The History of Musical Pitch PDF Download
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Author: Alexander John Ellis
Publisher:
ISBN:
Category : Musical pitch
Languages : en
Pages : 56
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Book Description
Author: Alexander John Ellis
Publisher:
ISBN:
Category : Musical pitch
Languages : en
Pages : 56
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Book Description
Author: Alexander J. Ellis
Publisher:
ISBN:
Category :
Languages : en
Pages : 110
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Book Description
Author: Bruce Haynes
Publisher: Scarecrow Press
ISBN: 0810841851
Category : History
Languages : en
Pages : 628
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Book Description
Haynes (U. of Montreal) traces the history of musical pitch standards over the last four centuries, linking frequency values to pitch names and telling where, when, and why various pitch levels have been used. With a focus on Italy, France, Germany, the Netherlands and the Hapsburg lands, he covers the pitches of about 1,400 historical instruments and how the design and function influenced and were influenced by changes in pitch. In addition, he studies the effect of pitch differences on musical notation and choice of key. The author has also written a book on the oboe, the instrument that plays the "A" to which a symphony orchestra tunes. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Ellis
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 0
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Book Description
Author: National Geographic Kids
Publisher: National Geographic Kids
ISBN: 1426335415
Category : JUVENILE NONFICTION
Languages : en
Pages : 196
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Book Description
Presents a history of music, covering the most famous musicians, major music genres, instruments and sounds, and the artistry of distinctive musical styles.
Author: Carol L. Krumhansl
Publisher: Oxford University Press
ISBN: 0190287446
Category : Psychology
Languages : en
Pages : 318
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Book Description
This book addresses the central problem of music cognition: how listeners' responses move beyond mere registration of auditory events to include the organization, interpretation, and remembrance of these events in terms of their function in a musical context of pitch and rhythm. Equally important, the work offers an analysis of the relationship between the psychological organization of music and its internal structure. Combining over a decade of original research on music cognition with an overview of the available literature, the work will be of interest to cognitive and physiological psychologists, psychobiologists, musicians, music researchers, and music educators. The author provides the necessary background in experimental methodology and music theory so that no specialized knowledge is required for following her major arguments.
Author: Michiel Schuijer
Publisher: University Rochester Press
ISBN: 9781580462709
Category : Music
Languages : en
Pages : 334
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Book Description
For the past 40 years, pitch-class set theory has served as a frame of reference for the study of atonal music, through the efforts of Allan Forte, Milton Babbitt, and others. This text combines thorough discussions of musical concepts with an historical narrative.
Author: Hermann von Helmholtz
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 608
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Book Description
Author: Thomas Forrest Kelly
Publisher: National Geographic Books
ISBN: 0393064964
Category : Music
Languages : en
Pages : 0
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Book Description
An accessible history of how musicians learned to record music discusses the work of five centuries of religious scholars while demonstrating how people developed methods for measuring rhythm, melody and precise pitch, leading to the technological systems of notation in today's world.
Author: Stuart Isacoff
Publisher: Vintage
ISBN: 0375703306
Category : Music
Languages : en
Pages : 290
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Book Description
Few music lovers realize that the arrangement of notes on today’s pianos was once regarded as a crime against God and nature, or that such legendary thinkers as Pythagoras, Plato, da Vinci, Galileo, Kepler, Descartes, Newton and Rousseau played a role in the controversy. Indeed, from the time of the Ancient Greeks through the eras of Renaissance scientists and Enlightenment philosophers, the relationship between the notes of the musical scale was seen as a key to the very nature of the universe. In this engaging and accessible account, Stuart Isacoff leads us through the battles over that scale, placing them in the context of quarrels in the worlds of art, philosophy, religion, politics and science. The contentious adoption of the modern tuning system known as equal temperament called into question beliefs that had lasted nearly two millenia–and also made possible the music of Beethoven, Schubert, Chopin, Debussy, and all who followed. Filled with original insights, fascinating anecdotes, and portraits of some of the greatest geniuses of all time, Temperament is that rare book that will delight the novice and expert alike.
