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Author: Muriel Clara Bradbrook
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 280
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Book Description
Author: Muriel Clara Bradbrook
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 280
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Book Description
Author: M.C. Bradbrook
Publisher: Univ of California Press
ISBN: 0520345983
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1956.
Author: Muriel Clara Bradbrook
Publisher:
ISBN: 9780391003194
Category : English drama
Languages : en
Pages : 264
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Book Description
Author: Muriel Clara Bradbrook
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 260
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Book Description
Author: M. C. Bradbrook
Publisher: Cambridge University Press
ISBN: 9780521295314
Category : Literary Criticism
Languages : en
Pages :
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Author: Muriel Clara Bradbrook
Publisher: CUP Archive
ISBN: 9780521295260
Category : English drama
Languages : en
Pages : 276
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Book Description
Author: M. C. Bradbrook
Publisher: Cambridge University Press
ISBN: 9780521295314
Category : Literary Criticism
Languages : en
Pages :
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Author: Larry S. Champion
Publisher: Harvard University Press
ISBN: 9780674271418
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
The evolution of Shakespeare's comedy, in Larry Champion's view, is apparent in the expansion of his comic vision to include a complete reflection of human life while maintaining a comic detachment for the audience. Like the other popular dramatists of Elizabethan England, Shakespeare used the diverse comic motifs and devices which time and custom had proved effective. He went further, however, and created progressively deeper levels of characterization and plot interaction, thereby forming characters who were not merely devices subordinated to the needs of the plot. Shakespeare's development as a comic playwright, suggests Champion, was "consistently in the direction of complexity or depth of characterization." His earliest works, like those of his contemporaries, are essentially situation comedies: the humor arises from action rather than character. There is no significant development of the main characters; instead, they are manipulated into situations which are humorous as a result, for example, of mistaken identity or slapstick confusion. The ensuing phase of Shakespeare's comedy sets forth plots in which the emphasis is on identity rather than physical action, a revelation of character which occurs in one of two forms: either a hypocrite is exposed for what he actually is or a character who has assumed an unnatural or abnormal pose is forced to realize and admit the ridiculousness of his position. In the final comedies involving sin and sacrificial forgiveness, however, character development is concerned with a "transformation of values." Although each of the comedies is discussed, Champion concentrates on nine, dividing them according to the complexity of characterization. He pursues as well the playwright's efforts to achieve for the spectator the detached stance so vital to comedy. Shakespeare obtained this perspective, Champion observes, through experimentation with the use of material mirroring the main action--mockery, parody, or caricature--and through the use of a "comic pointer" who is himself involved in the action but is sufficiently independent of the other characters to provide the audience with an omniscient view.
Author: Heather Hirschfeld
Publisher: Oxford University Press
ISBN: 0191043451
Category : Literary Criticism
Languages : en
Pages : 592
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Book Description
The Oxford Handbook of Shakespearean Comedy offers critical and contemporary resources for studying Shakespeare's comic enterprises. It engages with perennial, yet still urgent questions raised by the comedies and looks at them from a range of new perspectives that represent the most recent methodological approaches to Shakespeare, genre, and early modern drama. Several chapters take up firmly established topics of inquiry such Shakespeare's source materials, gender and sexuality, hetero- and homoerotic desire, race, and religion, and they reformulate these topics in the materialist, formalist, phenomenological, or revisionist terms of current scholarship and critical debate. Others explore subjects that have only relatively recently become pressing concerns for sustained scholarly interrogation, such as ecology, cross-species interaction, and humoral theory. Some contributions, informed by increasingly sophisticated approaches to the material conditions and embodied experience of theatrical practice, speak to a resurgence of interest in performance, from Shakespeare's period through the first decades of the twenty-first century. Others still investigate distinct sets of plays from unexpected and often polemical angles, noting connections between the comedies under inventive, unpredicted banners such as the theology of adultery, early modern pedagogy, global exploration, or monarchical rule. The Handbook situates these approaches against the long history of criticism and provides a valuable overview of the most up-to-date work in the field.
Author: Muriel Clara Bradbrook
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
