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Author: Anna Jackson
Publisher: Routledge
ISBN: 113590281X
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
From creepy picture books to Harry Potter, Lemony Snicket, the Spiderwick Chronicles, and countless vampire series for young adult readers, fear has become a dominant mode of entertainment for young readers. The last two decades have seen an enormous growth in the critical study of two very different genres, the Gothic and children’s literature. The Gothic, concerned with the perverse and the forbidden, with adult sexuality and religious or metaphysical doubts and heresies, seems to represent everything that children’s literature, as a genre, was designed to keep out. Indeed, this does seem to be very much the way that children’s literature was marketed in the late eighteenth century, at exactly the same time that the Gothic was really taking off, written by the same women novelists who were responsible for the promotion of a safe and segregated children’s literature. This collection examines the early intersection of the Gothic and children’s literature and the contemporary manifestations of the gothic impulse, revealing that Gothic elements can, in fact, be traced in children’s literature for as long as children have been reading.
Author: Anna Jackson
Publisher: Routledge
ISBN: 113590281X
Category : Literary Criticism
Languages : en
Pages : 263
Get Book Here
Book Description
From creepy picture books to Harry Potter, Lemony Snicket, the Spiderwick Chronicles, and countless vampire series for young adult readers, fear has become a dominant mode of entertainment for young readers. The last two decades have seen an enormous growth in the critical study of two very different genres, the Gothic and children’s literature. The Gothic, concerned with the perverse and the forbidden, with adult sexuality and religious or metaphysical doubts and heresies, seems to represent everything that children’s literature, as a genre, was designed to keep out. Indeed, this does seem to be very much the way that children’s literature was marketed in the late eighteenth century, at exactly the same time that the Gothic was really taking off, written by the same women novelists who were responsible for the promotion of a safe and segregated children’s literature. This collection examines the early intersection of the Gothic and children’s literature and the contemporary manifestations of the gothic impulse, revealing that Gothic elements can, in fact, be traced in children’s literature for as long as children have been reading.
Author: Anna Jackson
Publisher: Taylor & Francis
ISBN: 1317444248
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
Children’s literature today is dominated by the gothic mode, and it is in children’s gothic fictions that we find the implications of cultural change most radically questioned and explored. This collection of essays looks at what is happening in the children’s Gothic now when traditional monsters have become the heroes, when new monsters have come into play, when globalisation brings Harry Potter into China and yaoguai into the children’s Gothic, and when childhood itself and children’s literature as a genre can no longer be thought of as an uncontested space apart from the debates and power struggles of an adult domain. We look in detail at series such as The Mortal Instruments, Twilight, Chaos Walking, The Power of Five, Skulduggery Pleasant, and Cirque du Freak; at novels about witches and novels about changelings; at the Gothic in China, Japan and Oceania; and at authors including Celia Rees, Frances Hardinge, Alan Garner and Laini Taylor amongst many others. At a time when the energies and anxieties of children’s novels can barely be contained anymore within the genre of children’s literature, spilling over into YA and adult literature, we need to pay attention. Weird things are happening and they matter.
Author: Margarita Georgieva
Publisher: Springer
ISBN: 1137306076
Category : Social Science
Languages : en
Pages : 234
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Book Description
Fascination with the dark and death threats are now accepted features of contemporary fantasy and fantastic fictions for young readers. These go back to the early gothic genre in which child characters were extensively used by authors. The aim of this book is to rediscover the children in their work.
Author: Gregory G. Pepetone
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN: 9781433100604
Category : Children's literature
Languages : en
Pages : 0
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Book Description
Hogwarts and All explores modern children's literature from its origins in the nineteenth-century cult of childhood, a cultural movement inseparable from Christian theology. From the Kunstmärchen (adult fairy tales) of late-eighteenth- and early-nineteenth-century German romanticism through Charles Dickens, J. R. R. Tolkien, and J. K. Rowling, this genre, like all gothic arts, has served as an alternative cultural perspective to that of scientific materialism. Its benignly subversive message is that a civilization that abandons its commitment to the childlike values of wonder, trust, sacrificial love, spontaneity, vulnerability, and faith in radical possibilities for peace, social justice, and human happiness - all qualities endorsed by Ray Bradbury, Susan Cooper, Madeleine L'Engle, and other authors discussed in this volume - is a civilization at risk.
Author: Chloe Germaine Buckley
Publisher: Edinburgh University Press
ISBN: 1474430201
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
Brings Ben Jonson to the twenty-first century by reading Volpone through psychoanalysis, poststructuralism and Marxism
Author: Anna Jackson
Publisher: Routledge
ISBN: 1135902801
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
From creepy picture books to Harry Potter, Lemony Snicket, the Spiderwick Chronicles, and countless vampire series for young adult readers, fear has become a dominant mode of entertainment for young readers. The last two decades have seen an enormous growth in the critical study of two very different genres, the Gothic and children’s literature. The Gothic, concerned with the perverse and the forbidden, with adult sexuality and religious or metaphysical doubts and heresies, seems to represent everything that children’s literature, as a genre, was designed to keep out. Indeed, this does seem to be very much the way that children’s literature was marketed in the late eighteenth century, at exactly the same time that the Gothic was really taking off, written by the same women novelists who were responsible for the promotion of a safe and segregated children’s literature. This collection examines the early intersection of the Gothic and children’s literature and the contemporary manifestations of the gothic impulse, revealing that Gothic elements can, in fact, be traced in children’s literature for as long as children have been reading.
Author: Jessica R. McCort
Publisher: Univ. Press of Mississippi
ISBN: 149680645X
Category : Literary Criticism
Languages : en
Pages : 378
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Book Description
Contributions by Rebecca A. Brown, Justine Gieni, Holly Harper, Emily L. Hiltz, A. Robin Hoffman, Kirsten Kowalewski, Peter C. Kunze, Jorie Lagerwey, Nick Levey, Jessica R. McCort, and Janani Subramanian Dark novels, shows, and films targeted toward children and young adults are proliferating wildly. It is even more crucial now to understand the methods by which such texts have traditionally operated and how those methods have been challenged, abandoned, and appropriated. Reading in the Dark fills a gap in criticism devoted to children's popular culture by concentrating on horror, an often-neglected genre. These scholars explore the intersection between horror, popular culture, and children's cultural productions, including picture books, fairy tales, young adult literature, television, and monster movies. Reading in the Dark looks at horror texts for children with deserved respect, weighing the multitude of benefits they can provide for young readers and viewers. Refusing to write off the horror genre as campy, trite, or deforming, these essays instead recognize many of the texts and films categorized as "scary" as among those most widely consumed by children and young adults. In addition, scholars consider how adult horror has been domesticated by children's literature and culture, with authors and screenwriters turning that which was once horrifying into safe, funny, and delightful books and films. Scholars likewise examine the impetus behind such re-envisioning of the adult horror novel or film as something appropriate for the young. The collection investigates both the constructive and the troublesome aspects of scary books, movies, and television shows targeted toward children and young adults. It considers the complex mechanisms by which these texts communicate overt messages and hidden agendas, and it treats as well the readers' experiences of such mechanisms.
Author: Jeffrey Andrew Weinstock
Publisher: Cambridge University Press
ISBN: 1107117143
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
This Companion offers a thorough overview of the diversity of the American Gothic tradition from its origins to the present.
Author: Joseph Abbruscato
Publisher: McFarland
ISBN: 1476617252
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
Rooted in the oral traditions of cultures worldwide, fairy tales have long played an integral part in children's upbringing. Filled with gothic and fantastical elements like monsters, dragons, evil step-parents and fairy godmothers, fairy tales remain important tools for teaching children about themselves, and the dangers and joys of the world around them. In this collection of new essays, literary scholars examine gothic elements in more recent entries into the fairy tale genre--for instance, David Almond's Skellig, Neil Gaiman's The Graveyard Book and Coraline and Lemony Snicket's A Series of Unfortunate Events--exploring such themes as surviving incest, and the capture and consumption of children. Although children's literature has seen an increase in reality-based stories that allow children no room for escape from their everyday lives, these essays demonstrate the continuing importance of fairy tales in helping them live well-rounded lives.
Author: Jenni Spangler
Publisher: Simon & Schuster Children's UK
ISBN: 1471190374
Category : Juvenile Fiction
Languages : en
Pages : 305
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Book Description
'A thrilling, original, evocative and eerie tale - I adored it!’ Michelle Harrison, author of A Pinch of Magic 'A thrilling page-turner. Madame Pinchbeck is a gloriously Dickensian villain’ Abi Elphinstone, author of Sky Song 'Ghosts, gadgets, likeable villains and unlikely heroes: The Vanishing Trick is a dark and dazzling adventure’ Emma Carroll, author of Letters from the Lighthouse 'A completely enthralling tale, oozing with atmosphere and originality’ Catherine Doyle, author of The Storm Keeper's Island 'Jenni Spangler is the next big voice in children’s magical history novels’ Lucy Powrie, author of The Paper & Hearts Society 'Deliciously dark and atmospheric … I couldn’t get enough' Nizrana Farook, author of The Girl Who Stole An Elephant 'A spectacular heart-stopping adventure in a dark and dangerous Victorian world' Tamsin Winter, author of Jemima Small Versus the Universe 'An eventful gothic adventure full of secrets and surprises' Sunday Times Book of The Week? Step into a world of secrets, folklore and illusions, where nothing is as it seems and magic is at play… Madame Augustina Pinchbeck, travels the country conjuring the spirits of dearly departed loved ones... for a price. Whilst her ability to contact ghosts is a game of smoke and mirrors, there is real magic behind her tricks too - if you know where to look. Through a magical trade, she persuades children to part with precious objects, promising to use her powers to help them. But Pinchbeck is a deceiver, instead turning their items into enchanted Cabinets that bind the children to her and into which she can vanish and summon them at will. When Pinchbeck captures orphan Leander, events are set into motion that see him and his new friends Charlotte and Felix, in a race against time to break Pinchbeck’s spell, before one of them vanishes forever… #TheVanishingTrick A historical adventure with a magical twist from an outstanding debut talent. Perfect for fans of Michelle Harrison, Sophie Anderson and Emma Carroll.
