Author: Albert Abramson
Publisher: McFarland
ISBN: 0786432438
Category : Performing Arts
Languages : en
Pages : 319
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Book Description
Albert Abramson published (with McFarland) in 1987 a landmark volume titled The History of Television, 1880-1941 ("massive...research"--Library Journal; "voluminous documentation"--Choice; "many striking old photos"--The TV Collector). At last he has produced the follow-up volume; the reader may be assured there is no other book in any language that is remotely comparable to it. Together, these two volumes provide the definitive technical history of the medium. Upon the development in the mid-1940s of new cameras and picture tubes that made commercial television possible worldwide, the medium rose rapidly to prominence. Perhaps even more important was the invention of the video tape recorder in 1956, allowing editing, re-shooting and rebroadcasting. This second volume, 1942 to 2000 covers these significant developments and much more. Chapters are devoted to television during World War II and the postwar era, the development of color television, Ampex Corporation's contributions, television in Europe, the change from helical to high band technology, solid state cameras, the television coverage of Apollo II, the rise of electronic journalism, television entering the studios, the introduction of the camcorder, the demise of RCA at the hands of GE, the domination of Sony and Matsushita, and the future of television in e-cinema and the 1080 P24 format. The book is heavily illustrated (as is the first volume).
Author: Albert Abramson
Publisher:
ISBN:
Category : History
Languages : en
Pages : 376
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Book Description
It would be difficult to cite any technological innovation whose impact on the fabric of daily living has been as pervasive as that of television. Within a few decades after its invention, television was providing, literally, a window to the world. A sole inventor of television does not exist. Instead, it came about through a remarkable interaction of several hundred scientists. Interviews with the scientists whose imagination and enterprise combined to make television a reality, extensive archival research worldwide, and rare photos make this book the one definitive history and the only authoritative account. Early inventions, the first devices, early camera tubes, the mechanical era, the kinescope, the iconoscope, and more. Extensive references.
Author: M. M. Eboch
Publisher: ABDO
ISBN: 1629693197
Category : Juvenile Nonfiction
Languages : en
Pages : 115
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Book Description
This title examines television's origin in the United States, the ways different networks and shows have shaped history, and how it has grown to capture the nation's attention. Special features include a timeline, Art Spotlights, infographics, and fact bubbles. Aligned to Common Core Standards and correlated to state standards. Essential Library is an imprint of Abdo Publishing, a division of ABDO.
Author: Albert Abramson
Publisher: University of Illinois Press
ISBN: 9780252021046
Category : Inventors
Languages : en
Pages : 392
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Book Description
Using patents, published and unpublished documents, and interviews with television pioneers including Zworykin himself, Abramson reconstructs the inventor's life from his early years in Russia, through his stay as RCA's technical guru under David Sarnoff, to his death in 1982. More than fifty photographs show highlights of Zworykin's work. Abramson notes the contributions of other scientists--particularly Zworykin's biggest rival, Philo T. Farnsworth--to the advancement of television. However, he argues, it was Zworykin's inventions that made modern, all-electronic television possible, causing many to award him the title "father of television". "His achievements rank him with Thomas Edison and Alexander Graham Bell," states Albert Abramson in this discerning, often dramatic biography of Vladimir Kosma Zworykin, the Russian-born scientist who "did more to create our present system of cathode-ray television than any other person."
Author: Michele Hilmes
Publisher: Bloomsbury Publishing
ISBN: 1839024674
Category : Performing Arts
Languages : en
Pages : 176
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Book Description
Traces the history of broadcasting and the infludence developments in broadcasting have had over our social, cultural and economic practices. Examining the broadcasting traditions of the UK and USA, 'The Television History Book' make connections between events and tendencies that both unite and differentiate these national broadcasting traditions.
Author: Christopher H. Sterling
Publisher: SAGE
ISBN: 0761929576
Category : Language Arts & Disciplines
Languages : en
Pages : 3131
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Book Description
The six-volume Encyclopedia of Journalism covers all significant dimensions of journalism including: print, broadcast and Internet journalism; US and international perspectives; history; technology; legal issues and court cases; ownership; and economics.
Author: Ricardo Cedeño Montaña
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110553929
Category : Art
Languages : en
Pages : 294
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Book Description
This media history explores a series of portable small cameras, playback devices, and storage units that have made the production of film and video available to everyone. Covering several storage formats from 8mm films of the 1900s, through the analogue videotapes of the 1970s, to the compression algorithms of the 2000s, this work examines the effects that the shrinkage of complex machines, media formats, and processing operations has had on the dissemination of moving images. Using an archaeological approach to technical standards of media, the author provides a genealogy of portable storage formats for film, analog video, and digitally encoded video. This book is a step forward in decoding the storage media formats, which up to now have been the domain of highly specialised technicians.
Author: Clarissa Chikiamco
Publisher: National Gallery Singapore
ISBN: 9811878625
Category : Art
Languages : en
Pages : 275
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Book Description
See Me, See You is the world’s first exhibition of early video installation of Southeast Asia, spanning the early 1980s to the early 1990s. This catalogue traces the journeys and evolving identities of the ten artists featured in the show and their pivotal experiments with the moving image, which incorporate readymade objects and cathode-ray tube television monitors as well as performative and participatory elements. Their artworks encapsulate the techniques and materials of their generation and mark the emergence of video installation as a form in the region. The publication features interviews, essays, rare archival images and texts, as well as a timeline that highlights the definitive technological moments and inventions that propelled television and video in global and regional contexts.
Author: Max Sexton
Publisher: Bloomsbury Publishing USA
ISBN: 1501320963
Category : Performing Arts
Languages : en
Pages : 192
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Book Description
The power of the moving image to conjure marvelous worlds has usually been to understand it in terms of 'move magic'. On film, a fascination for enchantment and wonder has transmuted older beliefs in the supernatural into secular attractions. But this study is not about the history of special effects or a history of magic. Rather, it attempts to determine the influence and status of secular magic on television within complex modes of delivery before discovering interstices with film. Historically, the overriding concern on television has been for secular magic that informs and empowers rather than a fairytale effect that deceives and mystifies. Yet, shifting notions of the real and the uncertainty associated with the contemporary world has led to television developing many different modes that have become capable of constant hybridization. The dynamic interplay between certainty and indeterminacy is the key to understanding secular magic on television and film and exploring the interstices between them. Sexton ranges from the real-time magic of street performers, such as David Blaine, Criss Angel, and Dynamo, to Penn and Teller's comedy magic, to the hypnotic acts of Derren Brown, before finally visiting the 2006 films The Illusionist and The Prestige. Each example charts how the lack of clear distinctions between reality and illusion in modes of representation and presentation disrupt older theoretical oppositions. Secular Magic and the Moving Image not only re-evaluates questions about modes and styles but raises further questions about entertainment and how the relations between the program maker and the audience resemble those between the conjuror and spectator. By re-thinking these overlapping practices and tensions and the marking of the indeterminacy of reality on media screens, it becomes possible to revise our understanding of inter-medial relations.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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