The History of Decorated Bookbinding in England PDF Download
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Author: Howard M. Nixon
Publisher: Oxford [England] ; Clarendon Press ; Oxford ; New York : Oxford University Press
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 272
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Book Description
Based on the Lyell Lectures given by Howard Nixon at Oxford in 1979, this lavishly illustrated book traces the decorated binding in England from the earliest surviving example, the St Cuthbert Gospel dating from a little before the end of the seventh century, to the beginning of the Modern Movement in the late 1940s. This books emphasis is on fine binding in leather, with the styles and designs used for its decoration, and with the tools employed to effect these designs. This work is the first to trace comprehensively the development of this English tradition and bring together numerous illustrations of the superb bindings produced over the last eight centuries.
Author: Howard M. Nixon
Publisher: Oxford [England] ; Clarendon Press ; Oxford ; New York : Oxford University Press
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 272
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Book Description
Based on the Lyell Lectures given by Howard Nixon at Oxford in 1979, this lavishly illustrated book traces the decorated binding in England from the earliest surviving example, the St Cuthbert Gospel dating from a little before the end of the seventh century, to the beginning of the Modern Movement in the late 1940s. This books emphasis is on fine binding in leather, with the styles and designs used for its decoration, and with the tools employed to effect these designs. This work is the first to trace comprehensively the development of this English tradition and bring together numerous illustrations of the superb bindings produced over the last eight centuries.
Author: Mirjam Foot
Publisher: Aldershot, England : Scolar Press
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 492
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Book Description
This text consists of articles on the history of bookbinding and related subjects, most of which have been published previously in a wide variety of places. Several articles have been updated and two have been substantially rewritten. They have been grouped under seven headings and range from general topics such as bookbinding as a subject for study and the need to preserve the book in all its aspects, to more detailed descriptions of binders, the binding trade, collectors and collections.
Author: Simon Eliot
Publisher: John Wiley & Sons
ISBN: 140519278X
Category : Literary Criticism
Languages : en
Pages : 617
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Book Description
A COMPANION TO THE HISTORY OF THE BOOK A COMPANION TO THE HISTORY OF THE BOOK Edited by Simon Eliot and Jonathan Rose “As a stimulating overview of the multidimensional present state of the field, the Companion has no peer.” Choice “If you want to understand how cultures come into being, endure, and change, then you need to come to terms with the rich and often surprising history Of the book ... Eliot and Rose have done a fine job. Their volume can be heartily recommended. “ Adrian Johns, Technology and Culture From the early Sumerian clay tablet through to the emergence of the electronic text, this Companion provides a continuous and coherent account of the history of the book. A team of expert contributors draws on the latest research in order to offer a cogent, transcontinental narrative. Many of them use illustrative examples and case studies of well-known texts, conveying the excitement surrounding this rapidly developing field. The Companion is organized around four distinct approaches to the history of the book. First, it introduces the variety of methods used by book historians and allied specialists, from the long-established discipline of bibliography to newer IT-based approaches. Next, it provides a broad chronological survey of the forms and content of texts. The third section situates the book in the context of text culture as a whole, while the final section addresses broader issues, such as literacy, copyright, and the future of the book. Contributors to this volume: Michael Albin, Martin Andrews, Rob Banham, Megan L Benton, Michelle P. Brown, Marie-Frangoise Cachin, Hortensia Calvo, Charles Chadwyck-Healey, M. T. Clanchy, Stephen Colclough, Patricia Crain, J. S. Edgren, Simon Eliot, John Feather, David Finkelstein, David Greetham, Robert A. Gross, Deana Heath, Lotte Hellinga, T. H. Howard-Hill, Peter Kornicki, Beth Luey, Paul Luna, Russell L. Martin Ill, Jean-Yves Mollier, Angus Phillips, Eleanor Robson, Cornelia Roemer, Jonathan Rose, Emile G. L Schrijver, David J. Shaw, Graham Shaw, Claire Squires, Rietje van Vliet, James Wald, Rowan Watson, Alexis Weedon, Adriaan van der Weel, Wayne A. Wiegand, Eva Hemmungs Wirtén.
Author: Gerald W. R. Ward
Publisher:
ISBN: 0195313917
Category : Art
Languages : en
Pages : 848
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Book Description
"The Grove Encyclopedia of Materials and Techniques deals with all aspects of materials, techniques, conservation, and restoration in both traditional and nontraditional media, including ceramics, sculpture, metalwork, painting, works on paper, textiles, video, digital art, and more. Drawing upon the expansive scholarship in The Dictionary of Art and adding new entries, this work is a comprehensive reference resource for artists, art dealers, collectors, curators, conservators, students, researchers, and scholars." "Similar in design to The Grove Encyclopedia of Decorative Arts, this one-volume reference work contains articles of various lengths in alphabetical order. The shorter, more factual articles are combined with larger, multi-section articles tracing the development of materials and techniques in various geographical locations. The Encyclopedia provides unparalleled scope and depth, and it offers fully updated articles and bibliography as well as over 150 illustrations and color plates." "The Grove Encyclopedia of Materials and Techniques offers scholarly information on materials and techniques in art for anyone who studies, creates, collects, or deals in works of art. The entries are written to be accessible to a wide range of readers, and the work is designed as a reliable and convenient resource covering this essential area in the visual arts."
Author: Cyril Davenport
Publisher: London : K. Paul, Trench, Trübner
ISBN:
Category : Fiction
Languages : en
Pages : 266
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Book Description
Author: Alexandra Gillespie
Publisher: Cambridge University Press
ISBN: 0521889790
Category : Business & Economics
Languages : en
Pages : 397
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Book Description
This book studies approaches to the production of manuscripts in medieval England, from the first commercial guilds to the advent of print.
Author: Maggs Bros
Publisher: Maggs Bros. Ltd.
ISBN: 9780901953087
Category : Antiquarian booksellers
Languages : en
Pages : 536
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Book Description
Author: Geoffrey Dudley Hobson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 440
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Book Description
The work of G. D. Hobson on the history of bookbinding, in particular English medieval and Renaissance bindings, is well known. His studies on Romanesque English bookbinding marked a pioneer effort to trace the development of the art of binding in early medieval England, and remain the fundamental introduction to the subject. Similarly, his celebrated study of blind-stamped panels in the English Renaissance book-trade has become a classic. The author's interests also extended to French bindings, and his work on Parisian bookbinding in the first quarter of the sixteenth century is of great importance; it is reprinted here with a number of his other studies on Grolier bindings. The collection of these articles in one volume, with an introduction by A.R.A. Hobson, represents not only a valuable introduction to the work of one of the major authorities on English bookbinding, but also a compendium of some of the most outstanding contributions to the subject.
Author: William Salt Brassington
Publisher: London : Elliot Stock
ISBN:
Category : Bookbinding
Languages : en
Pages : 326
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Book Description
Author: Mirjam M. Foot
Publisher: Routledge
ISBN: 1351891766
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Among the many books in original bindings in Marsh's Library, Dublin, a surprisingly large number are in decorated blind- or gold-tooled, calf, pigskin or goatskin bindings, which date from the 15th to the 19th centuries. The bindings come from all over Europe, ranging from Ireland to eastern Europe. While most were made in England, some fine and interesting examples from Germany, Italy, France, Spain and Holland are also included. In this volume, leading scholar Mirjam Foot first gives an overview of how books were bound by hand and then describes the bindings by country of origin, within each section treating them chronologically and by type of decoration. The detailed descriptions of the bindings are illustrated with 52 black and white photos and 8 colour plates.
