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Author: Michael Kennedy
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 180
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Book Description
Author: Michael Kennedy
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 180
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Book Description
Author: Jonathan Tobutt
Publisher: Cambridge Scholars Publishing
ISBN: 1527510808
Category : Music
Languages : en
Pages : 133
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Book Description
In this study of Léon Goossens’ musical life, the author reassesses the current limited and fragmented perspectives of Léon’s contribution to British oboe playing through his interpretative and performance strategies, his orchestral and solo careers, the people who influenced and were influenced by him, his character as reported by those who studied and worked with him and, significantly, his pivotal role as a catalyst for new compositions that created a considerable library of British oboe music addressing a paucity in the repertoire. To place Léon’s impact in the context of the oboe’s history in Britain, factors concerning the influence of the French School on the British style of oboe playing are explored, as well as the entrenched polarised attitudes towards the instrument and a solo compositional vacuum prevalent in the late nineteenth and early twentieth centuries that ultimately provided a platform for a restoration of the instrument’s status.
Author:
Publisher: R. R. Bowker
ISBN:
Category : Reference
Languages : en
Pages : 1438
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Book Description
Author:
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 1144
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Book Description
A biographical record of contemporary achievement together with a key to the location of the original biographical notes.
Author:
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 140
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 206
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Book Description
Author: Robert Beale
Publisher: Routledge
ISBN: 1351572318
Category : Music
Languages : en
Pages : 321
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Book Description
Charles Hall?as one of the leading musicians of the nineteenth century and intimate with almost all of the great composers and performers of his time, as well as a friend of the Royal Family and known as much as a pianist and chamber musician as a conductor, in London, throughout the country and abroad, in addition to Manchester. Robert Beale presents a new perspective on Hall? life and achievement, constructed mainly from primary sources, which serves to dispel many of the inaccuracies and omissions that have stemmed, to a great extent, from Hall? own autobiographical account of 1896. His edited memoirs omit much of the competition and controversy, struggles and disappointments of his career in Manchester, and, indeed, hardly convey the scope of his activities elsewhere. Hall?as a key figure in the shift from contemporary to ?classical? repertory in orchestral concerts and piano performance. Not only did he found the Manchester orchestra, in 1862-3 he also gave the first known cycle of Beethoven's piano sonatas. His early annual ?recital? series in London marked a new era in the musical history of his time. The formation of the modern 'symphony orchestra' took place during the period of Hall? professional life, and he was a pioneer in the process, in both artistic and business terms. Having adopted the role of orchestral conductor when it was itself relatively novel, he became one of the acknowledged masters of the craft over four and half decades - as well as continuing to appear as solo pianist and chamber musician, and in addition he was enormously influential as musical pedagogue and educationist.
Author: J.B. Muns (Firm)
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 220
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Book Description
Author: Robert Beale
Publisher: Routledge
ISBN: 1351572326
Category : Music
Languages : en
Pages : 301
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Book Description
Charles Hall as one of the leading musicians of the nineteenth century and intimate with almost all of the great composers and performers of his time, as well as a friend of the Royal Family and known as much as a pianist and chamber musician as a conductor, in London, throughout the country and abroad, in addition to Manchester. Robert Beale presents a new perspective on Hall life and achievement, constructed mainly from primary sources, which serves to dispel many of the inaccuracies and omissions that have stemmed, to a great extent, from Hall own autobiographical account of 1896. His edited memoirs omit much of the competition and controversy, struggles and disappointments of his career in Manchester, and, indeed, hardly convey the scope of his activities elsewhere. Hall as a key figure in the shift from contemporary toclassical repertory in orchestral concerts and piano performance. Not only did he found the Manchester orchestra, in 1862-3 he also gave the first known cycle of Beethoven's piano sonatas. His early annualrecital series in London marked a new era in the musical history of his time. The formation of the modern 'symphony orchestra' took place during the period of Hall professional life, and he was a pioneer in the process, in both artistic and business terms. Having adopted the role of orchestral conductor when it was itself relatively novel, he became one of the acknowledged masters of the craft over four and half decades - as well as continuing to appear as solo pianist and chamber musician, and in addition he was enormously influential as musical pedagogue and educationist.
Author: Friedrich Ueberweg
Publisher:
ISBN:
Category :
Languages : en
Pages : 508
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Book Description
