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Author: Darcy Coates
Publisher: Black Owl Books
ISBN:
Category : Fiction
Languages : en
Pages : 303
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Book Description
When Jenine finds an abandoned polaroid camera, she playfully snaps a photo without a second thought. But there's something wrong with the image: a ghostly figure stands in the background, watching her. Fixated on her. Moving one step closer with every picture she takes. Desperate, Jenine shares her secret with her best friend, Bree. Together they realize the camera captures unsettling impressions of the dead. But now the ghosts seem to be following the two friends. And with each new photo taken, a terrible danger grows ever clearer… DISCOVER CHILLING NEW BONUS STORIES, INCLUDING: A woman survives a plane crash in a remote arctic tundra, accompanied only by a stranger who seems fixated on something moving through the blinding snow. A house stands empty. Hungry. Waiting for the children drawn to it like moths to a flame. A woman finds a shoebox filled with old VHS tapes. They have a note attached: "Don't watch. You'll regret it." And more
Author: Darcy Coates
Publisher: Black Owl Books
ISBN:
Category : Fiction
Languages : en
Pages : 303
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Book Description
When Jenine finds an abandoned polaroid camera, she playfully snaps a photo without a second thought. But there's something wrong with the image: a ghostly figure stands in the background, watching her. Fixated on her. Moving one step closer with every picture she takes. Desperate, Jenine shares her secret with her best friend, Bree. Together they realize the camera captures unsettling impressions of the dead. But now the ghosts seem to be following the two friends. And with each new photo taken, a terrible danger grows ever clearer… DISCOVER CHILLING NEW BONUS STORIES, INCLUDING: A woman survives a plane crash in a remote arctic tundra, accompanied only by a stranger who seems fixated on something moving through the blinding snow. A house stands empty. Hungry. Waiting for the children drawn to it like moths to a flame. A woman finds a shoebox filled with old VHS tapes. They have a note attached: "Don't watch. You'll regret it." And more
Author: R. L. Stine
Publisher: Scholastic Inc.
ISBN: 0545405831
Category : Juvenile Fiction
Languages : en
Pages : 123
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Book Description
Goosebumps now on Disney+! Greg thinks there is something wrong with the old camera he found. The photos keep turning out . . . different.When Greg takes a picture of his father's brand-new car, it's wrecked in the photo. And then his dad crashes the car.It's like the camera can tell the future--or worse. Maybe it makes the future!Who is going to take the fall next for the evil camera?Now with all-new bonus material!
Author: Paige McKenzie
Publisher: Hachette Books
ISBN: 1602862737
Category : Young Adult Fiction
Languages : en
Pages : 305
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Book Description
A New York Times bestseller The Haunting of Sunshine Girl,in active development for television by The Weinstein Company, a hit paranomal YA series based on the wildly popular YouTube channel about an "adorkable" teenager living in a haunted house. Shortly after her sixteenth birthday, Sunshine Griffith and her mother Kat move from sunny Austin, Texas, to the rain-drenched town of Ridgemont, Washington. Though Sunshine is adopted, she and her mother have always been close, sharing a special bond filled with laughter and inside jokes. But from the moment they arrive, Sunshine feels her world darken with an eeriness she cannot place. And even if Kat doesn't recognize it, Sunshine knows that something about their new house is just ... creepy. In the days that follow, things only get stranger. Sunshine is followed around the house by an icy breeze, phantom wind slams her bedroom door shut, and eventually, the laughter Sunshine hears on her first night evolves into sobs. She can hardly believe it, but as the spirits haunting her house become more frightening-and it becomes clear that Kat is in danger-Sunshine must accept what she is, pass the test before her, and save her mother from a fate worse than death.
Author: Corinne May Botz
Publisher: The Monacelli Press, LLC
ISBN: 1580932916
Category : Photography
Languages : en
Pages : 210
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Book Description
“When I was between the ages of five and eight, my sister and I slept in a large attic bedroom. At nightfall the room was filled with gypsies who glided around in clusters. They wore colorful thin flowing dresses and rummaged greedily through my drawers and books as if they would steal everything. I lay in bed as stiff as a board, trying to will myself invisible, praying they would not notice me looking . . . Daylight obliterated the gypsies, rendering them as thoroughly insubstantial as they had been real in the dark. I had a vague understanding that my vision was private, so I never told my family what I saw.” So began Corinne May Botz’s fascination with the invisible, a phenomenon that has profoundly influenced her approach to photography in style and subject matter. For more than ten years, she searched for ghost stories in buildings across the United States. She ventured into these haunted places with both camera and tape recorder in hand; her photographs, accompanied by first-person narratives, reveal a rare glimpse into American interiors, both physical and psychological. This book includes more than eighty haunted buildings, from the legendary to the ordinary, including Edgar Allan Poe’s house in Baltimore, a New Jersey tavern, and a Massachusetts farmhouse, a log cabin in Kentucky, and a number of private residences. The text includes ghost stories told to the author by those who lived through the moving rugs, creaking floors, apparitions, disappearing—and reappearing—objects, cries in the night, mysteriously burning candles, and other unexplained occurrences.
Author: Drac Von Stoller
Publisher: Drac Von Stoller
ISBN: 1476373299
Category : Fiction
Languages : en
Pages : 7
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Book Description
Delbert Gray was an amateur photographer with a hunger for fame. The camera Delbert used was a cheap Kodak Instamatic. You can see why Delbert dreamed of owning a Nikon like his rich friend Michael. Michael would let his friend Delbert develop his pictures in his dark room while he was developing his own. Delbert envied Michael's photographs and would often close his eyes and daydream about being a famous photographer someday. Delbert was only fifteen years old. He wasn't old enough to get a job like his friend Michael and bring in a big paycheck. As Michael was puffing on his cigarette in the dark room developing his film beside Delbert, Michael would often make remarks about Delbert's photographs and tell him if he wanted to take pictures like him he needed to throw that cheap camera in the trash and buy one like his. Delbert replied with a lump in his throat "You know I don't have a job and my parents wouldn't even consider buying me a camera such as yours." Michael replied, "You know something Delbert, either you get a good quality camera or I'm going to ask you to stop developing your photographs in my dark room. Your photographs are pathetic." Delbert answered back in a sad tone of voice, "That wasn't a very nice thing to say to your friend." "I know, but it’s the truth and sometimes the truth hurts," exclaimed Michael. "Well let me tell you something Michael, I'm going to own a camera like yours someday and when I do you'll be jealous of me," said Delbert in a stern voice. Delbert took his Instamatic camera and photographs with him and told Michael he wouldn't be back to see him until he found that special camera. Michael just laughed and said to Delbert," Looks like I'll be in the old folks home when that happens." Delbert exited the dark room and slammed the door behind him, walked home, and threw his Instamatic camera at his bedroom wall. Delbert said, "What have I done, now I don't have a camera. What am I going to do now?" Delbert sat on his bed crying because he knew he had no way of replacing the Instamatic camera he had just broken. Delbert made up a story about how the camera broke, but his father just laughed and said," Are you out of your mind? You'll be able to get a job in about a year then you can buy yourself a new camera." Delbert's father turned away and told Delbert he didn't want to hear any whining about how I should buy him a new camera. Delbert yelled at his father saying," But Dad it was an accident." Delbert's father turned back around and kicked him in his rear end and slammed the door behind him. Delbert lay down on his bed and cried his eyes out the rest of the night. Morning came and Delbert wiped the remaining tears from his cheeks. Delbert took a deep breath and said a prayer. Delbert decided instead of lying in bed all day sulking about why his friend Michael would be saying I told you so. Delbert got dressed and grabbed an apple from the kitchen and a soda headed down the road on foot in search of that special camera. As Delbert was walking around the town square he came across an Antique shop that had an old bellows camera in the display window. Delbert said to himself, "If I could just have that camera I bet it would take better pictures than Michael's." Delbert slumped over with tears again flowing down his cheeks knowing in reality there was no way he could afford such a beautiful camera. Just as Delbert was walking past the Antique shop, an old man opened the door came up to Delbert, and said, "I noticed you were looking at that old camera in the window as if it belonged to you." Delbert answered, "Yes, Sir, I was only wishing. I knew in my heart I could not afford such a beautiful camera. Besides, I don't even have a job or any money to give you and my father told me the only way I could buy a new camera was to get a job next year. By that time your camera would be gone and I would be heartbroken once more. Well, I better be on my way, because if I don't get home soon my dad is going to whoop me." "Not so fast!” the old man said in a tender voice. I've never had anyone come by my shop and want any of my antiques like you have. I tell you what if you want the camera it’s yours to keep. Don't worry about the money your money is no good to me. There's only one condition. Bring me a copy of the photos you take. I have a scrapbook that I would like to place them in. That's all I ask of you. What do you say?" Delbert answered back eagerly, "Yes, Sir, Delbert started crying because his prayer had been answered.
Author: Philip Steadman
Publisher:
ISBN: 9780192803023
Category : Art
Languages : en
Pages : 238
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Book Description
Art historians have long speculated on how Vermeer achieved the uncanny mixture of detached precision, compositional repose, and perspective accuracy that have drawn many to describe his work as "photographic." Indeed, many wonder if Vermeer employed a camera obscura, a primitive form of camera, to enhance his realistic effects? In Vermeer's Camera, Philip Steadman traces the development of the camera obscura--first described by Leonaro da Vinci--weighs the arguments that scholars have made for and against Vermeer's use of the camera, and offers a fascinating examination of the paintings themselves and what they alone can tell us of Vermeer's technique. Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects--the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself. Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created.
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 866
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Book Description
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 608
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Book Description
Author: Lee Kovacs
Publisher: McFarland
ISBN: 0786426055
Category : Performing Arts
Languages : en
Pages : 193
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Book Description
While ghosts often inhabit films and literature devoted to the horror genre, a group of literature-based films from the 1930s and 1940s presents more human and romantic apparitions. These films provide the underpinnings for many of the gentle supernatural films of the 1990s. Tracing the links between specters as diverse as Rex Harrison's Captain Gregg and Patrick Swazye's Sam Wheat, the text presents the evolution of the cinematic-literary ghost from classic Gothic to the psychological, sociological, and political ideologies of today. Included are analyses of the literary and film versions of classic ghost stories--Wuthering Heights, The Ghost and Mrs. Muir, Portrait of Jennie, Letter from an Unknown Woman, The Uninvited, Liliom, and Our Town--as well as interpretations of modern films not based on literary works that show the influence of these predecessors--Ghost and Truly, Madly, Deeply. The text includes stills, a bibliography, and an index.
Author: Peter Buse
Publisher: University of Chicago Press
ISBN: 022617638X
Category : Art
Languages : en
Pages : 323
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Book Description
What makes Polaroid photography stand out? Since its invention by Edwin Land in 1947, how has it crept into our common culture in the ways we witness today? Writing in the context of the two bankruptcies of Polaroid Corporation and the decline and obsolescence of its film, Peter Buse argues that Polaroid photography is distinguished by its process. The fact that, as the "New York Times" put it, the camera does the rest, encouraged distinctive practices by the camera s users, including its most famous use: as a party camera. Polaroid was often dismissed as a toy, but this book takes its status as a toy seriously, considering the way it opened up photographic play while simultaneously lowering its own cultural value. Drawing on unprecedented access to the archives of the Polaroid Corporation, Buse paints Polaroid as an intimate form, where the photographer, photograph, and photographed are in close proximity in time and space. This has profound implications for the photographic practices Polaroid cameras permit and encourage, such as the sexual Polaroid, evidence of which the author pulls from literature, film, and pop culture, or Polaroid as a form of play, a fun technology, an ice breaker that can make things happen. Buse also tells the story of Polaroid s response as a company to developments in digital imaging and its ultimately doomed hard-copy wager in the face of them. Pushing further, he explores the continuities and discontinuities between Polaroid and digital snapshot practices, reflecting on what Polaroid can tell us about digital photography today. "
