GRAPHIC ARTS AND FRENCH SOCIETY 1871-1914 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download GRAPHIC ARTS AND FRENCH SOCIETY 1871-1914 PDF full book. Access full book title GRAPHIC ARTS AND FRENCH SOCIETY 1871-1914 by Phillip Dennis Cate. Download full books in PDF and EPUB format.
Author: Phillip Dennis Cate
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Phillip Dennis Cate
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Phillip Dennis Cate
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 240
Get Book Here
Book Description
Drawing on the collection of French graphic arts in the Jane Voorhees Zimmerli Art Museum, the contributors to this book reach beyond the surface of the art to bring the reader a greater understanding of fin-de-siecle France.
Author: Paul Jobling
Publisher: Manchester University Press
ISBN: 9780719044670
Category : Art
Languages : en
Pages : 316
Get Book Here
Book Description
This is an inventive a well-researched study which explores the production and consumption of graphic design in Europe.
Author: Pierre Bonnard
Publisher: Metropolitan Museum of Art
ISBN: 0810931001
Category : Grabados en color franceses
Languages : en
Pages : 274
Get Book Here
Book Description
Tentoonstellingscatalogus. Met bibliografie en register.
Author: Deborah Wye
Publisher: The Museum of Modern Art
ISBN: 9780870701252
Category : Architecture
Languages : en
Pages : 296
Get Book Here
Book Description
Volume covers the Collection of Prints and Illustrated Books, not the collection of artists' books.
Author: Robert Justin Goldstein
Publisher: Kent State University Press
ISBN: 9780873383967
Category : Art
Languages : en
Pages : 318
Get Book Here
Book Description
This work is an account of the struggle over freedom of caricature in France during the period between 1815 and 1914. Illustrated with caricatures originally published during the 19th century, it traces the attempt of the French authorities to control opposition political drawings and the attempts of caricaturists to evade restrictions on their craft.
Author: Ruth E. Iskin
Publisher: Dartmouth College Press
ISBN: 1611686164
Category : Art
Languages : en
Pages : 465
Get Book Here
Book Description
The Poster: Art, Advertising, Design, and Collecting, 1860sÐ1900s is a cultural history that situates the poster at the crossroads of art, design, advertising, and collecting. Though international in scope, the book focuses especially on France and England. Ruth E. Iskin argues that the avant-garde poster and the original art print played an important role in the development of a modernist language of art in the 1890s, as well as in the adaptation of art to an era of mass media. She moreover contends that this new form of visual communication fundamentally redefined relations between word and image: poster designers embedded words within the graphic, rather than using images to illustrate a text. Posters had to function as effective advertising in the hectic environment of the urban street. Even though initially commissioned as advertisements, they were soon coveted by collectors. Iskin introduces readers to the late nineteenth-century ÒiconophileÓÑa new type of collector/curator/archivist who discovered in poster collecting an ephemeral archaeology of modernity. Bridging the separation between the fields of art, design, advertising, and collecting, IskinÕs insightful study proposes that the poster played a constitutive role in the modern culture of spectacle. This stunningly illustrated book will appeal to art historians and students of visual culture, as well as social and cultural history, media, design, and advertising.
Author: Gabriel P. Weisberg
Publisher: Rutgers University Press
ISBN: 9780813530093
Category : Art
Languages : en
Pages : 326
Get Book Here
Book Description
Located on the fringes of Paris, Montmartre attracted artists such as Toulouse-Lautrec, Picasso, Steinlen, and Jules Chéret. By the beginning of the twentieth century, the artists in the quarter began to create works blurring the boundaries between fine art and popular illustration, the artist and the audience, as well as class and gender distinctions. The creative expression that ensued was an exuberant mix of high and low-a breeding ground for what is today termed popular culture. The carefully interlocked essays in Montmartre and the Making of Mass Culture demonstrate how and why this quarter was at the forefront of such innovation. The contributors bring an unprecedented range of approaches to the topic, from political and religious history to art historical investigations and literary analysis of texts. This project is the first of its kind to examine fully Montmartre's many contributions to the creation of a mass culture that reigned supreme in the twentieth century.
Author:
Publisher:
ISBN:
Category : Humanities
Languages : en
Pages : 540
Get Book Here
Book Description
Author: Jane Haville Desmarais
Publisher: Routledge
ISBN: 0429802676
Category : Social Science
Languages : en
Pages : 304
Get Book Here
Book Description
First published in 1998, this is the first book to examine the critical reception accorded to Beardsley’s work. For most of his short working life fierce debate raged in Britain over the merit of Aubrey Beardsley’s black and white drawings. Applauded for their technical skill, they were as often deplored for their ‘slimy nastiness’, their fin-de-siècle decadence and their foreign styles. There are ‘tainted whiffs from across the channel which lodge the Gallic germs in our lungs. Our Beardsleys have identical symptoms with Verlaine, Degas, Le Grand, Forain, and might quite well be sick from infection’ stormed Margaret Armour in the Magazine of Art. Jane Haville Desmarais opens with an account of the English response, exploring the fascinating interplay between Beardsley’s exploitation of the new media to shape his public persona and promote his work and the critics’ use of his life and art to articulate the fears and anxieties of the English fin de siècle. The second half of the book moves to France and deals with a different set of preoccupation. The French perceived Beardsley as the natural inheritor of the mantle of Pre-Raphaelitism. His work remained current largely through the interest of the Symbolists and, in particular, Robert de Montesquiou who celebrated Beardsley’s picturing of the fantasy realms of desire. The intriguing study of two very different critical traditions casts light on key issues of art history and literary studies, in particular the relationship between critical response and social perception. With 21 black and white illustrations, the book also has invaluable appendices which include a bibliography of criticism and comment on the work of Aubrey Beardsley between 1893 and 1914.
