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Author: Daniel Cadman
Publisher:
ISBN: 9781784992798
Category : English drama
Languages : en
Pages : 232
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Book Description
These twelve new essays show the variety and versatility of Renaissance tragedy and highlight the issues it explores. Each chapter defines a particular kind of Renaissance tragedy and offers new research on a particularly striking example. Collectively the essays offer a critical overview of Renaissance tragedy as a genre.
Author: Daniel Cadman
Publisher:
ISBN: 9781784992798
Category : English drama
Languages : en
Pages : 232
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Book Description
These twelve new essays show the variety and versatility of Renaissance tragedy and highlight the issues it explores. Each chapter defines a particular kind of Renaissance tragedy and offers new research on a particularly striking example. Collectively the essays offer a critical overview of Renaissance tragedy as a genre.
Author: Daniel Cadman
Publisher: Manchester University Press
ISBN: 1526138271
Category : Performing Arts
Languages : en
Pages : 255
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Book Description
These twelve new essays show the variety and versatility of Renaissance tragedy and highlight the issues it explores. Each chapter defines a particular kind of Renaissance tragedy and offers new research on a particularly striking example. Collectively the essays offer a critical overview of Renaissance tragedy as a genre.
Author: Wendy Griswold
Publisher: University of Chicago Press
ISBN: 9780226309231
Category : History
Languages : en
Pages : 328
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Book Description
Renaissance Revivals examines patterns in the London revivals of two English Renaissance theatre genres over the past four centuries. Griswold's focus on revenge tragedies and city comedies illuminates the ongoing interaction between society and its cultural products. No cultural object is ever created anew, she argues, but is instead constructed from existing cultural genres and conventions, the visions and professional needs of the artist, and the interests of an audience. Thus, every "new play" is in part a renaissance and every "revival" is in part an entirely new cultural object.
Author: Mary Beth Rose
Publisher: Cornell University Press
ISBN: 1501723251
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
A public and highly popular literary form, English Renaissance drama affords a uniquely valuable index of the process of cultural transformation. The Expense of Spirit integrates feminist and historicist critical approaches to explore the dynamics of cultural conflict and change during a crucial period in the formation of modern sexual values. Comparing Elizabethan and Jacobean dramatic representations of love and sexuality with those in contemporary moral tracts and religious writings on women, love, and marriage, Mary Beth Rose argues that such literature not only interpreted sexual sensibilities but also contributed to creating and transforming them.
Author: Robert Yarington
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 194
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Book Description
Author: Goran V. Stanivukovic
Publisher: Renaissance Dramas and Dramatists
ISBN: 9781474419567
Category : Englisch
Languages : en
Pages : 230
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Book Description
This book covers the development of tragedy as a dramatic genre from its earliest examples in the 1560's until the closure of the theatres in 1642. It traces the astonishingly diverse range of tragedies as they were influenced by the growth of public and private theatre venues in London. Tragedy was the most popular and the most diverse of theatrical genres during the English Renaissance; it was also the most disruptive and subversive. For Shakespeare and his contemporaries, tragedy reaches kings and queens and everyday person alike. Tragedy has rules, but these were rules that playwrights were ready to trouble and transform to meet changes in society and politics, in theatre venue, and in audience demand.
Author: Francis Fletcher, John Beaumont
Publisher: BoD – Books on Demand
ISBN: 3734095999
Category : Fiction
Languages : en
Pages : 113
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Book Description
Reproduction of the original: The False One by Francis Beaumont, John Fletcher
Author: Jody Enders
Publisher: Bloomsbury Publishing
ISBN: 1350154946
Category : History
Languages : en
Pages : 276
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Book Description
For the first time, a group of distinguished authors come together to provide an authoritative exploration of the cultural history of tragedy in the Middle Ages. Reports of the so-called death of medieval tragedy, they argue, have been greatly exaggerated; and, for the Middle Ages, the stakes couldn't be higher. Eight essays offer a blueprint for future study as they take up the extensive but much-neglected medieval engagement with tragic genres, modes, and performances from the vantage points of gender, politics, theology, history, social theory, anthropology, philosophy, economics, and media studies. The result? A recuperated medieval tragedy that is as much a branch of literature as it is of theology, politics, law, or ethics and which, at long last, rejoins the millennium-long conversation about one of the world's most enduring art forms. Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual and myth; politics of city and nation; society and family, and gender and sexuality.
Author: Verna A. Foster
Publisher: Routledge
ISBN: 1351885340
Category : Literary Criticism
Languages : en
Pages : 335
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Book Description
Focusing on European tragicomedy from the early modern period to the theatre of the absurd, Verna Foster here argues for the independence of tragicomedy as a genre that perceives and communicates human experience differently from the various forms of tragedy, comedy, and the drame (serious drama that is neither comic nor tragic). Foster posits that, in the sense of the dramaturgical and emotional fusion of tragic and comic elements to create a distinguishable new genre, tragicomedy has emerged only twice in the history of drama. She argues that tragicomedy first emerged and was controversial in the Renaissance; and that it has in modern times replaced tragedy itself as the most serious and moving of all dramatic genres. In the first section of the book, the author analyzes the name 'tragicomedy' and the genre's problems of identity; then goes on to explore early modern tragicomedies by Shakespeare, Beaumont and Fletcher, and Massinger. A transitional chapter addresses cognate genres. The final section of the book focuses on modern tragicomedies by Ibsen, Chekhov, Synge, O'Casey, Williams, Ionesco, Beckett and Pinter. By exploring dramaturgical similarities between early modern and modern tragicomedies, Foster demonstrates the persistence of tragicomedy's generic markers and provides a more precise conceptual framework for the genre than has so far been available.
Author: Sarah Dewar-Watson
Publisher: Routledge
ISBN: 1317056043
Category : Drama
Languages : en
Pages : 273
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Book Description
The startling central idea behind this study is that the rediscovery of Aristotle's Poetics in the sixteenth century ultimately had a profound impact on almost every aspect of Shakespeare's late plays”their sources, subject matter and thematic concerns. Shakespeare's Poetics reveals the generic complexity of Shakespeare's late plays to be informed by contemporary debates about the tonal and structural composition of tragicomedy. Author Sarah Dewar-Watson re-examines such plays as The Winter's Tale, Pericles and The Tempest in light of the important work of reception which was undertaken in Italy by pioneering theorists such as Giambattista Giraldi Cinthio (1504-73) and Giambattista Guarini (1538-1612). The author demonstrates ways in which these theoretical developments filtered from their intellectual base in Italy to the playhouses of early modern England via the work of dramatists such as Jonson and Fletcher. Dewar-Watson argues that the effect of this widespread revaluation of genre not only extends as far as Shakespeare, but that he takes a leading role in developing its possibilities on the English stage. In the course of pursuing this topic, Dewar-Watson also engages with several areas of current scholarly debate: the nature of Shakespeare's authorship; recent interest in and work on Shakespeare's later plays; and new critical work on Italian language-learning in Renaissance England. Finally, Shakespeare's Poetics develops current critical thinking about the place of Greek literature in Renaissance England, particularly in relation to Shakespeare.
