The History of Modern Painting

The History of Modern Painting PDF Author: Richard Muther
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 514

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A History of Modern Art

A History of Modern Art PDF Author: H.H. Arnason
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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A Concise History of Modern Painting

A Concise History of Modern Painting PDF Author: Herbert Read
Publisher:
ISBN:
Category : Painting, Modern
Languages : en
Pages : 380

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History of Modern Painting: Matisse, Munch, Rouault; fauvism [and] expressionism, by M. Raynal [and others

History of Modern Painting: Matisse, Munch, Rouault; fauvism [and] expressionism, by M. Raynal [and others PDF Author: Maurice Raynal
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 190

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Painting Outside the Lines

Painting Outside the Lines PDF Author: David W. Galenson
Publisher: Harvard University Press
ISBN: 9780674006126
Category : Art
Languages : en
Pages : 286

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Book Description
In a work that brings new insights, and new dimensions, to the history of modern art, David Galenson examines the careers of more than 100 modern painters to disclose a fascinating relationship between age and artistic creativity.

Art Forgery

Art Forgery PDF Author: Thierry Lenain
Publisher: Reaktion Books
ISBN: 1861899599
Category : Art
Languages : en
Pages : 386

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Book Description
With the recent advent of technologies that make detecting art forgeries easier, the art world has become increasingly obsessed with verifying and ensuring artistic authenticity. In this unique history, Thierry Lenain examines the genealogy of faking and interrogates the anxious, often neurotic, reactions triggered in the modern art world by these clever frauds. Lenain begins his history in the Middle Ages, when the issue of false relics and miracles often arose. But during this time, if a relic gave rise to a cult, it would be considered as genuine even if it obviously had been forged. In the Renaissance, forgery was initially hailed as a true artistic feat. Even Michelangelo, the most revered artist of the time, copied drawings by other masters, many of which were lent to him by unsuspecting collectors. Michelangelo would keep the originals himself and return the copies in their place. As Lenain shows, authenticity, as we think of it, is a purely modern concept. And the recent innovations in scientific attribution, archaeology, graphology, medical science, and criminology have all contributed to making forgery more detectable—and thus more compelling and essential to detect. He also analyzes the work of master forgers like Eric Hebborn, Thomas Keating, and Han van Meegeren in order to describe how pieces baffled the art world. Ultimately, Lenain argues that the science of accurately deciphering an individual artist’s unique characteristics has reached a level of forensic sophistication matched only by the forger’s skill and the art world’s paranoia.

How to Read a Modern Painting

How to Read a Modern Painting PDF Author: Jon Thompson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 408

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Book Description
Modern art, filled with complex themes and subtle characteristics, is a wonder to view, but can be intimidating for the casual observer to comprehend. In this accessible, practical guide, author and instructor Jon Thompson explores more than 200 works, helping readers to unlock each painting's meaning. Beginning with the Barbizon school and the Realist movement of the mid-19th century and continuing through the 1980s avant-garde, artists including Bonnard, Basquiat, Van Gogh, Picasso, Degas, Warhol, and Whistler are featured. Thompson describes each artist's use of media and symbolism and provides insightful biographical information. A natural companion to Abrams' "How to Read a Painting," this book is a vibrant, informative trip through one of art history's most compelling periods.

The Renaissance Restored

The Renaissance Restored PDF Author: Matthew Hayes
Publisher: Getty Publications
ISBN: 160606696X
Category : Art
Languages : en
Pages : 210

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Book Description
This handsomely illustrated volume traces the intersections of art history and paintings restoration in nineteenth-century Europe. Repairing works of art and writing about them—the practices that became art conservation and art history—share a common ancestry. By the nineteenth century the two fields had become inseparably linked. While the art historical scholarship of this period has been widely studied, its restoration practices have received less scrutiny—until now. This book charts the intersections between art history and conservation in the treatment of Italian Renaissance paintings in nineteenth-century Europe. Initial chapters discuss the restoration of works by Giotto and Titian framed by the contemporary scholarship of art historians such as Jacob Burckhardt, G. B. Cavalcaselle, and Joseph Crowe that was redefining the earlier age. Subsequent chapters recount how paintings conservation was integrated into museum settings. The narrative uses period texts, unpublished archival materials, and historical photographs in probing how paintings looked at a time when scholars were writing the foundational texts of art history, and how contemporary restorers were negotiating the appearances of these works. The book proposes a model for a new conservation history, object-focused yet enriched by consideration of a wider cultural horizon.

Painters Painting

Painters Painting PDF Author: Emile De Antonio
Publisher: Skyhorse Publishing
ISBN:
Category : Architecture
Languages : en
Pages : 200

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Book Description
Artists including Andy Warhol, Frank Stella, Jasper Johns, Willem de Kooning, Barnett Newman, and Robert Motherwell discuss the postwar art scene.

Contemporary Painting in Context

Contemporary Painting in Context PDF Author: Anne Ring Petersen
Publisher: Museum Tusculanum Press
ISBN: 8763525976
Category : Art and society
Languages : en
Pages : 226

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Book Description
These essays examine the transformation and expansion of the field of painting in relation to the more general lines of development in culture and visuality. The book is divided into five parts, with each of them pursuing a distinct line of inquiry.