Author: Charles MILLWARD
Publisher:
ISBN:
Category :
Languages : en
Pages : 28
Book Description
The Grand Comic Christmas Pantomime Entitled, Dick Whittington and His Cat. Produced at the Theatre Royal, Birmingham ... December 26th, 1870. [A Libretto.]
Author: Charles MILLWARD
Publisher:
ISBN:
Category :
Languages : en
Pages : 28
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 28
Book Description
Nineteenth Century Short-title Catalogue: phase 1. 1816-1870
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 796
Book Description
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 796
Book Description
Royalty in All Ages
Author: Thomas Firminger Thiselton-Dyer
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 486
Book Description
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 486
Book Description
The History of Southern Drama
Author: Charles S. Watson
Publisher: University Press of Kentucky
ISBN: 081318889X
Category : Drama
Languages : en
Pages : 393
Book Description
Mention southern drama at a cocktail party or in an American literature survey, and you may hear cries for "Stella!" or laments for "gentleman callers." Yet southern drama depends on much more than a menagerie of highly strung spinsters and steel magnolias. Charles Watson explores this field from its eighteenth- and nineteenth-century roots through the southern Literary Renaissance and Tennessee Williams's triumphs to the plays of Horton Foote, winner of the 1994 Pulitzer Prize. Such well known modern figures as Lillian Hellman and DuBose Heyward earn fresh looks, as does Tennessee Williams's changing depiction of the South—from sensitive analysis to outraged indictment—in response to the Civil Rights Movement. Watson links the work of the early Charleston dramatists and of Espy Williams, first modern dramatist of the South, to later twentieth-century drama. Strong heroines in plays of the Confederacy foreshadow the spunk of Tennessee Williams's Amanda Wingfield. Claiming that Beth Henley matches the satirical brilliance of Eudora Welty and Flannery O'Connor, Watson connects her zany humor to 1840s New Orleans farces. With this work, Watson has at last answered the call for a single-volume, comprehensive history of the South's dramatic literature. With fascinating detail and seasoned perception, he reveals the rich heritage of southern drama.
Publisher: University Press of Kentucky
ISBN: 081318889X
Category : Drama
Languages : en
Pages : 393
Book Description
Mention southern drama at a cocktail party or in an American literature survey, and you may hear cries for "Stella!" or laments for "gentleman callers." Yet southern drama depends on much more than a menagerie of highly strung spinsters and steel magnolias. Charles Watson explores this field from its eighteenth- and nineteenth-century roots through the southern Literary Renaissance and Tennessee Williams's triumphs to the plays of Horton Foote, winner of the 1994 Pulitzer Prize. Such well known modern figures as Lillian Hellman and DuBose Heyward earn fresh looks, as does Tennessee Williams's changing depiction of the South—from sensitive analysis to outraged indictment—in response to the Civil Rights Movement. Watson links the work of the early Charleston dramatists and of Espy Williams, first modern dramatist of the South, to later twentieth-century drama. Strong heroines in plays of the Confederacy foreshadow the spunk of Tennessee Williams's Amanda Wingfield. Claiming that Beth Henley matches the satirical brilliance of Eudora Welty and Flannery O'Connor, Watson connects her zany humor to 1840s New Orleans farces. With this work, Watson has at last answered the call for a single-volume, comprehensive history of the South's dramatic literature. With fascinating detail and seasoned perception, he reveals the rich heritage of southern drama.
The Theatre Guide
Author: Trevor R. Griffiths
Publisher: A&C Black
ISBN: 9780713661712
Category : Drama
Languages : en
Pages : 424
Book Description
With over 500 entries on the most important plays and playwrights performed today, The Theatre Guide provdies an anuthoritative A - Z of the contemporary theatre scene. From Aristophanes to Mark Ravenhill, The alchemist ot The Talking Cure, the guide is both biogrpahically detailed and critically curent, while an extensive cross-referencing system allows for wider perspectives and new discoveries. Stimulating, observant and informative, The Theatre Guide is an essential companion and reference tool for anyone with an active interest in drama.
Publisher: A&C Black
ISBN: 9780713661712
Category : Drama
Languages : en
Pages : 424
Book Description
With over 500 entries on the most important plays and playwrights performed today, The Theatre Guide provdies an anuthoritative A - Z of the contemporary theatre scene. From Aristophanes to Mark Ravenhill, The alchemist ot The Talking Cure, the guide is both biogrpahically detailed and critically curent, while an extensive cross-referencing system allows for wider perspectives and new discoveries. Stimulating, observant and informative, The Theatre Guide is an essential companion and reference tool for anyone with an active interest in drama.
Jacques Offenbach and the Making of Modern Culture
Author: Laurence Senelick
Publisher: Cambridge University Press
ISBN: 0521871808
Category : Biography & Autobiography
Languages : en
Pages : 371
Book Description
Provides a fresh and global perspective on the works and influence of a nineteenth-century musical and theatrical phenomenon.
Publisher: Cambridge University Press
ISBN: 0521871808
Category : Biography & Autobiography
Languages : en
Pages : 371
Book Description
Provides a fresh and global perspective on the works and influence of a nineteenth-century musical and theatrical phenomenon.
Scottish Church Music
Author: James Love
Publisher: Edinburgh : W. Blackwood
ISBN:
Category : Church music
Languages : en
Pages : 408
Book Description
Publisher: Edinburgh : W. Blackwood
ISBN:
Category : Church music
Languages : en
Pages : 408
Book Description
The Grand Annual Comic Christmas Pantomime Entitled, Ride a Cock Horse to Banbury Cross ... Produced at the Theatre Royal, Birmingham ... December 26th, 1874. [A Libretto.]
Author: Charles MILLWARD
Publisher:
ISBN:
Category :
Languages : en
Pages : 28
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 28
Book Description
The Stage Year Book
Author: Lionel Carson
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 306
Book Description
Vols. for 1908-10 include the section: The Stage provincial guide; 1950-52: The Stage guide. (Other years published separately).
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 306
Book Description
Vols. for 1908-10 include the section: The Stage provincial guide; 1950-52: The Stage guide. (Other years published separately).
Mendelssohn in Performance
Author: Siegwart Reichwald
Publisher: Indiana University Press
ISBN: 0253002613
Category : Music
Languages : en
Pages : 274
Book Description
Exploring many aspects of Felix Mendelssohn's multi-faceted career as musician and how it intersects with his work as composer, contributors discuss practical issues of music making such as performance space, instruments, tempo markings, dynamics, phrasings, articulations, fingerings, and instrument techniques. They present the conceptual and ideological underpinnings of Mendelssohn's approach to performance, interpretation, and composing through the contextualization of specific performance events and through the theoretic actualization of performances of specific works. Contributors rely on manuscripts, marked or edited scores, and performance parts to convey a deeper understanding of musical expression in 19th-century Germany. This study of Mendelssohn's work as conductor, pianist, organist, violist, accompanist, music director, and editor of old and new music offers valuable perspectives on 19th-century performance practice issues.
Publisher: Indiana University Press
ISBN: 0253002613
Category : Music
Languages : en
Pages : 274
Book Description
Exploring many aspects of Felix Mendelssohn's multi-faceted career as musician and how it intersects with his work as composer, contributors discuss practical issues of music making such as performance space, instruments, tempo markings, dynamics, phrasings, articulations, fingerings, and instrument techniques. They present the conceptual and ideological underpinnings of Mendelssohn's approach to performance, interpretation, and composing through the contextualization of specific performance events and through the theoretic actualization of performances of specific works. Contributors rely on manuscripts, marked or edited scores, and performance parts to convey a deeper understanding of musical expression in 19th-century Germany. This study of Mendelssohn's work as conductor, pianist, organist, violist, accompanist, music director, and editor of old and new music offers valuable perspectives on 19th-century performance practice issues.