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Author: Rupert Snell
Publisher: Psychology Press
ISBN: 9780728601758
Category : Foreign Language Study
Languages : en
Pages : 284
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Book Description
First published in 1991. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Rupert Snell
Publisher: Psychology Press
ISBN: 9780728601758
Category : Foreign Language Study
Languages : en
Pages : 284
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Book Description
First published in 1991. Routledge is an imprint of Taylor & Francis, an informa company.
Author:
Publisher: Arihant Publications India limited
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: AnjaliGera Roy
Publisher: Routledge
ISBN: 1351574000
Category : Music
Languages : en
Pages : 304
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Book Description
Bhangra is commonly understood as the hybrid music produced in Britain by British Asian music producers through mixing Panjabi folk melodies with western pop and black dance rhythms. This is derived from a Punjabi harvest dance of the same name. This book looks at Bhangra's global flows from one of its originary sites, the Indian subcontinent, to contribute to the understanding of emerging South Asian cultural practices such as Bhangra or Bollywood in multi-ethnic societies. It seeks to trace Bhangra's moves from Punjab and its 'return back' to look at the forces that initiate and regulate global flows of local texts and to ask how their producers and consumers redirect them to produce new definitions of culture, identity and nation. The critical importance of this book lies in understanding the difference between the present globalizing wave and previous trans-local movements. Gera Roy contrasts the frames of cultural imperialism with those of cultural invasion to show how Indian cultures have constantly reinvented themselves by cross-pollinating with 'invading' cultures such as Hellenic, Persian, Arabic and many others in the past. By looking at Bhangra's flows to and from India, the book revises the relation between culture, space and identity and challenges boundaries. It weighs both the uses and costs of visibility provided by global networks to marginalized groups in diverse localities and explores whether collaborations between Bhangra practitioners, largely of working class origin, give ordinary people any control over the circulation of culture in the global village. Finally, the book considers whether cultural practices can alter hierarchies and power structures in the real world.
Author: John Stratton Hawley
Publisher: Oxford University Press
ISBN: 019970600X
Category : Religion
Languages : en
Pages : 336
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Book Description
No Hindu god is closer to the soul of poetry than Krishna, and in North India no poet ever sang of Krishna more famously than SūrdD=as-or Sūr, for short. He lived in the sixteenth century and became so influential that for centuries afterward aspiring Krishna poets signed their compositions orally with his name. This book takes us back to the source, offering a selection of Sūrd=as's poems that were known and sung in the sixteenth century itself. Here we have poems of war, poems to the great rivers, poems of wit and rage, poems where the poet spills out his disappointments. Most of all, though, we have the memory of love-poems that adopt the voices of the women of Krishna's natal Braj country and evoke the power of being pulled into his irresistible orbit. Following the lead of several old manuscripts, Jack Hawley arranges these poems in such a way that they tell us Krishna's life story from birth to full maturity. These lyrics from Sūr's Ocean (the Sūrs=agar) were composed in the very tongue Hindus believe Krishna himself must have spoken: Brajbh=as=a, the language of Braj, a variety of Hindi. Hawley prepares the way for his verse translations with an introduction that explains what we know of Sūrd=as and describes the basic structure of his poems. For readers new to Krishna's world or to the subtleties of a poet like Sūrd=as, Hawley also provides a substantial set of analytical notes. "Sūr is the sun," as a familiar saying has it, and we feel the warmth of his light in these pages.
Author: Selina Thielemann
Publisher: APH Publishing
ISBN: 9788170249900
Category : Music
Languages : en
Pages : 180
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Book Description
It Is A Good Introduction To The Musico-Literary Traditions Of Vraja And The Collection Of Lectures And Short Essays Concentrate Upon Traditions Of Music Whether Sacred Or Secular, As An Act Of Divine Worship.
Author: Lina Khatib
Publisher: Columbia University Press
ISBN: 0231850255
Category : Performing Arts
Languages : en
Pages : 209
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Book Description
Storytelling in World Cinemas, Vol. 2: Contexts addresses the questions of what and why particular stories are told in films around the world, both in terms of the forms of storytelling used, and of the political, religious, historical, and social contexts informing cinematic storytelling. Drawing on films from all five continents, the book approaches storytelling from a cultural/historical multidisciplinary perspective, focusing on the influence of cultural politics, postcolonialism, women's social and cultural positions, and religious contexts on film stories. Like its sister volume, Storytelling in World Cinemas, Vol. 1: Forms, this book is an innovative addition to the academic study of world cinemas.
Author: Timothy Rommen
Publisher: Routledge
ISBN: 0429782942
Category : Music
Languages : en
Pages : 511
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Book Description
Excursions in World Music is a comprehensive introductory textbook to the musics of the world, creating a panoramic experience for students by engaging the many cultures around the globe, and highlighting the sheer diversity to be experienced in the world of music. At the same time, the text illustrates the often profound ways through which a deeper exploration of these many different communities can reveal overlaps, shared horizons, and common concerns in spite of, and because of, this very diversity. The new eighth edition features six brand new chapters, including chapters on Japan, Sub-Saharan Africa, China and Taiwan, Europe, Maritime Southeast Asia, and Indigenous Peoples. General updates have been made to other chapters, replacing visuals and updating charts/statistics. Another major addition to the eighth edition is the publication of a companion Reader, entitled Critical Themes in World Music. Each chapter in the Reader is designed to introduce students to a theoretical concept or thematic area within ethnomusicology and illustrate its possibilities by pointing to case studies drawn from at least three chapters in Excursions in World Music. Chapters include the following topics: Music, Gender, and Sexuality; Music and Ritual; Coloniality and "World Music"; Music and Space; Music and Diaspora; Communication, Technology, Media; Musical Labor, Musical Value; and Music and Memory. Instructors can use this resource as a primary or secondary path through the materials, either assigning chapters from the textbook and then digging deeper by exploring a chapter from the Reader, or starting with a Reader chapter and then moving into the musical specifics offered in the textbook chapters. Having available both an area studies and a thematic approach to the materials offers important flexibility to instructors and also provides students with additional means of engaging with the musics of the world. A companion website with a new test bank and fully updated instructor’s manual is available for instructors. Numerous resources are posted for students, including streamed audio listening, additional resources (such as links to YouTube videos or websites), a musical fundamentals essay (introducing concepts such as meter, melody, harmony, form, etc.), interactive quizzes, and flashcards. PURCHASING OPTIONS Textbook and Reader Package (Paperback): 9781138354630 Textbook Only (Hardback): 9781138359369 Textbook Only (Paperback): 9781138359390 Textbook Only (eBook): 9780429433757 Reader Only (Hardback): 9781138354562 Reader Only (Paperback): 9781138354609 Reader Only (eBook): 9780429424717 **VISIT THE COMPANION WEBSITE** www.routledgetextbooks.com/textbooks/9781138359390
Author: Michael S. Allen
Publisher: Oxford University Press
ISBN: 0197638953
Category : Philosophy
Languages : en
Pages : 249
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Book Description
"Advaita Vedåanta is one of the best-known schools of Indian philosophy, but much of its history-a history closely interwoven with that of medieval and modern Hinduism-remains surprisingly unexplored. This book focuses on a single remarkable work and its place within that history: The Ocean of Inquiry, a vernacular compendium of Advaita Vedåanta by the North Indian monk Niâscaldåas (ca. 1791 - 1863). Though not well known today, Niâscaldåas's work was once referred to by Vivekananda (himself a key figure in the shaping of modern Hinduism) as the most influential book in India. The present book situates The Ocean of Inquiry as a representative of both a neglected genre (vernacular Vedåanta) and a neglected period (ca. 17th-19th centuries) in the history of Indian philosophy. It argues that the rise of Advaita Vedåanta to a position of prestige began well before the period of British rule in India, and that vernacular texts like The Ocean of Inquiry played an important role in popularizing Vedåantic teachings. It also offers a new appraisal of the period of late Advaita Vedåanta, arguing that it should not be seen as one of barren scholasticism. For thinkers like Niâscaldåas, intellectual "inquiry" (vicåara) was not an academic exercise but a spiritual practice-indeed, it was the central practice on the path to liberation. The book concludes by arguing that without understanding both vernacular Vedåanta and the scholasticism of the period, one cannot fully understand the emergence of modern Hinduism"--
Author: Rachel Fell McDermott
Publisher: Columbia University Press
ISBN: 0231510926
Category : History
Languages : en
Pages : 1025
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Book Description
For more than fifty years, students and teachers have made the two-volume resource Sources of Indian Traditions their top pick for an accessible yet thorough introduction to Indian and South Asian civilizations. Volume 2 contains an essential selection of primary readings on the social, intellectual, and religious history of India from the decline of Mughal rule in the eighteenth century to today. It details the advent of the East India Company, British colonization, the struggle for liberation, the partition of 1947, and the creation of Pakistan, Bangladesh, and contemporary India. This third edition now begins earlier than the first and second, featuring a new chapter on eighteenth-century intellectual and religious trends that set the stage for India's modern development. The editors have added material on Gandhi and his reception both nationally and abroad and include different perspectives on and approaches to Partition and its aftermath. They expand their portrait of post-1947 India and Pakistan and add perspectives on Bangladesh. The collection continues to be divided thematically, with a section devoted to the drafting of the Indian constitution, the rise of nationalism, the influence of Western thought, the conflict in Kashmir, nuclear proliferation, minority religions, secularism, and the role of the Indian political left. A phenomenal text, Sources of Indian Traditions is more indispensable than ever for courses in philosophy, religion, literature, and intellectual and cultural history.
Author: Lucy L. Rosenstein
Publisher: BRILL
ISBN: 9004646655
Category : History
Languages : en
Pages : 438
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Book Description
The 16th-century North Indian religious devotee, poet and musician, Svāmī Haridās, composed lyrics in Braj Bhāṣā, dedicated to the divine couple Rādhā and Kṛṣṇa. One hundred twenty-eight of them were later compiled in two anthologies: the didactic Aṣṭādaś siddhānta and the rapturous Kelimāl, and became the theological basis of the Haridāsī sampradāya, a sect which still flourishes in Vrindaban, U.P. Neither of these important works has hitherto been edited, properly translated or studied academically. The focus of this book is the text of Haridās’s poetry: its transmission, edition and interpretation. Sixteen 18th-19th century manuscripts are collated for the edition and classified with the help of computer programmes originally employed in taxonomy. The apparatus criticus is followed by an annotated English translation in which readings are assessed and points of linguistic interest discussed. The language of Haridās’s text is thoroughly examined, and a comprehensive etymological glossary is included to enhance our knowledge of Braj. Going beyond textual criticism, the book sets Haridās’s verses in a broader context. The introductory chapter discusses the theological views of the Haridāsī tradition against the background of bhakti, analyses the sources of information about Haridās, and attempts to reconstruct his life. Since Haridās’s lyrics were composed to be sung some of their musical features are analysed. The text of the Kelimāl is also examined through the sectarian concerns of its main commentaries. This study will be an important source of information to all scholars of Braj language and Kṛṣṇa devotionalism.
