-1990s reveals a more ‘parodic’ final stage, with films like The League of Gentlemen’s Apocalypse (2005) adopting a consciously self-reflective mode. It is also posited that the sitcom spinoff film is a viable source for social history, with the often-stereotypical re-presentations of characters and events an (often blatant) ideological metonym for the concerns of wider British society, notably in issues of class, race, gender and sexuality.
Author: Nigel Mather
Publisher: Manchester University Press
ISBN: 1526139251
Category : Performing Arts
Languages : en
Pages : 351
Get Book Here
Book Description
This book explores how British filmmakers of the 2000s engaged with the themes of love, sex and desire in a wide variety of movies. It ranges from powerful contemporary dramas such as Kidulthood, Closer and Disobedience to the lighter mood of the Bridget Jones series. It also analyses how the lives, loves and traumas of historical figures such as Oscar Wilde, Sylvia Plath and Iris Murdoch were dramatised on film. The book will appeal to literature enthusiasts, film students and readers interested in exploring how we may currently live out our hopes, fears and dreams in relation to sexual matters and affairs of the heart.
Author: Will Taylor
Publisher: Macmillan
ISBN: 1250042011
Category : Architecture
Languages : en
Pages : 97
Get Book Here
Book Description
"Known for his bold and refreshing take on color, Will Taylor, the founder of Bright Bazaar--one of the world's leading interior design blogs--shares his secrets to choosing colors that work for every room in your house. Structured around the different spaces within the home, the book breaks down the how, when, and where of using different shades and color combinations"--
Author: Roy Perkins
Publisher: Bloomsbury Publishing
ISBN: 1838714820
Category : Performing Arts
Languages : en
Pages : 258
Get Book Here
Book Description
Most of the Directors I've worked with needed someone to talk to who is deep inside the heart of the movie. - Mick Audsley, Film Editor Film editing is understood by the industry to be one of the most crucial contributions to film-making. World-class British editors such as Antony Gibbs and Anne Coates have received recognition of their importance in Hollywood and experienced British Editors have important roles in a surprising number of major American movies . This book attempts to explain this mot elusive of roles by allowing editors to describe in their own words what they do and to bring them into the critical and public spotlight. It is the most comprehensive survey of its kind to date and is based upon interviews with many distinguished editors who have worked on films as diverse as Blade Runner and Carry on Up the Khyber, Die Hard 2 and Blow Up, American Beauty and Performance. The British Film Editor also provides a detailed history of editing, together with extensive filmographies.
Author: Richard Curtis
Publisher: Macmillan
ISBN: 9780312318499
Category : Performing Arts
Languages : en
Pages : 244
Get Book Here
Book Description
The hilarious new screenplay from the writer of "Four Weddings and a Funeral"is coming to the big screen in November 2003.
Author: K. Donnelly
Publisher: Springer
ISBN: 0230597742
Category : Performing Arts
Languages : en
Pages : 230
Get Book Here
Book Description
In the first book-length consideration of the topic for sixty years, Kevin Donnelly examines the importance of music in British film, concentrating both on musical scores, such as William Walton's score for Henry V (1944) and Malcolm Arnold's music for The Bridge on the River Kwai (1957), and on the phenomenon of the British film musical.
Author: James Leggott
Publisher: Berghahn Books
ISBN: 1789206510
Category : Performing Arts
Languages : en
Pages : 268
Get Book Here
Book Description
For over five decades, the Newcastle-based Amber Film and Photography Collective has been a critical (if often unheralded) force within British documentary filmmaking, producing a variety of innovative works focused on working-class society. Situating their acclaimed output within wider social, political, and historical contexts, In Fading Light provides an accessible introduction to Amber’s output from both national and transnational perspectives, including experimental, low-budget documentaries in the 1970s; more prominent feature films in the 1980s; studies of post-industrial life in the 1990s; and the distinctive perils and opportunities posed by the digital era.
Author: Philip Gillett
Publisher: Manchester University Press
ISBN: 1526141809
Category : Performing Arts
Languages : en
Pages : 241
Get Book Here
Book Description
An incidental pleasure of watching a film is what it tells us about the society in which it is made. Using a sociological model, The British working class in postwar film looks at how working-class people were portrayed in British feature films in the decade after the Second World War. Though some of the films examined are well known, others have been forgotten and deserve reassessment. Original statistical data is used to assess the popularity of the films with audiences. With its interdisciplinary approach and the avoidance of jargon, this book seeks to broaden the approach to film studies. Students of media and cultural studies are introduced to the skills of other disciplines, while sociologists and historians are encouraged to consider the value of film evidence in their own fields. This work should appeal to all readers interested in social history and in how cinema and society works.
