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Author: Olivia Loksing Moy
Publisher: Edinburgh University Press
ISBN: 1474487203
Category : Literary Criticism
Languages : en
Pages : 309
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Book Description
A lonely damsel imprisoned within a castle or convent cell. The eavesdropping of a prisoner next door. The framed image of a woman with a sinister past. These familiar tropes from 1790s novels and tales exploded onto the English literary scene in 'low-brow' titles of Gothic romance. Surprisingly, however, they also re-emerged as features of major Victorian poems from the 1830s to 1870s. Such signature tropes - inquisitional overhearing; female confinement and the damsel in distress; supernatural switches between living and dead bodies - were transfigured into poetic forms that we recognise and teach today as canonically Victorian. The Gothic Forms of Victorian Poetry identifies a poetics of Gothic enclosure constitutive of high Victorian poetry that came to define key nineteenth-century poetic forms, from the dramatic monologue, to women's sonnet sequences and metasonnets, to Pre-Raphaelite picture poems.
Author: Olivia Loksing Moy
Publisher: Edinburgh University Press
ISBN: 1474487203
Category : Literary Criticism
Languages : en
Pages : 309
Get Book Here
Book Description
A lonely damsel imprisoned within a castle or convent cell. The eavesdropping of a prisoner next door. The framed image of a woman with a sinister past. These familiar tropes from 1790s novels and tales exploded onto the English literary scene in 'low-brow' titles of Gothic romance. Surprisingly, however, they also re-emerged as features of major Victorian poems from the 1830s to 1870s. Such signature tropes - inquisitional overhearing; female confinement and the damsel in distress; supernatural switches between living and dead bodies - were transfigured into poetic forms that we recognise and teach today as canonically Victorian. The Gothic Forms of Victorian Poetry identifies a poetics of Gothic enclosure constitutive of high Victorian poetry that came to define key nineteenth-century poetic forms, from the dramatic monologue, to women's sonnet sequences and metasonnets, to Pre-Raphaelite picture poems.
Author: Caley Ehnes
Publisher: Edinburgh University Press
ISBN: 1474418368
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
Defends Reid's Common Sense philosophy against the claim that perception does not allow us to experience the physical world
Author: Olivia Loksing Moy
Publisher:
ISBN: 9781474487184
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Victorian poets remixed and remastered signature tropes from 1790s Gothic novels, establishing canonical nineteenth-century poetic forms A lonely damsel imprisoned within a castle or convent cell. The eavesdropping of a prisoner next door. The framed image of a woman with a sinister past. These familiar tropes from 1790s novels and tales exploded onto the English literary scene in 'low-brow' titles of Gothic romance. Surprisingly, however, they also re-emerged as features of major Victorian poems from the 1830s to 1870s. Such signature tropes - inquisitional overhearing; female confinement and the damsel in distress; supernatural switches between living and dead bodies - were transfigured into poetic forms that we recognise and teach today as canonically Victorian. The Gothic Forms of Victorian Poetry identifies a poetics of Gothic enclosure constitutive of high Victorian poetry that came to define key nineteenth-century poetic forms, from the dramatic monologue, to women's sonnet sequences and metasonnets, to Pre-Raphaelite picture poems. Olivia Loksing Moy is Assistant Professor of English at the City University of New York, Lehman College.
Author: Serena Trowbridge
Publisher: A&C Black
ISBN: 1441114432
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
The poetry of Christina Rossetti is often described as ‘gothic' and yet this term has rarely been examined in the specific case of Rossetti's work. Based on new readings of the full range of her writings, from ‘Goblin Market' to the devotional poems and prose works, this book explores Rossetti's use of Gothic forms and images to consider her as a Gothic writer. Christina Rossetti's Gothic analyses the poet's use of the grotesque and the spectral and the Christian roots and Pre-Raphaelite influences of Rossetti's deployment of Gothic tropes.
Author: Kirstie Blair
Publisher: Oxford University Press
ISBN: 0191636495
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
Kirstie Blair explores Victorian poetry in relation to Victorian religion, with particular emphasis on the bitter contemporary debates over the use of forms in worship. She argues that poetry made significant contributions to these debates, not least through its formal structures. By assessing the discourses of church architecture and liturgy in the first half of the book, Form and Faith in Victorian Poetry and Religion demonstrates that Victorian poets both reflected on and affected ecclesiastical practices. The second half of the book focuses on particular poets and poems, including Browning's Christmas-Eve and Tennyson's In Memoriam, to show how High Anglican debates over formal worship were dealt with by Dissenting, Broad Church and Roman Catholic poets and other writers. This book features major Victorian poets - Tennyson, the Brownings, Rossetti, Hopkins, Hardy - from different Christian denominations, but also argues that their work was influenced by a host of minor and less studied writers, particularly the Tractarian or Oxford Movement poets whose writings are studied in detail here. Form and Faith presents a new take on Victorian poetry by showing how important now-forgotten religious controversies were to the content and form of some of the best-known poems of the period. In methodology and content, it also relates strongly to current critical interest in poetic form and formalism, while recovering a historical context in which 'form' carried a particular weight of significance.
Author: Lee Behlman
Publisher: Springer Nature
ISBN: 3031296966
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
Victorian Verse: The Poetics of Everyday Life casts new light on nineteenth-century poetry by examining the period through its popular verse forms and their surrounding social and media landscape. The volume offers insight into two central concepts of both the Victorian era and our own—status and taste—and how cultural hierarchies then and now were and are constructed and broken. By recovering the lost diversity of Victorian verse, the book maps the breadth of Victorian writing and reading practices, illustrating how these seemingly minor verse genres actually possessed crucial social functions for Victorians, particularly in education, leisure practices, the cultural production of class, and the formation of individual and communal identities. The essays consider how “major” Victorian poets, such as the Pre-Raphaelites, were also committed to writing and reading “minor” verse, further troubling the clear-cut notions of canonicity by examining the contradictions of value.
Author: Isobel Armstrong
Publisher: Routledge
ISBN: 1134970668
Category : Literary Collections
Languages : en
Pages : 554
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Book Description
In a work that is uniquely comprehensive and theoretically astute, Isobel Armstrong rescues Victorian poetry from its longstanding sepia image as `a moralised form of romantic verse', and unearths its often subversive critique of nineteenth-century culture and politics.
Author: Andrew Smith
Publisher: Edinburgh University Press
ISBN: 0748654992
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
The first multi-disciplinary scholarly consideration of the Victorian Gothic These 14 chapters, each written by an acknowledged expert in the field, provide an invaluable insight into the complex and various Gothic forms of the nineteenth century. Covering a range of diverse contexts, the chapters focus on science, medicine, Queer theory, imperialism, nationalism, and gender. Together with further chapters on the ghost story, realism, the fin de sic e, pulp fictions, sensation fiction, and the Victorian way of death, the Companion provides the most complete overview of the Victorian Gothic to date.The book is an essential resource for students and scholars working on the Gothic, Victorian literature and culture, and critical theory.Key Features*First multi-authored thorough exploration of the Victorian Gothic*Original research in all chapters*Sets the agenda for future scholarship in the field*Pedagogically awareKey WordsVictorian, Gothic, Science, Gender, Nationalism, Death, Supernatural, Ghost, Death
Author: Andrew Smith
Publisher: Routledge
ISBN: 1000652041
Category : History
Languages : en
Pages : 196
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Book Description
This volume broadens the critical understanding of Ann Radcliffe’s work and includes explorations of the publication history of her work, her engagement with contemporary accounts of aesthetics, her travel writing, and her poetry. Ann Radcliffe (1764-1823) was the best-selling author of the eighteenth century and her Gothic novels set the tone for a generation of Gothic writers. Regarded as having made a pioneering contribution to the Female Gothic of the period she was also an important critic of the Gothic’s different forms. This collection also includes an analysis of Radcliffe’s account of her medical ailments in her Commonplace Book which provides a new way of thinking about female bodies in pain and how they are represented in her novels. The collection provides an important critical reassessment of a major Gothic writer of the period. It will be of interest to scholars working on the Gothic, eighteenth-century literature, and women’s writing. This book was originally published as a special issue of Women’s Writing.
Author: Reza Taher-Kermani
Publisher: Edinburgh Critical Studies in
ISBN: 9781474448178
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
The Persian Presence in Victorian Poetry surveys the variety of ways in which Persia, and the multitude of ideological, historical, cultural and political notions that it embodied, were received, circulated and appropriated.
