Author: George Hutchinson
Publisher: Harvard University Press
ISBN: 9780674372627
Category : Education
Languages : en
Pages : 566
Book Description
By restoring interracial dimensions left out of accounts of the Harlem Renaissance--or blamed for corrupting it--George Hutchinson transforms our understanding of black (and white) literary modernism, interracial literary relations, and twentieth-century cultural nationalism in the United States.
The Harlem Renaissance in Black and White
Author: George Hutchinson
Publisher: Harvard University Press
ISBN: 9780674372627
Category : Education
Languages : en
Pages : 566
Book Description
By restoring interracial dimensions left out of accounts of the Harlem Renaissance--or blamed for corrupting it--George Hutchinson transforms our understanding of black (and white) literary modernism, interracial literary relations, and twentieth-century cultural nationalism in the United States.
Publisher: Harvard University Press
ISBN: 9780674372627
Category : Education
Languages : en
Pages : 566
Book Description
By restoring interracial dimensions left out of accounts of the Harlem Renaissance--or blamed for corrupting it--George Hutchinson transforms our understanding of black (and white) literary modernism, interracial literary relations, and twentieth-century cultural nationalism in the United States.
Carl Van Vechten and the Harlem Renaissance
Author: Emily Bernard
Publisher: Yale University Press
ISBN: 0300183291
Category : Biography & Autobiography
Languages : en
Pages : 300
Book Description
By the time of his death in 1964, Carl Van Vechten had been a far-sighted journalist, a best-selling novelist, a consummate host, an exhaustive archivist, a prescient photographer, and a Negrophile bar non. A white man with an abiding passion for blackness.
Publisher: Yale University Press
ISBN: 0300183291
Category : Biography & Autobiography
Languages : en
Pages : 300
Book Description
By the time of his death in 1964, Carl Van Vechten had been a far-sighted journalist, a best-selling novelist, a consummate host, an exhaustive archivist, a prescient photographer, and a Negrophile bar non. A white man with an abiding passion for blackness.
Black Culture and the Harlem Renaissance
Author: Cary D. Wintz
Publisher:
ISBN:
Category : History
Languages : en
Pages : 296
Book Description
Harlem symbolized the urbanization of black America in the 1920s and 1930s. Home to the largest concentration of African Americans who settled outside the South, it spawned the literary and artistic movement known as the Harlem Renaissance. Its writers were in the vanguard of an attempt to come to terms with black urbanization. They lived it and wrote about it. First published in 1988, Black Culture and the Harlem Renaissance examines the relationship between the community and its literature. Author Cary Wintz analyzes the movement's emergence within the framework of the black social and intellectual history of early twentieth-century America. He begins with Booker T. Washington, W. E. B. Du Bois, and others whose work broke barriers for the Renaissance writers to come. With an emphasis on social issues--like writers and politics, the role of black women, and the interplay between black writers and the white community--Wintz traces the rise and fall of the movement. Of special interest is material from the Knopf Collection and the papers of several Renaissance figures acquired by the Harry Ransom Humanities Research Center at the University of Texas at Austin. It reveals much of interest about the relationship between the publishing world, its writers, and their patrons--both black and white.
Publisher:
ISBN:
Category : History
Languages : en
Pages : 296
Book Description
Harlem symbolized the urbanization of black America in the 1920s and 1930s. Home to the largest concentration of African Americans who settled outside the South, it spawned the literary and artistic movement known as the Harlem Renaissance. Its writers were in the vanguard of an attempt to come to terms with black urbanization. They lived it and wrote about it. First published in 1988, Black Culture and the Harlem Renaissance examines the relationship between the community and its literature. Author Cary Wintz analyzes the movement's emergence within the framework of the black social and intellectual history of early twentieth-century America. He begins with Booker T. Washington, W. E. B. Du Bois, and others whose work broke barriers for the Renaissance writers to come. With an emphasis on social issues--like writers and politics, the role of black women, and the interplay between black writers and the white community--Wintz traces the rise and fall of the movement. Of special interest is material from the Knopf Collection and the papers of several Renaissance figures acquired by the Harry Ransom Humanities Research Center at the University of Texas at Austin. It reveals much of interest about the relationship between the publishing world, its writers, and their patrons--both black and white.
The Harlem Renaissance and the Idea of a New Negro Reader
Author: Shawn Anthony Christian
Publisher: Studies in Print Culture and t
ISBN: 9781625342010
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
Introduction. The New Negro is reading -- Creating critical frameworks: three models for the New Negro Reader -- In search of Black writers (and readers): Crisis's and Opportunity's literary contests -- Beyond the New Negro: artistry, audience, and the Harlem Renaissance literary anthology -- Pedagogy for critical readership: James Weldon Johnson's English 123 -- Epilogue. On African American writers and readers
Publisher: Studies in Print Culture and t
ISBN: 9781625342010
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
Introduction. The New Negro is reading -- Creating critical frameworks: three models for the New Negro Reader -- In search of Black writers (and readers): Crisis's and Opportunity's literary contests -- Beyond the New Negro: artistry, audience, and the Harlem Renaissance literary anthology -- Pedagogy for critical readership: James Weldon Johnson's English 123 -- Epilogue. On African American writers and readers
The Black Chicago Renaissance
Author: Darlene Clark Hine
Publisher: University of Illinois Press
ISBN: 0252094395
Category : Social Science
Languages : en
Pages : 273
Book Description
Beginning in the 1930s, Black Chicago experienced a cultural renaissance that lasted into the 1950s and rivaled the cultural outpouring in the Harlem Renaissance of the 1920s. The contributors to this volume analyze this prolific period of African American creativity in music, performance art, social science scholarship, and visual and literary artistic expression. Unlike Harlem, Chicago was an urban industrial center that gave a unique working class and internationalist perspective to the cultural work being done in Chicago. This collection's various essays discuss the forces that distinguished the Black Chicago Renaissance from the Harlem Renaissance and placed the development of black culture in a national and international context. Among the topics discussed in this volume are Chicago writers Gwendolyn Brooks and Richard Wright, The Chicago Defender and Tivoli Theater, African American music and visual arts, and the American Negro Exposition of 1940. Contributors are Hilary Mac Austin, David T. Bailey, Murry N. DePillars, Samuel A. Floyd Jr., Erik S. Gellman, Jeffrey Helgeson, Darlene Clark Hine, John McCluskey Jr., Christopher Robert Reed, Elizabeth Schlabach, and Clovis E. Semmes.
Publisher: University of Illinois Press
ISBN: 0252094395
Category : Social Science
Languages : en
Pages : 273
Book Description
Beginning in the 1930s, Black Chicago experienced a cultural renaissance that lasted into the 1950s and rivaled the cultural outpouring in the Harlem Renaissance of the 1920s. The contributors to this volume analyze this prolific period of African American creativity in music, performance art, social science scholarship, and visual and literary artistic expression. Unlike Harlem, Chicago was an urban industrial center that gave a unique working class and internationalist perspective to the cultural work being done in Chicago. This collection's various essays discuss the forces that distinguished the Black Chicago Renaissance from the Harlem Renaissance and placed the development of black culture in a national and international context. Among the topics discussed in this volume are Chicago writers Gwendolyn Brooks and Richard Wright, The Chicago Defender and Tivoli Theater, African American music and visual arts, and the American Negro Exposition of 1940. Contributors are Hilary Mac Austin, David T. Bailey, Murry N. DePillars, Samuel A. Floyd Jr., Erik S. Gellman, Jeffrey Helgeson, Darlene Clark Hine, John McCluskey Jr., Christopher Robert Reed, Elizabeth Schlabach, and Clovis E. Semmes.
The New Negro
Author: Alain Locke
Publisher: Courier Dover Publications
ISBN: 0486849163
Category : Literary Collections
Languages : en
Pages : 450
Book Description
Widely regarded as the key text of the Harlem Renaissance, this landmark anthology of fiction, poetry, essays, drama, music, and illustration includes contributions by Langston Hughes, Zora Neale Hurston, Claude McKay, James Weldon Johnson, and other luminaries.
Publisher: Courier Dover Publications
ISBN: 0486849163
Category : Literary Collections
Languages : en
Pages : 450
Book Description
Widely regarded as the key text of the Harlem Renaissance, this landmark anthology of fiction, poetry, essays, drama, music, and illustration includes contributions by Langston Hughes, Zora Neale Hurston, Claude McKay, James Weldon Johnson, and other luminaries.
A History of the Harlem Renaissance
Author: Rachel Farebrother
Publisher: Cambridge University Press
ISBN: 1108640508
Category : Literary Criticism
Languages : en
Pages : 453
Book Description
The Harlem Renaissance was the most influential single movement in African American literary history. The movement laid the groundwork for subsequent African American literature, and had an enormous impact on later black literature world-wide. In its attention to a wide range of genres and forms – from the roman à clef and the bildungsroman, to dance and book illustrations – this book seeks to encapsulate and analyze the eclecticism of Harlem Renaissance cultural expression. It aims to re-frame conventional ideas of the New Negro movement by presenting new readings of well-studied authors, such as Zora Neale Hurston and Langston Hughes, alongside analysis of topics, authors, and artists that deserve fuller treatment. An authoritative collection on the major writers and issues of the period, A History of the Harlem Renaissance takes stock of nearly a hundred years of scholarship and considers what the future augurs for the study of 'the New Negro'.
Publisher: Cambridge University Press
ISBN: 1108640508
Category : Literary Criticism
Languages : en
Pages : 453
Book Description
The Harlem Renaissance was the most influential single movement in African American literary history. The movement laid the groundwork for subsequent African American literature, and had an enormous impact on later black literature world-wide. In its attention to a wide range of genres and forms – from the roman à clef and the bildungsroman, to dance and book illustrations – this book seeks to encapsulate and analyze the eclecticism of Harlem Renaissance cultural expression. It aims to re-frame conventional ideas of the New Negro movement by presenting new readings of well-studied authors, such as Zora Neale Hurston and Langston Hughes, alongside analysis of topics, authors, and artists that deserve fuller treatment. An authoritative collection on the major writers and issues of the period, A History of the Harlem Renaissance takes stock of nearly a hundred years of scholarship and considers what the future augurs for the study of 'the New Negro'.
Women Artists of the Harlem Renaissance
Author: Amy Helene Kirschke
Publisher: Univ. Press of Mississippi
ISBN: 1626742073
Category : Art
Languages : en
Pages : 311
Book Description
Women artists of the Harlem Renaissance dealt with issues that were unique to both their gender and their race. They experienced racial prejudice, which limited their ability to obtain training and to be taken seriously as working artists. They also encountered prevailing sexism, often an even more serious barrier. Including seventy-two black-and-white illustrations, this book chronicles the challenges of women artists, who are in some cases unknown to the general public, and places their achievements in the artistic and cultural context of early twentieth-century America. Contributors to this first book on the women artists of the Harlem Renaissance proclaim the legacy of Edmonia Lewis, Meta Vaux Warrick Fuller, Augusta Savage, Selma Burke, Elizabeth Prophet, Lois Maillou Jones, Elizabeth Catlett, and many other painters, sculptors, and printmakers. In a time of more rigid gender roles, women artists faced the added struggle of raising families and attempting to gain support and encouragement from their often-reluctant spouses in order to pursue their art. They also confronted the challenge of convincing their fellow male artists that they, too, should be seen as important contributors to the artistic innovation of the era.
Publisher: Univ. Press of Mississippi
ISBN: 1626742073
Category : Art
Languages : en
Pages : 311
Book Description
Women artists of the Harlem Renaissance dealt with issues that were unique to both their gender and their race. They experienced racial prejudice, which limited their ability to obtain training and to be taken seriously as working artists. They also encountered prevailing sexism, often an even more serious barrier. Including seventy-two black-and-white illustrations, this book chronicles the challenges of women artists, who are in some cases unknown to the general public, and places their achievements in the artistic and cultural context of early twentieth-century America. Contributors to this first book on the women artists of the Harlem Renaissance proclaim the legacy of Edmonia Lewis, Meta Vaux Warrick Fuller, Augusta Savage, Selma Burke, Elizabeth Prophet, Lois Maillou Jones, Elizabeth Catlett, and many other painters, sculptors, and printmakers. In a time of more rigid gender roles, women artists faced the added struggle of raising families and attempting to gain support and encouragement from their often-reluctant spouses in order to pursue their art. They also confronted the challenge of convincing their fellow male artists that they, too, should be seen as important contributors to the artistic innovation of the era.
Rhapsodies in Black
Author: Richard J. Powell
Publisher: Univ of California Press
ISBN: 9780520212633
Category : Art
Languages : en
Pages : 212
Book Description
Published to accompany exhibition held at the Hayward Gallery, London, 19/6 - 17/8 1997.
Publisher: Univ of California Press
ISBN: 9780520212633
Category : Art
Languages : en
Pages : 212
Book Description
Published to accompany exhibition held at the Hayward Gallery, London, 19/6 - 17/8 1997.
When Harlem Was in Vogue
Author: David Levering Lewis
Publisher: Penguin
ISBN: 0140263349
Category : Social Science
Languages : en
Pages : 449
Book Description
"A major study...one that thorougly interweaves the philosophies and fads, the people and movements that combined to give a small segment of Afro America a brief place in the sun."—The New York Times Book Review.
Publisher: Penguin
ISBN: 0140263349
Category : Social Science
Languages : en
Pages : 449
Book Description
"A major study...one that thorougly interweaves the philosophies and fads, the people and movements that combined to give a small segment of Afro America a brief place in the sun."—The New York Times Book Review.