Author: Farah Karim-Cooper
Publisher: Simon and Schuster
ISBN: 0861545354
Category : Literary Criticism
Languages : en
Pages : 315
Book Description
SHAKESPEARE: increasingly irrelevant or lone literary genius of the Western canon? 'Powerful and illuminating' James Shapiro, author of 1599: A Year in the Life of William Shakespeare, winner of the Baillie Gifford 'Winner of Winners' 2023 Professor Farah Karim-Cooper grew up loving the Bard, perhaps because Romeo and Juliet felt Pakistani to her. But why was being white as a ‘snowy dove’ essential to Juliet’s beauty? Combining piercing analysis of race, gender and otherness in beloved plays from Othello to The Tempest with a radical reappraisal of Elizabethan London, The Great White Bard entreats us neither to idealise nor to fossilise Shakespeare but instead to look him in the eye and reckon with the discomforts of his plays, playhouses and society. If we persist in reading Shakespeare as representative of only one group, as the very pinnacle of the white Western canon, then he will truly be in peril. But if we dare to bring Shakespeare down from his plinth, we might unveil a playwright for the twenty-first century. We might expand and enrich his extraordinary legacy. We might even fall in love with him all over again. *** A TIME MAGAZINE BOOK OF THE YEAR 2023 'Insightful, passionate, piled with facts and has a warm, infectious love for theatre and Shakespeare running through every chapter.' ADRIAN LESTER, CBE 'Dive in and your whole cultural landscape will be refreshed and reframed... A challenging, riveting read, The Great White Bard reminds us how powerful the stories we tell can be on our lives.' ADJOA ANDOH 'Vivid… a thorough analysis but also a kind of love letter… Karim-Cooper sees Shakespeare as holding a mirror to this society, with his plays interrogating live issues around race, identity and the colonial enterprise… Her arguments come to feel essential and should be absorbed by every theatre director, writer, critic, interested in finding new ways into the work.’ GUARDIAN 'There are plenty of books on Shakespeare: but this one is different. This is Shakespeare as we’ve (most of us) never been willing to see him – and the works emerge from the analysis as newly complicit, powerful and yet recuperative.' EMMA SMITH, AUTHOR OF PORTABLE MAGIC
The Great White Bard
Bring on the Bard
Author: Kevin Long
Publisher:
ISBN: 9780814103821
Category : Drama
Languages : en
Pages : 0
Book Description
Kevin Long and Mary T. Christel offer active drama approaches that position students to engage with a rich text through low-risk speaking and improvisation activities as a part of any ELA classroom. Shakespeare didn't write his plays for readers; he wrote individual "cue scripts" for actors who hadn't read the entire play but had to perform on the fly with almost no rehearsal. Those cue scripts have become the written form of his dramas, compiled originally in the First Folio of 1623. And the actors' cues for meaning, emotion, and emphasis are still embedded in Shakespeare's language, ripe for discovery by today's students. Shakespeare's plays rightly remain a staple of the ELA curriculum, but evolving standards and youth culture itself challenge teachers to put students--not a text--at the center of a reading experience in order to support diverse readers and learners. How can we do this? Experienced educators Kevin Long and Mary T. Christel introduce us to the Folio technique, which builds on active drama approaches that position students to engage with a rich text through low-risk speaking and improvisation activities. Without requiring students to become actors, the Folio technique helps them to discover the clues the Bard built into his works that allow actors to efficiently understand their characters' text, context, and subtext. Teachers can use excerpts from the First Folio along with a mass market paperback or digital edition of a play to help students get closer to Shakespeare's intentions; understand the language, action, and emotions of the characters; and perhaps even explore the challenges the Bard's modern editors face. The book offers suggestions for using parallel text, graphic, and abridged editions of Shakespeare's works, as well as activities using cue scripts and a variety of viewing experiences. A deep dive into the rich resources available for teaching Shakespeare's plays, Bring on the Bard is for every high school teacher--early career to veteran--looking for new, hands-on activities to draw students of all ability levels into the work and world of Shakespeare.
Publisher:
ISBN: 9780814103821
Category : Drama
Languages : en
Pages : 0
Book Description
Kevin Long and Mary T. Christel offer active drama approaches that position students to engage with a rich text through low-risk speaking and improvisation activities as a part of any ELA classroom. Shakespeare didn't write his plays for readers; he wrote individual "cue scripts" for actors who hadn't read the entire play but had to perform on the fly with almost no rehearsal. Those cue scripts have become the written form of his dramas, compiled originally in the First Folio of 1623. And the actors' cues for meaning, emotion, and emphasis are still embedded in Shakespeare's language, ripe for discovery by today's students. Shakespeare's plays rightly remain a staple of the ELA curriculum, but evolving standards and youth culture itself challenge teachers to put students--not a text--at the center of a reading experience in order to support diverse readers and learners. How can we do this? Experienced educators Kevin Long and Mary T. Christel introduce us to the Folio technique, which builds on active drama approaches that position students to engage with a rich text through low-risk speaking and improvisation activities. Without requiring students to become actors, the Folio technique helps them to discover the clues the Bard built into his works that allow actors to efficiently understand their characters' text, context, and subtext. Teachers can use excerpts from the First Folio along with a mass market paperback or digital edition of a play to help students get closer to Shakespeare's intentions; understand the language, action, and emotions of the characters; and perhaps even explore the challenges the Bard's modern editors face. The book offers suggestions for using parallel text, graphic, and abridged editions of Shakespeare's works, as well as activities using cue scripts and a variety of viewing experiences. A deep dive into the rich resources available for teaching Shakespeare's plays, Bring on the Bard is for every high school teacher--early career to veteran--looking for new, hands-on activities to draw students of all ability levels into the work and world of Shakespeare.
Shakespeare's Christmas
Author: Charlaine Harris
Publisher: Jabberwocky Literary Agency, Inc.
ISBN: 1625675992
Category : Fiction
Languages : en
Pages : 247
Book Description
From Charlaine Harris, the #1 New York Times and USA TODAY bestselling author behind HBO’s hit series True Blood and NBC’s Midnight, Texas, the third in a series that proves death never takes a holiday... For Lily Bard, the idea of “going home for Christmas” summons nothing but dread. She wants to stay in her real home in Shakespeare, Arkansas, where her friendships are blooming, nobody dares mess with her, and her new private-eye boyfriend could make it a very cozy holiday indeed. Back in Bartley, all people see when they look at Lily is a victim. But her sister is getting married, and Lily’s determined to give her family what they want. She’ll be present, be pleasant, and let her sister have the spotlight. Or so she thinks, until she discovers her boyfriend in town on a case, chasing a lead that could blow up the whole celebration. One of the little girls in Bartley isn’t who she thinks she is. And one of the town’s respectable parents is a cold-blooded kidnapper ready to kill to hide their secrets. For her sister—and her sister’s eight-year-old stepdaughter-to-be—Lily will find the truth. Even if it means she’ll never go home again...
Publisher: Jabberwocky Literary Agency, Inc.
ISBN: 1625675992
Category : Fiction
Languages : en
Pages : 247
Book Description
From Charlaine Harris, the #1 New York Times and USA TODAY bestselling author behind HBO’s hit series True Blood and NBC’s Midnight, Texas, the third in a series that proves death never takes a holiday... For Lily Bard, the idea of “going home for Christmas” summons nothing but dread. She wants to stay in her real home in Shakespeare, Arkansas, where her friendships are blooming, nobody dares mess with her, and her new private-eye boyfriend could make it a very cozy holiday indeed. Back in Bartley, all people see when they look at Lily is a victim. But her sister is getting married, and Lily’s determined to give her family what they want. She’ll be present, be pleasant, and let her sister have the spotlight. Or so she thinks, until she discovers her boyfriend in town on a case, chasing a lead that could blow up the whole celebration. One of the little girls in Bartley isn’t who she thinks she is. And one of the town’s respectable parents is a cold-blooded kidnapper ready to kill to hide their secrets. For her sister—and her sister’s eight-year-old stepdaughter-to-be—Lily will find the truth. Even if it means she’ll never go home again...
Shakespeare and Race
Author: Catherine M. S. Alexander
Publisher: Cambridge University Press
ISBN: 9780521779388
Category : Drama
Languages : en
Pages : 254
Book Description
This volume, first published in 2000, draws together thirteen important essays on the concept of race in Shakespeare's drama.
Publisher: Cambridge University Press
ISBN: 9780521779388
Category : Drama
Languages : en
Pages : 254
Book Description
This volume, first published in 2000, draws together thirteen important essays on the concept of race in Shakespeare's drama.
This Is Shakespeare
Author: Emma Smith
Publisher: Vintage
ISBN: 1524748552
Category : Literary Criticism
Languages : en
Pages : 267
Book Description
An electrifying new study that investigates the challenges of the Bard’s inconsistencies and flaws, and focuses on revealing—not resolving—the ambiguities of the plays and their changing topicality A genius and prophet whose timeless works encapsulate the human condition like no other. A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn’t tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant. In This Is Shakespeare, Emma Smith—an intellectually, theatrically, and ethically exciting writer—takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd (the Spielberg and Tarantino of their day), flirting with and skirting around the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex. Instead of offering the answers, the Shakespeare she reveals poses awkward questions, always inviting the reader to ponder ambiguities.
Publisher: Vintage
ISBN: 1524748552
Category : Literary Criticism
Languages : en
Pages : 267
Book Description
An electrifying new study that investigates the challenges of the Bard’s inconsistencies and flaws, and focuses on revealing—not resolving—the ambiguities of the plays and their changing topicality A genius and prophet whose timeless works encapsulate the human condition like no other. A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn’t tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant. In This Is Shakespeare, Emma Smith—an intellectually, theatrically, and ethically exciting writer—takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd (the Spielberg and Tarantino of their day), flirting with and skirting around the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex. Instead of offering the answers, the Shakespeare she reveals poses awkward questions, always inviting the reader to ponder ambiguities.
Passing Strange
Author: Ayanna Thompson
Publisher: Oxford University Press, USA
ISBN: 0195385853
Category : Literary Criticism
Languages : en
Pages : 236
Book Description
Passing Strange offers a trenchant look at the diverse ways Shakespeare relates to race in a variety of cultural producitons in the United States.
Publisher: Oxford University Press, USA
ISBN: 0195385853
Category : Literary Criticism
Languages : en
Pages : 236
Book Description
Passing Strange offers a trenchant look at the diverse ways Shakespeare relates to race in a variety of cultural producitons in the United States.
Spirits White as Lightning
Author: Mercedes Lackey
Publisher: Baen Books
ISBN: 0671318535
Category : Fiction
Languages : en
Pages : 255
Book Description
Eric Banyon must face the latest plot to wipe out humanity by Aerune mac Audelaine, a lord of the Unseleighe Sidhe.
Publisher: Baen Books
ISBN: 0671318535
Category : Fiction
Languages : en
Pages : 255
Book Description
Eric Banyon must face the latest plot to wipe out humanity by Aerune mac Audelaine, a lord of the Unseleighe Sidhe.
Shakespeare's Champion
Author: Charlaine Harris
Publisher: Jabberwocky Literary Agency, Inc.
ISBN: 1625675984
Category : Fiction
Languages : en
Pages : 271
Book Description
From Charlaine Harris, the #1 New York Times and USA TODAY bestselling author behind HBO’s hit series True Blood and NBC’s Midnight, Texas, the second installment in a mystery series that pulls no punches... When Lily Bard agrees to open the gym for her sometime-boyfriend, it’s a sign of something she’s rejected for years—connection. Trust. The beginnings of being part of a community. And when she finds the corpse of a murdered bodybuilder waiting for her, it’s a sign she doesn’t know nearly as much about the home she’s chosen as she thought. Shakespeare, Arkansas has seen three unsolved, seemingly unconnected murders in two months, and the town is tense with suspicion and rage. Lily’s contact on the police force develops an ulterior agenda. An anonymous white supremacist group is papering cars and threatening worse to come. And there’s a new man in town, someone whose face reminds Lily of the darkest time in her past... Shakespeare needs answers, and Lily can’t rest until she has them. But there’s no telling how deep the rot spreads. And if she can’t trust anyone, she’ll be facing it down alone.
Publisher: Jabberwocky Literary Agency, Inc.
ISBN: 1625675984
Category : Fiction
Languages : en
Pages : 271
Book Description
From Charlaine Harris, the #1 New York Times and USA TODAY bestselling author behind HBO’s hit series True Blood and NBC’s Midnight, Texas, the second installment in a mystery series that pulls no punches... When Lily Bard agrees to open the gym for her sometime-boyfriend, it’s a sign of something she’s rejected for years—connection. Trust. The beginnings of being part of a community. And when she finds the corpse of a murdered bodybuilder waiting for her, it’s a sign she doesn’t know nearly as much about the home she’s chosen as she thought. Shakespeare, Arkansas has seen three unsolved, seemingly unconnected murders in two months, and the town is tense with suspicion and rage. Lily’s contact on the police force develops an ulterior agenda. An anonymous white supremacist group is papering cars and threatening worse to come. And there’s a new man in town, someone whose face reminds Lily of the darkest time in her past... Shakespeare needs answers, and Lily can’t rest until she has them. But there’s no telling how deep the rot spreads. And if she can’t trust anyone, she’ll be facing it down alone.
Shakespeare in a Divided America
Author: James Shapiro
Publisher: Penguin
ISBN: 0525522298
Category : History
Languages : en
Pages : 322
Book Description
One of the New York Times Ten Best Books of the Year • A National Book Critics Circle Award Finalist • A New York Times Notable Book A timely exploration of what Shakespeare’s plays reveal about our divided land. “In this sprightly and enthralling book . . . Shapiro amply demonstrates [that] for Americans the politics of Shakespeare are not confined to the public realm, but have enormous relevance in the sphere of private life.” —The Guardian (London) The plays of William Shakespeare are rare common ground in the United States. For well over two centuries, Americans of all stripes—presidents and activists, soldiers and writers, conservatives and liberals alike—have turned to Shakespeare’s works to explore the nation’s fault lines. In a narrative arching from Revolutionary times to the present day, leading scholar James Shapiro traces the unparalleled role of Shakespeare’s four-hundred-year-old tragedies and comedies in illuminating the many concerns on which American identity has turned. From Abraham Lincoln’s and his assassin, John Wilkes Booth’s, competing Shakespeare obsessions to the 2017 controversy over the staging of Julius Caesar in Central Park, in which a Trump-like leader is assassinated, Shakespeare in a Divided America reveals how no writer has been more embraced, more weaponized, or has shed more light on the hot-button issues in our history.
Publisher: Penguin
ISBN: 0525522298
Category : History
Languages : en
Pages : 322
Book Description
One of the New York Times Ten Best Books of the Year • A National Book Critics Circle Award Finalist • A New York Times Notable Book A timely exploration of what Shakespeare’s plays reveal about our divided land. “In this sprightly and enthralling book . . . Shapiro amply demonstrates [that] for Americans the politics of Shakespeare are not confined to the public realm, but have enormous relevance in the sphere of private life.” —The Guardian (London) The plays of William Shakespeare are rare common ground in the United States. For well over two centuries, Americans of all stripes—presidents and activists, soldiers and writers, conservatives and liberals alike—have turned to Shakespeare’s works to explore the nation’s fault lines. In a narrative arching from Revolutionary times to the present day, leading scholar James Shapiro traces the unparalleled role of Shakespeare’s four-hundred-year-old tragedies and comedies in illuminating the many concerns on which American identity has turned. From Abraham Lincoln’s and his assassin, John Wilkes Booth’s, competing Shakespeare obsessions to the 2017 controversy over the staging of Julius Caesar in Central Park, in which a Trump-like leader is assassinated, Shakespeare in a Divided America reveals how no writer has been more embraced, more weaponized, or has shed more light on the hot-button issues in our history.
The Cambridge Companion to Shakespeare and Race
Author: Ayanna Thompson
Publisher: Cambridge University Press
ISBN: 1108623298
Category : Literary Criticism
Languages : en
Pages : 522
Book Description
The Cambridge Companion to Shakespeare and Race shows teachers and students how and why Shakespeare and race are inseparable. Moving well beyond Othello, the collection invites the reader to understand racialized discourses, rhetoric, and performances in all of Shakespeare's plays, including the comedies and histories. Race is presented through an intersectional approach with chapters that focus on the concepts of sexuality, lineage, nationality, and globalization. The collection helps students to grapple with the unique role performance plays in constructions of race by Shakespeare (and in Shakespearean performances), considering both historical and contemporary actors and directors. The Cambridge Companion to Shakespeare and Race will be the first book that truly frames Shakespeare studies and early modern race studies for a non-specialist, student audience.
Publisher: Cambridge University Press
ISBN: 1108623298
Category : Literary Criticism
Languages : en
Pages : 522
Book Description
The Cambridge Companion to Shakespeare and Race shows teachers and students how and why Shakespeare and race are inseparable. Moving well beyond Othello, the collection invites the reader to understand racialized discourses, rhetoric, and performances in all of Shakespeare's plays, including the comedies and histories. Race is presented through an intersectional approach with chapters that focus on the concepts of sexuality, lineage, nationality, and globalization. The collection helps students to grapple with the unique role performance plays in constructions of race by Shakespeare (and in Shakespearean performances), considering both historical and contemporary actors and directors. The Cambridge Companion to Shakespeare and Race will be the first book that truly frames Shakespeare studies and early modern race studies for a non-specialist, student audience.