Author: Eden Phillpotts
Publisher: Read Books Ltd
ISBN: 1473393981
Category : Fiction
Languages : en
Pages : 55
Book Description
Eden Phillpotts's classical fantasy will whisk you away to a world where shepherdesses are fair, gods wax philosophical, and where a lesson is always learned in the nick of time. Tells the ancient Greek tale of love, heartbreak and determination.
The Girl and the Faun - Illustrated by Frank Brangwyn
Author: Eden Phillpotts
Publisher: Read Books Ltd
ISBN: 1473393981
Category : Fiction
Languages : en
Pages : 55
Book Description
Eden Phillpotts's classical fantasy will whisk you away to a world where shepherdesses are fair, gods wax philosophical, and where a lesson is always learned in the nick of time. Tells the ancient Greek tale of love, heartbreak and determination.
Publisher: Read Books Ltd
ISBN: 1473393981
Category : Fiction
Languages : en
Pages : 55
Book Description
Eden Phillpotts's classical fantasy will whisk you away to a world where shepherdesses are fair, gods wax philosophical, and where a lesson is always learned in the nick of time. Tells the ancient Greek tale of love, heartbreak and determination.
Cuba and the Fall
Author: Eduardo González
Publisher: University of Virginia Press
ISBN: 0813929873
Category : Literary Criticism
Languages : en
Pages : 319
Book Description
The literature of Cuba, argues Eduardo González in this new book, takes on quite different features depending on whether one is looking at it from "the inside" or from "the outside," a view that in turn is shaped by official political culture and the authors it sanctions or by those authors and artists who exist outside state policies and cultural politics. González approaches this issue by way of two twentieth-century writers who are central to the canon of gay homoerotic expression and sensibility in Cuban culture: José Lezama Lima (1910–1976) and Reinaldo Arenas (1943–1990). Drawing on the plots and characters in their works, González develops both a story line and a moral tale, revolving around the Christian belief in the fall from grace and the possibility of redemption, that bring the writers into a unique and revealing interaction with one another. The work of Lezama Lima and Arenas is compared with that of fellow Cuban author Virgilio Piñera (1912–1979) and, in a wider context, with the non-Cuban writers John Milton, Nathaniel Hawthorne, William Faulkner, John Ruskin, and James Joyce to show how their themes get replicated in González’s selected Cuban fiction. Also woven into this interaction are two contemporary films—The Devil’s Backbone (2004) and Pan’s Labyrinth (2007)—whose moral and political themes enhance the ethical values and conflicts of the literary texts. Referring to this eclectic gathering of texts, González charts a cultural course in which Cuba moves beyond the Caribbean and into a latitude uncharted by common words, beyond the tyranny of place.
Publisher: University of Virginia Press
ISBN: 0813929873
Category : Literary Criticism
Languages : en
Pages : 319
Book Description
The literature of Cuba, argues Eduardo González in this new book, takes on quite different features depending on whether one is looking at it from "the inside" or from "the outside," a view that in turn is shaped by official political culture and the authors it sanctions or by those authors and artists who exist outside state policies and cultural politics. González approaches this issue by way of two twentieth-century writers who are central to the canon of gay homoerotic expression and sensibility in Cuban culture: José Lezama Lima (1910–1976) and Reinaldo Arenas (1943–1990). Drawing on the plots and characters in their works, González develops both a story line and a moral tale, revolving around the Christian belief in the fall from grace and the possibility of redemption, that bring the writers into a unique and revealing interaction with one another. The work of Lezama Lima and Arenas is compared with that of fellow Cuban author Virgilio Piñera (1912–1979) and, in a wider context, with the non-Cuban writers John Milton, Nathaniel Hawthorne, William Faulkner, John Ruskin, and James Joyce to show how their themes get replicated in González’s selected Cuban fiction. Also woven into this interaction are two contemporary films—The Devil’s Backbone (2004) and Pan’s Labyrinth (2007)—whose moral and political themes enhance the ethical values and conflicts of the literary texts. Referring to this eclectic gathering of texts, González charts a cultural course in which Cuba moves beyond the Caribbean and into a latitude uncharted by common words, beyond the tyranny of place.
Shakespeare / Not Shakespeare
Author: Christy Desmet
Publisher: Springer
ISBN: 3319633007
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
This essay collection addresses the paradox that something may at once “be” and “not be” Shakespeare. This phenomenon can be a matter of perception rather than authorial intention: audiences may detect Shakespeare where the author disclaims him or have difficulty finding him where he is named. Douglas Lanier’s “Shakespearean rhizome,” which co-opts Deleuze and Guattari’s concept of artistic relations as rhizomes (a spreading, growing network that sprawls horizontally to defy hierarchies of origin and influence) is fundamental to this exploration. Essays discuss the fine line between “Shakespeare” and “not Shakespeare” through a number of critical lenses—networks and pastiches, memes and echoes, texts and paratexts, celebrities and afterlives, accidents and intertexts—and include a wide range of examples: canonical plays by Shakespeare, historical figures, celebrities, television performances and adaptations, comics, anime appropriations, science fiction novels, blockbuster films, gangster films, Shakesploitation and teen films, foreign language films, and non-Shakespearean classic films.
Publisher: Springer
ISBN: 3319633007
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
This essay collection addresses the paradox that something may at once “be” and “not be” Shakespeare. This phenomenon can be a matter of perception rather than authorial intention: audiences may detect Shakespeare where the author disclaims him or have difficulty finding him where he is named. Douglas Lanier’s “Shakespearean rhizome,” which co-opts Deleuze and Guattari’s concept of artistic relations as rhizomes (a spreading, growing network that sprawls horizontally to defy hierarchies of origin and influence) is fundamental to this exploration. Essays discuss the fine line between “Shakespeare” and “not Shakespeare” through a number of critical lenses—networks and pastiches, memes and echoes, texts and paratexts, celebrities and afterlives, accidents and intertexts—and include a wide range of examples: canonical plays by Shakespeare, historical figures, celebrities, television performances and adaptations, comics, anime appropriations, science fiction novels, blockbuster films, gangster films, Shakesploitation and teen films, foreign language films, and non-Shakespearean classic films.
Delight
Author: Eden Phillpotts
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 96
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 96
Book Description
The Booklist
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 546
Book Description
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 546
Book Description
Virginia Woolf
Author: Maria Cândida Zamith
Publisher: Universidade do Porto
ISBN: 9789728932237
Category :
Languages : en
Pages : 188
Book Description
Publisher: Universidade do Porto
ISBN: 9789728932237
Category :
Languages : en
Pages : 188
Book Description
The Englishwoman
Author:
Publisher:
ISBN:
Category : Women
Languages : en
Pages : 272
Book Description
Publisher:
ISBN:
Category : Women
Languages : en
Pages : 272
Book Description
Shaman of Stonewylde
Author: Kit Berry
Publisher: Gollancz
ISBN: 0575098961
Category : Fiction
Languages : en
Pages : 388
Book Description
The Outside World clamours at the wrought iron gates, and the evil alliance within Stonewylde threatens to destroy everything. With the new business and their relationship in tatters, Yul and Sylvie find their once-beautiful world has been desecrated by the dark forces. But Stonewylde is as old as the hills themselves, and the landscape endures. Leveret has discovered her true calling and is determined to lead the community back to the golden age of magic and prosperity. As the enchanting tale of Stonewylde draws to its end, Sylvie finally realises why she was brought here and Yul understands his true destiny. Whilst Leveret sees exactly what lies ahead for Stonewylde ...
Publisher: Gollancz
ISBN: 0575098961
Category : Fiction
Languages : en
Pages : 388
Book Description
The Outside World clamours at the wrought iron gates, and the evil alliance within Stonewylde threatens to destroy everything. With the new business and their relationship in tatters, Yul and Sylvie find their once-beautiful world has been desecrated by the dark forces. But Stonewylde is as old as the hills themselves, and the landscape endures. Leveret has discovered her true calling and is determined to lead the community back to the golden age of magic and prosperity. As the enchanting tale of Stonewylde draws to its end, Sylvie finally realises why she was brought here and Yul understands his true destiny. Whilst Leveret sees exactly what lies ahead for Stonewylde ...
On the Verge of Tears
Author: Michele Byers
Publisher: Cambridge Scholars Publishing
ISBN: 1443821950
Category : Art
Languages : en
Pages : 260
Book Description
The idea for this book began with David Lavery’s 2007 column for flowtv.org. “The Crying Game: Why Television Brings Us to Tears” asked us to consider that “age-old mystery”: tears. The respondents to David’s initial survey—Michele Byers among them—didn’t agree on anything ... Some cried more over film, some television, some books; some felt their tears to be a release, others to be a manipulation. They did agree, however, as did the readers who responded to the column, that crying over stories, and even “things,” is something that is a shared and familiar cultural practice. This book was born from that moment of recognition. On the Verge of Tears is not the first book to think about crying. Tom Lutz’s Crying: The Natural & Cultural History of Tears, Judith Kay Nelson’s Seeing Through Tears: Crying and Attachment, Peter Schwenger’s The Tears of Things: Melancholy and Physical Objects, and Henry Jenkins’ The Wow Climax: Tracing the Emotional Impact of Popular Culture also offer forays into this familiar, if not always entirely comfortable, emotional space. This book differs markedly from each of these others, however. As a collection of essay by diverse hands, its point of view is multi-vocal. It is not a history of tears (as is Lutz’s superb book); nor is its approach psychological/sociological (as is Nelson’s). It does not limit itself to very contemporary popular culture (as does Jenkins’ book) or material culture (as does Schwenger’s study). What On the Verge of Tears offers are personal, cultural, and political ruminations on the tears we shed in our daily engagements with the world and its artifacts. The essays found within are often deeply personal, but also have broad implications for everyday life. The authors included here contemplate how and why art, music, film, literature, theatre, theory, and material artifacts make us weep. They consider the risks of tears in public and private spaces; the way tears implicate us in tragedy, comedy, and horror. On the Verge of Tears does not offer a unified theory of crying, but, instead, invites us to imagine tears as a multi-vocal language we can all, in some manner, understand.
Publisher: Cambridge Scholars Publishing
ISBN: 1443821950
Category : Art
Languages : en
Pages : 260
Book Description
The idea for this book began with David Lavery’s 2007 column for flowtv.org. “The Crying Game: Why Television Brings Us to Tears” asked us to consider that “age-old mystery”: tears. The respondents to David’s initial survey—Michele Byers among them—didn’t agree on anything ... Some cried more over film, some television, some books; some felt their tears to be a release, others to be a manipulation. They did agree, however, as did the readers who responded to the column, that crying over stories, and even “things,” is something that is a shared and familiar cultural practice. This book was born from that moment of recognition. On the Verge of Tears is not the first book to think about crying. Tom Lutz’s Crying: The Natural & Cultural History of Tears, Judith Kay Nelson’s Seeing Through Tears: Crying and Attachment, Peter Schwenger’s The Tears of Things: Melancholy and Physical Objects, and Henry Jenkins’ The Wow Climax: Tracing the Emotional Impact of Popular Culture also offer forays into this familiar, if not always entirely comfortable, emotional space. This book differs markedly from each of these others, however. As a collection of essay by diverse hands, its point of view is multi-vocal. It is not a history of tears (as is Lutz’s superb book); nor is its approach psychological/sociological (as is Nelson’s). It does not limit itself to very contemporary popular culture (as does Jenkins’ book) or material culture (as does Schwenger’s study). What On the Verge of Tears offers are personal, cultural, and political ruminations on the tears we shed in our daily engagements with the world and its artifacts. The essays found within are often deeply personal, but also have broad implications for everyday life. The authors included here contemplate how and why art, music, film, literature, theatre, theory, and material artifacts make us weep. They consider the risks of tears in public and private spaces; the way tears implicate us in tragedy, comedy, and horror. On the Verge of Tears does not offer a unified theory of crying, but, instead, invites us to imagine tears as a multi-vocal language we can all, in some manner, understand.
Sons of Pan
Author: Victoria Raineri
Publisher: Lulu.com
ISBN: 1300371455
Category : Fiction
Languages : en
Pages : 330
Book Description
In this retelling of a classic fairy tale, Queen Vanita looks into her magick mirror and learns that her stepdaughter, the Princess Eirwyn, has surpassed her in her much-coveted beauty, and resolves to kill her. Eirwyn gets chased into the mysterious Argos Forest, where she meets strange creatures and winds up on the most magickal adventure of her life.
Publisher: Lulu.com
ISBN: 1300371455
Category : Fiction
Languages : en
Pages : 330
Book Description
In this retelling of a classic fairy tale, Queen Vanita looks into her magick mirror and learns that her stepdaughter, the Princess Eirwyn, has surpassed her in her much-coveted beauty, and resolves to kill her. Eirwyn gets chased into the mysterious Argos Forest, where she meets strange creatures and winds up on the most magickal adventure of her life.