GOLDEN AGE OF ANGLO-SAXON ART

GOLDEN AGE OF ANGLO-SAXON ART PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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GOLDEN AGE OF ANGLO-SAXON ART

GOLDEN AGE OF ANGLO-SAXON ART PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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The Golden Age of Anglo-Saxon Art, 966-1066

The Golden Age of Anglo-Saxon Art, 966-1066 PDF Author: Janet Backhouse
Publisher:
ISBN: 9780253133267
Category : Art, Anglo-Saxon
Languages : en
Pages : 216

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The Golden Age of Anglo-Saxon Art, 966-1066

The Golden Age of Anglo-Saxon Art, 966-1066 PDF Author: Marion Archibald
Publisher: HP Books
ISBN:
Category : Art, Anglo-Saxon
Languages : en
Pages : 256

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The Golden Age of Anglo-Saxon Art, 966-1066

The Golden Age of Anglo-Saxon Art, 966-1066 PDF Author: Janet Backhouse
Publisher:
ISBN:
Category : Art, Anglo-Saxon
Languages : en
Pages : 216

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Book Description


The Golden Age of Anglo-Saxon Art

The Golden Age of Anglo-Saxon Art PDF Author: Marion Archibald
Publisher:
ISBN:
Category :
Languages : en
Pages : 216

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Book Description


Anglo-Saxon England: Volume 30

Anglo-Saxon England: Volume 30 PDF Author: Michael Lapidge
Publisher: Cambridge University Press
ISBN: 9780521802109
Category : History
Languages : en
Pages : 398

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Book Description
The pre-eminence of Anglo-Saxon England in its field can be seen as a result of its encouragement of interdisciplinary approaches to the study of all aspects of Anglo-Saxon culture. Thus this volume includes an important assessment of the correspondence of St Boniface, in which it is shown that the unusually formulaic nature of Boniface's letters is best understood as a reflex of the saint's familiarity with vernacular composition. A wide-ranging historical contextualization of The Letter of Alexander to Aristotle illuminates the way English readers of the later tenth century may have defined themselves in contradistinction to the monstrous unknown, and a fresh reading of the gendering of female portraiture in a famous illustrated manuscript of the Psychomachia of Prudentius (CCCC 23) shows the independent ways in which Anglo-Saxon illustrators were able to respond to their models. The usual comprehensive bibliography of the previous year's publications rounds off the book; and a full index of the contents of volumes 26-30 is provided. (Previous indexes have appeared in volumes 5, 10, 15, 20 and 25.)

The Art of Anglo-Saxon England

The Art of Anglo-Saxon England PDF Author: Catherine E. Karkov
Publisher: Boydell Press
ISBN: 1843836289
Category : Art
Languages : en
Pages : 350

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Book Description
Providing a fresh appraisal of the art of Anglo-Saxon England, this text looks at its influence upon the creation of an identity as a nation.

The Long Twelfth-Century View of the Anglo-Saxon Past

The Long Twelfth-Century View of the Anglo-Saxon Past PDF Author: Martin Brett
Publisher: Routledge
ISBN: 1317025148
Category : History
Languages : en
Pages : 442

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Book Description
Scholars have long been interested in the extent to which the Anglo-Saxon past can be understood using material written, and produced, in the twelfth century; and simultaneously in the continued importance (or otherwise) of the Anglo-Saxon past in the generations following the Norman Conquest of England. In order to better understand these issues, this volume provides a series of essays that moves scholarship forward in two significant ways. Firstly, it scrutinises how the Anglo-Saxon past continued to be reused and recycled throughout the longue durée of the twelfth century, as opposed to the early decades that are usually covered. Secondly, by bringing together scholars who are experts in various different scholarly disciplines, the volume deals with a much broader range of historical, linguistic, legal, artistic, palaeographical and cultic evidence than has hitherto been the case. Divided into four main parts: The Anglo-Saxon Saints; Anglo-Saxon England in the Narrative of Britain; Anglo-Saxon Law and Charter; and Art-history and the French Vernacular, it scrutinises the majority of different genres of source material that are vital in any study of early medieval British history. In so doing the resultant volume will become a standard reference point for students and scholars alike interested in the ways in which the Anglo-Saxon past continued to be of importance and interest throughout the twelfth century.

Trinity and Incarnation in Anglo-Saxon Art and Thought

Trinity and Incarnation in Anglo-Saxon Art and Thought PDF Author: Barbara C. Raw
Publisher: Cambridge University Press
ISBN: 9780521553711
Category : Literary Criticism
Languages : en
Pages : 264

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Book Description
An illustrated study of the theology of the Trinity as expressed in the literature and art of the late Anglo-Saxon period.

A Companion to the History of the Book

A Companion to the History of the Book PDF Author: Simon Eliot
Publisher: John Wiley & Sons
ISBN: 1444356585
Category : Literary Criticism
Languages : en
Pages : 617

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Book Description
A COMPANION TO THE HISTORY OF THE BOOK A COMPANION TO THE HISTORY OF THE BOOK Edited by Simon Eliot and Jonathan Rose “As a stimulating overview of the multidimensional present state of the field, the Companion has no peer.” Choice “If you want to understand how cultures come into being, endure, and change, then you need to come to terms with the rich and often surprising history Of the book ... Eliot and Rose have done a fine job. Their volume can be heartily recommended. “ Adrian Johns, Technology and Culture From the early Sumerian clay tablet through to the emergence of the electronic text, this Companion provides a continuous and coherent account of the history of the book. A team of expert contributors draws on the latest research in order to offer a cogent, transcontinental narrative. Many of them use illustrative examples and case studies of well-known texts, conveying the excitement surrounding this rapidly developing field. The Companion is organized around four distinct approaches to the history of the book. First, it introduces the variety of methods used by book historians and allied specialists, from the long-established discipline of bibliography to newer IT-based approaches. Next, it provides a broad chronological survey of the forms and content of texts. The third section situates the book in the context of text culture as a whole, while the final section addresses broader issues, such as literacy, copyright, and the future of the book. Contributors to this volume: Michael Albin, Martin Andrews, Rob Banham, Megan L Benton, Michelle P. Brown, Marie-Frangoise Cachin, Hortensia Calvo, Charles Chadwyck-Healey, M. T. Clanchy, Stephen Colclough, Patricia Crain, J. S. Edgren, Simon Eliot, John Feather, David Finkelstein, David Greetham, Robert A. Gross, Deana Heath, Lotte Hellinga, T. H. Howard-Hill, Peter Kornicki, Beth Luey, Paul Luna, Russell L. Martin Ill, Jean-Yves Mollier, Angus Phillips, Eleanor Robson, Cornelia Roemer, Jonathan Rose, Emile G. L Schrijver, David J. Shaw, Graham Shaw, Claire Squires, Rietje van Vliet, James Wald, Rowan Watson, Alexis Weedon, Adriaan van der Weel, Wayne A. Wiegand, Eva Hemmungs Wirtén.