Author: Grace Feldman
Publisher:
ISBN:
Category : Viola da gamba
Languages : en
Pages : 212
Book Description
The golden viol: Baroque ornamentation (in 2 v.)
Author: Grace Feldman
Publisher:
ISBN:
Category : Viola da gamba
Languages : en
Pages : 212
Book Description
Publisher:
ISBN:
Category : Viola da gamba
Languages : en
Pages : 212
Book Description
The golden viol: Renaissance ornamentation (in 2 v.)
Author: Grace Feldman
Publisher:
ISBN:
Category : Viola da gamba
Languages : en
Pages : 170
Book Description
Publisher:
ISBN:
Category : Viola da gamba
Languages : en
Pages : 170
Book Description
Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J.S. Bach
Author: Frederick Neumann
Publisher: Princeton University Press
ISBN: 0691213348
Category : Music
Languages : en
Pages : 644
Book Description
Ornaments play an enormous role in the music of the seventeenth and eighteenth centuries, and ambiguities in their notation (as well as their frequent omission in the score) have left doubt as to how composers intended them to be interpreted. Frederick Neumann, himself a violinist and conductor, questions the validity of the rigid principles applied to their performance. In this controversial work, available for the first time in paperback, he argues that strict constraints are inconsistent with the freedom enjoyed by musicians of the period. The author takes an entirely new look at ornamentation, and particularly that of J. S. Bach. He draws on extensive research in England, France, Germany, Italy, and the United States to show that prevailing interpretations are based on inadequate evidence. These restrictive interpretations have been far-reaching in their effect on style. By questioning them, this work continues to stimulate a reorientation in our understandiing of Baroque and post-Baroque music.
Publisher: Princeton University Press
ISBN: 0691213348
Category : Music
Languages : en
Pages : 644
Book Description
Ornaments play an enormous role in the music of the seventeenth and eighteenth centuries, and ambiguities in their notation (as well as their frequent omission in the score) have left doubt as to how composers intended them to be interpreted. Frederick Neumann, himself a violinist and conductor, questions the validity of the rigid principles applied to their performance. In this controversial work, available for the first time in paperback, he argues that strict constraints are inconsistent with the freedom enjoyed by musicians of the period. The author takes an entirely new look at ornamentation, and particularly that of J. S. Bach. He draws on extensive research in England, France, Germany, Italy, and the United States to show that prevailing interpretations are based on inadequate evidence. These restrictive interpretations have been far-reaching in their effect on style. By questioning them, this work continues to stimulate a reorientation in our understandiing of Baroque and post-Baroque music.
Baroque Music
Author: Peter Walls
Publisher: Routledge
ISBN: 135157471X
Category : Music
Languages : en
Pages : 688
Book Description
Research in the 20th and 21st centuries into historical performance practice has changed not just the way performers approach music of the 17th and 18th centuries but, eventually, the way audiences listen to it. This volume, beginning with a 1915 Saint-Sa? lecture on the performance of old music, sets out to capture musicological discussion that has actually changed the way Baroque music can sound. The articles deal with historical instruments, pitch, tuning, temperament, the nexus between technique and style, vibrato, the performance implications of musical scores, and some of the vexed questions relating to rhythmic alteration. It closes with a section on the musicological challenges to the ideology of the early music movement mounted (principally) in the 1990s. Leading writers on historical performance practice are represented. Recognizing that significant developments in historically-inspired performance have been led by instrument makers and performers, the volume also contains representative essays by key practitioners.
Publisher: Routledge
ISBN: 135157471X
Category : Music
Languages : en
Pages : 688
Book Description
Research in the 20th and 21st centuries into historical performance practice has changed not just the way performers approach music of the 17th and 18th centuries but, eventually, the way audiences listen to it. This volume, beginning with a 1915 Saint-Sa? lecture on the performance of old music, sets out to capture musicological discussion that has actually changed the way Baroque music can sound. The articles deal with historical instruments, pitch, tuning, temperament, the nexus between technique and style, vibrato, the performance implications of musical scores, and some of the vexed questions relating to rhythmic alteration. It closes with a section on the musicological challenges to the ideology of the early music movement mounted (principally) in the 1990s. Leading writers on historical performance practice are represented. Recognizing that significant developments in historically-inspired performance have been led by instrument makers and performers, the volume also contains representative essays by key practitioners.
Tapestry in the Baroque
Author: Thomas P. Campbell
Publisher: Metropolitan Museum of Art
ISBN: 1588392309
Category : Design
Languages : en
Pages : 575
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 1588392309
Category : Design
Languages : en
Pages : 575
Book Description
The Golden Viol: Half position ; Shifting
Author: Grace Feldman
Publisher:
ISBN:
Category : Viola da gamba
Languages : en
Pages : 208
Book Description
Publisher:
ISBN:
Category : Viola da gamba
Languages : en
Pages : 208
Book Description
The Golden Viol: Alto & tenor clefs
Author: Grace Feldman
Publisher:
ISBN:
Category : Viola da gamba
Languages : en
Pages : 232
Book Description
Publisher:
ISBN:
Category : Viola da gamba
Languages : en
Pages : 232
Book Description
The golden viol: Continuo playing
Author: Grace Feldman
Publisher:
ISBN:
Category : Viola da gamba
Languages : en
Pages : 240
Book Description
Publisher:
ISBN:
Category : Viola da gamba
Languages : en
Pages : 240
Book Description
The Golden Viol
Author: Grace Feldman
Publisher:
ISBN:
Category : Viola da gamba
Languages : en
Pages : 168
Book Description
Publisher:
ISBN:
Category : Viola da gamba
Languages : en
Pages : 168
Book Description
The Viola Da Gamba
Author: Bettina Hoffmann
Publisher:
ISBN: 9781138240230
Category : Viola da gamba
Languages : en
Pages : 0
Book Description
Music for division viol -- Technique -- The end of the Golden Age: amateurs and foreigners -- 5.3 France -- From five to six strings -- From 6 to 7 strings -- En famille -- The querelle -- The high school of the viol -- Playing technique -- Avec la basse? -- En compagnie -- Viol construction -- The decline: the pardessus de viole -- 5.4 The German Empire and the Netherlands -- Germania monstro simile -- The viol consort: "Sonderlich mit Violn de Gamba, In mangelung aber de Bracio -- The viol consort: instruments, tunings and measures -- The solo viol: the shaping of an idiom -- The 18th century -- Musical functions: the repertoire -- Instruments and lutherie after ca 1650 -- The final decades -- 6 The revival -- 6.1 Italy in the second half of the 18th century -- 6.2 The first half of the 19th century -- 6.3 The last decades of the 19th century -- 6.4 The 20th century -- 6.5 Today -- Glossary of technical, terms -- Bibliography -- Index
Publisher:
ISBN: 9781138240230
Category : Viola da gamba
Languages : en
Pages : 0
Book Description
Music for division viol -- Technique -- The end of the Golden Age: amateurs and foreigners -- 5.3 France -- From five to six strings -- From 6 to 7 strings -- En famille -- The querelle -- The high school of the viol -- Playing technique -- Avec la basse? -- En compagnie -- Viol construction -- The decline: the pardessus de viole -- 5.4 The German Empire and the Netherlands -- Germania monstro simile -- The viol consort: "Sonderlich mit Violn de Gamba, In mangelung aber de Bracio -- The viol consort: instruments, tunings and measures -- The solo viol: the shaping of an idiom -- The 18th century -- Musical functions: the repertoire -- Instruments and lutherie after ca 1650 -- The final decades -- 6 The revival -- 6.1 Italy in the second half of the 18th century -- 6.2 The first half of the 19th century -- 6.3 The last decades of the 19th century -- 6.4 The 20th century -- 6.5 Today -- Glossary of technical, terms -- Bibliography -- Index