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Author: Josefina Ludmer
Publisher: Duke University Press
ISBN: 9780822328445
Category : Literary Criticism
Languages : en
Pages : 290
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Book Description
DIVExplores the early genre in which the voice of the cowboy of the pampas was used in tales and poetry of various Latin American authors, which shows the relationship of literature to the state./div
Author: Josefina Ludmer
Publisher: Duke University Press
ISBN: 9780822328445
Category : Literary Criticism
Languages : en
Pages : 290
Get Book Here
Book Description
DIVExplores the early genre in which the voice of the cowboy of the pampas was used in tales and poetry of various Latin American authors, which shows the relationship of literature to the state./div
Author: Gabriela Cabezón Cámara
Publisher: Charco Press
ISBN: 1999368428
Category : Fiction
Languages : en
Pages : 125
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Book Description
Shortlisted for the International Booker Prize 2020 1872. The pampas of Argentina. China is a young woman eking out an existence in a remote gaucho encampment. After her no-good husband is conscripted into the army, China bolts for freedom, setting off on a wagon journey through the pampas in the company of her new-found friend Liz, a settler from Scotland. While Liz provides China with a sentimental education and schools her in the nefarious ways of the British Empire, their eyes are opened to the wonders of Argentina’s richly diverse flora and fauna, cultures and languages, as well as to the ruthless violence involved in nation-building. This subversive retelling of Argentina’s foundational gaucho epic Martín Fierro is a celebration of the colour and movement of the living world, the open road, love and sex, and the dream of lasting freedom. With humour and sophistication, Gabriela Cabezón Cámara has created a joyful, hallucinatory novel that is also an incisive critique of national myths.
Author: Estanislao del Campo
Publisher:
ISBN:
Category : Poesia argentina
Languages : es
Pages : 24
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Book Description
Author: Roberto Gonzalez Echevarría
Publisher: Cambridge University Press
ISBN: 9780521340694
Category : Language Arts & Disciplines
Languages : en
Pages : 706
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Book Description
Volume 1 of a comprehensive three-volume history of Latin American literature (including Brazilian): the only work of its kind.
Author: Eduardo Gutierrez
Publisher: Hackett Publishing
ISBN: 1624661386
Category : Fiction
Languages : en
Pages : 158
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Book Description
Argentinian writer Eduardo Gutiérrez (1851-1889) fashioned his seminal gauchesque novel from the prison records of the real Juan Moreira, a noble outlaw whose life and name became legendary in the Río de la Plata during the late 19th century. John Chasteen's fast-moving, streamlined translation--the first ever into English--captures all of the sweeping romance and knife-wielding excitement of the original. William Acree's introduction and notes situate Juan Moreira in its literary and historical contexts. Numerous illustrations, a map of Moreira’s travels, a glossary of terms, and a select bibliography are all included.
Author: Angela Esterhammer
Publisher: John Benjamins Publishing
ISBN: 9789027234506
Category : Literary Criticism
Languages : en
Pages : 564
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Book Description
Romantic Poetry encompasses twenty-seven new essays by prominent scholars on the influences and interrelations among Romantic movements throughout Europe and the Americas. It provides an expansive overview of eighteenth- and nineteenth-century poetry in the European languages. The essays take account of interrelated currents in American, Argentinian, Brazilian, Bulgarian, Canadian, Caribbean, Chilean, Colombian, Croatian, Czech, Danish, English, Estonian, Finnish, French, German, Greek, Hungarian, Irish, Italian, Mexican, Norwegian, Peruvian, Polish, Romanian, Russian, Serbian, Slovak, Spanish, Swedish, and Uruguayan literature. Contributors adopt different models for comparative study: tracing a theme or motif through several literatures; developing innovative models of transnational influence; studying the role of Romantic poetry in socio-political developments; or focusing on an issue that appears most prominently in one national literature yet is illuminated by the international context. This collaborative volume provides an invaluable resource for students of comparative literature and Romanticism.SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series' total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of irony as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism's own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the Old and New Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.
Author: Robin Fiddian
Publisher: Cambridge University Press
ISBN: 9781108470445
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
Jorge Luis Borges (1899-1986) is Argentina's most celebrated author. This volume brings together for the first time the numerous contexts in which he lived and worked; from the history of the Borges family and that of modern Argentina, through two world wars, to events including the Cuban Revolution, military dictatorship, and the Falklands War. Borges' distinctive responses to the Western tradition, Cervantes and Shakespeare, Kafka, and the European avant garde are explored, along with his appraisals of Sarmiento, gauchesque literature and other strands of the Argentine cultural tradition. Borges' polemical stance on Catholic integralism in early twentieth-century Argentina is accounted for, whilst chapters on Buddhism, Judaism and landmarks of Persian literature illustrate Borges's engagement with the East. Finally, his legacy is visible in the literatures of the Americas, in European countries such as Italy and Portugal, and in the novels of J. M. Coetzee, representing the Global South.
Author: Josefina Ludmer
Publisher: University of Pittsburgh Pre
ISBN: 0822970821
Category : Literary Criticism
Languages : en
Pages : 401
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Book Description
An intellectual tour de force from one of today’s leading critics of Latin American literature and culture, The Corpus Delicti (The Body of Crime) is a manual of crime, a compendium of crime tales, and an extended meditation on the central role of crime in literature, in life, and in the life of the nation. Drawing her examples from canonical texts, popular novels, newspaper serials, and more, Josefina Ludmer captures the wide range of Argentine crime stories and detective fiction from the late nineteenth and early twentieth centuries. She offers more than a mere genre study, examining the relationship of crime and punishment to the formation of law, the body, and the modern state, exposing the ways in which literature—both high art and mass culture—can help construct, not just represent, social reality. Covering a dazzling array of primary sources, social history, and cultural theory, this provocative work is also a structural masterpiece, challenging readers as it charts new roles for text and notes. In this redefined dialogue, the notes variously offer alternate views, additional insights, and, often, parallel commentaries. Glen Close’s stylish translation captures the energy of Ludmer’s prose—simultaneously subtle and daring—for English-language readers.
Author: Jason A. Bartles
Publisher: Purdue University Press
ISBN: 1612496547
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
ArteletrA analyzes the Sixties in Latin America in order to revisit the core claim of literary and cultural studies to political relevancy in the contemporary world: the task of making visible the invisible. Though visibility can secure rights for the disenfranchised, it also risks subjecting them to the biopolitical and capitalist arrangements of space. What is at stake in this book is a series of aesthetic and ethical tools for engaging in politics—defined here as the potential to disagree—without first passing through visibility. These tools cohere around a practice Bartles calls “the politics of going unnoticed,” which he derives from an archive of three noteworthy, though under-appreciated, authors who wrote during the Sixties: Calvert Casey (1924–69), Juan Filloy (1894–2000), and Armonía Somers (1914–94). For the first time ever, Casey, Filloy, and Somers are put in dialogue with one another to further demonstrate the unique contributions of Latin American writers to contemporary debates about the crossroads of literatures and politics. What unites them is their shared investment in stories about those who go unnoticed. As a practice, going unnoticed creates space and opportunities for queer, rural, and female subjects, among others, to step back from unjust institutions. As a political discourse, going unnoticed deactivates the binary structures of biopolitics (e.g., visible/invisible, pure/filthy, friend/enemy) that divide humans from one another in the service of power and economic inequality. Though the politics of going unnoticed was ignored during the Sixties for its apparent individualism, these three writers work through alternatives to the politics of visibility that has animated political discourse on the left for the last half-century. More than a self-interested critique, going unnoticed opens new possibilities for engaging in the messy business of politics while imagining and creating better communities.
Author: Ariana Huberman
Publisher: Lexington Books
ISBN: 0739149067
Category : Literary Criticism
Languages : en
Pages : 158
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Book Description
In Gauchos and Foreigners: Glossing Culture and Identity in the Argentine Countryside Ariana Huberman discusses the relationship between the gaucho figure and the 'foreigner' in Argentine rural literature. The narratives of William Henry Hudson, Benito Lynch and Alberto Gerchunoff present English scientists and travelers, as well as Jewish and Italian immigrants, in direct contact with the gaucho in the Argentine and Uruguayan countryside. The book shows how the intent to define and translate terms from the national glossary the gaucho, his lifestyle and habitat and from 'foreign' cultures, ultimately questions these terms' capacity to represent a specific culture. It traces a series of writing practices that challenge the concepts of 'native' and 'foreign' as stable categories of representation by conveying identity and culture across multiple linguistic, social and cultural registers. The reading of these unique practices of translation hopes to offer a fresh approach to the multicultural scope of Argentine literature.
