Author: John Dixon Hunt
Publisher: Dumbarton Oaks
ISBN: 9780884022015
Category : Architecture
Languages : en
Pages : 186
Book Description
Much has been written on the traditions of elite gardens but little attention has been directed to the gardens of more humble and popular cultures that reflect regional, localized, ethnic, personal, or folk creations. These articles reflect growing interest in a range of cultural artifacts that demonstrate how culture influences surroundings.
The Vernacular Garden
Author: John Dixon Hunt
Publisher: Dumbarton Oaks
ISBN: 9780884022015
Category : Architecture
Languages : en
Pages : 186
Book Description
Much has been written on the traditions of elite gardens but little attention has been directed to the gardens of more humble and popular cultures that reflect regional, localized, ethnic, personal, or folk creations. These articles reflect growing interest in a range of cultural artifacts that demonstrate how culture influences surroundings.
Publisher: Dumbarton Oaks
ISBN: 9780884022015
Category : Architecture
Languages : en
Pages : 186
Book Description
Much has been written on the traditions of elite gardens but little attention has been directed to the gardens of more humble and popular cultures that reflect regional, localized, ethnic, personal, or folk creations. These articles reflect growing interest in a range of cultural artifacts that demonstrate how culture influences surroundings.
The Garden Lover's Guide to the West
Author: Kathleen McCormick
Publisher: Princeton Architectural Press
ISBN: 9781568981666
Category : Architecture
Languages : en
Pages : 194
Book Description
Our Garden Lover's Guide series has been hailed by Garden Design as "eminently practical" and by Home as "authoritative" and "indispensible." These three new volumes complete our survey of American gardens; together, the four books feature over 500 public gardens across the country.Each book is designed for readers to use as they travel through a state or region. Similar to our highly successful European garden guides, the U. S. guides are illustrated in full color with numerous photographic images and watercolor drawings of the most significant gardens, all specially commissioned for these books. In addition to insightful texts, contact data, opening hours, admission fees, and directions are provided. The perfect companion for any garden enthusiast, whether tourist or armchair traveler.
Publisher: Princeton Architectural Press
ISBN: 9781568981666
Category : Architecture
Languages : en
Pages : 194
Book Description
Our Garden Lover's Guide series has been hailed by Garden Design as "eminently practical" and by Home as "authoritative" and "indispensible." These three new volumes complete our survey of American gardens; together, the four books feature over 500 public gardens across the country.Each book is designed for readers to use as they travel through a state or region. Similar to our highly successful European garden guides, the U. S. guides are illustrated in full color with numerous photographic images and watercolor drawings of the most significant gardens, all specially commissioned for these books. In addition to insightful texts, contact data, opening hours, admission fees, and directions are provided. The perfect companion for any garden enthusiast, whether tourist or armchair traveler.
The Garden
Author:
Publisher:
ISBN:
Category : Gardening
Languages : en
Pages : 708
Book Description
Publisher:
ISBN:
Category : Gardening
Languages : en
Pages : 708
Book Description
The Garden Intrigue
Author: Lauren Willig
Publisher: Penguin
ISBN: 0451415604
Category : Fiction
Languages : en
Pages : 450
Book Description
Lauren Willig's Pink Carnation novels have been called "fun [and] fresh" (Kirkus Reviews) and "clever and playful " (Detroit Free Press). Now she introduces readers to a mismatched pair who find passion in the most astonishing of places... Secret agent Augustus Whittlesby has spent a decade undercover in France, posing as an insufferably bad poet. The French surveillance officers can’t bear to read his work closely enough to recognize the information drowned in a sea of verbiage. New York-born Emma Morris Delagardie is a thorn in Augustus’s side. An old school friend of Napoleon’s stepdaughter, she came to France with her uncle, eloped with a Frenchman, and has been rattling around the salons of Paris ever since. Now widowed, she entertains herself by holding a weekly salon, and loudly critiquing Augustus’s poetry. As Napoleon pursues his plans for the invasion of England, Whittlesby hears of a top-secret device to be demonstrated at a house party. The catch? The only way in is with Emma, who has been asked to write a masque for the weekend’s entertainment. In this complicated masque within a masque, nothing goes quite as scripted—especially Augustus’s unexpected feelings for Emma.
Publisher: Penguin
ISBN: 0451415604
Category : Fiction
Languages : en
Pages : 450
Book Description
Lauren Willig's Pink Carnation novels have been called "fun [and] fresh" (Kirkus Reviews) and "clever and playful " (Detroit Free Press). Now she introduces readers to a mismatched pair who find passion in the most astonishing of places... Secret agent Augustus Whittlesby has spent a decade undercover in France, posing as an insufferably bad poet. The French surveillance officers can’t bear to read his work closely enough to recognize the information drowned in a sea of verbiage. New York-born Emma Morris Delagardie is a thorn in Augustus’s side. An old school friend of Napoleon’s stepdaughter, she came to France with her uncle, eloped with a Frenchman, and has been rattling around the salons of Paris ever since. Now widowed, she entertains herself by holding a weekly salon, and loudly critiquing Augustus’s poetry. As Napoleon pursues his plans for the invasion of England, Whittlesby hears of a top-secret device to be demonstrated at a house party. The catch? The only way in is with Emma, who has been asked to write a masque for the weekend’s entertainment. In this complicated masque within a masque, nothing goes quite as scripted—especially Augustus’s unexpected feelings for Emma.
The Garden's Last Flowers
Author: M. Everett Baylor
Publisher: Hillcrest Publishing Group
ISBN: 1626526699
Category : Drama
Languages : en
Pages : 234
Book Description
"I can't believe they found my secret place." As he drove along the highway, a voice in his head began to speak; "let's kill again Kelvin...let's have some fun on the way to Tampa!" He looked in the rearview mirror at a set of bloodshot eyes looking back at him. "If I'm going to go down, I'm going to go down swinging," he said. His mind raced as he wondered if he'd make it to Tampa to see Candy again. The voice began to speak to him again; "we must plant as we journey south Kelvin...pick some new flowers Kelvin...pick some new flowers for our ROADSIDE GARDENS!" When he looked at his eyes in the rearview mirror this time, they were as black as coal. Kelvin Kettle knew what he had to do; find some new flowers and plant them in his roadside gardens! The Garden's Last Flowers is Book 2 of the Montclair Murders. Author M. Everett Baylor is an Iraq War Veteran with a background in law. He lives in Rocky Mount, North Carolina.
Publisher: Hillcrest Publishing Group
ISBN: 1626526699
Category : Drama
Languages : en
Pages : 234
Book Description
"I can't believe they found my secret place." As he drove along the highway, a voice in his head began to speak; "let's kill again Kelvin...let's have some fun on the way to Tampa!" He looked in the rearview mirror at a set of bloodshot eyes looking back at him. "If I'm going to go down, I'm going to go down swinging," he said. His mind raced as he wondered if he'd make it to Tampa to see Candy again. The voice began to speak to him again; "we must plant as we journey south Kelvin...pick some new flowers Kelvin...pick some new flowers for our ROADSIDE GARDENS!" When he looked at his eyes in the rearview mirror this time, they were as black as coal. Kelvin Kettle knew what he had to do; find some new flowers and plant them in his roadside gardens! The Garden's Last Flowers is Book 2 of the Montclair Murders. Author M. Everett Baylor is an Iraq War Veteran with a background in law. He lives in Rocky Mount, North Carolina.
The Gardens of Emily Dickinson
Author: Judith FARR
Publisher: Harvard University Press
ISBN: 0674036727
Category : Poetry
Languages : en
Pages : 368
Book Description
In this first substantial study of Emily Dickinson's devotion to flowers and gardening, Judith Farr seeks to join both poet and gardener in one creative personality. She casts new light on Dickinson's temperament, her aesthetic sensibility, and her vision of the relationship between art and nature, revealing that the successful gardener's intimate understanding of horticulture helped shape the poet's choice of metaphors for every experience: love and hate, wickedness and virtue, death and immortality. Gardening, Farr demonstrates, was Dickinson's other vocation, more public than the making of poems but analogous and closely related to it. Over a third of Dickinson's poems and nearly half of her letters allude with passionate intensity to her favorite wildflowers, to traditional blooms like the daisy or gentian, and to the exotic gardenias and jasmines of her conservatory. Each flower was assigned specific connotations by the nineteenth century floral dictionaries she knew; thus, Dickinson's association of various flowers with friends, family, and lovers, like the tropes and scenarios presented in her poems, establishes her participation in the literary and painterly culture of her day. A chapter, "Gardening with Emily Dickinson" by Louise Carter, cites family letters and memoirs to conjecture the kinds of flowers contained in the poet's indoor and outdoor gardens. Carter hypothesizes Dickinson's methods of gardening, explaining how one might grow her flowers today. Beautifully illustrated and written with verve, The Gardens of Emily Dickinson will provide pleasure and insight to a wide audience of scholars, admirers of Dickinson's poetry, and garden lovers everywhere. Table of Contents: Introduction 1. Gardening in Eden 2. The Woodland Garden 3. The Enclosed Garden 4. The "Garden in the Brain" 5. Gardening with Emily Dickinson Louise Carter Epilogue: The Gardener in Her Seasons Appendix: Flowers and Plants Grown by Emily Dickinson Abbreviations Notes Acknowledgments Index of Poems Cited Index Reviews of this book: In this first major study of our beloved poet Dickinson's devotion to gardening, Farr shows us that like poetry, gardening was her daily passion, her spiritual sustenance, and her literary inspiration...Rather than speaking generally about Dickinson's gardening habits, as other articles on the subject have done, Farr immerses the reader in a stimulating and detailed discussion of the flowers Dickinson grew, collected, and eulogized...The result is an intimate study of Dickinson that invites readers to imagine the floral landscapes that she saw, both in and out of doors, and to re-create those landscapes by growing the same flowers (the final chapter is chock-full of practical gardening tips). --Maria Kochis, Library Journal Reviews of this book: This is a beautiful book on heavy white paper with rich reproductions of Emily Dickinson's favorite flowers, including sheets from the herbarium she kept as a young girl. But which came first, the flowers or the poems? So intertwined are Dickinson's verses with her life in flowers that they seem to be the lens through which she saw the world. In her day (1830-86), many people spoke 'the language of flowers.' Judith Farr shows how closely the poet linked certain flowers with her few and beloved friends: jasmine with editor Samuel Bowles, Crown Imperial with Susan Gilbert, heliotrope with Judge Otis Lord and day lilies with her image of herself. The Belle of Amherst, Mass., spent most of her life on 14 acres behind her father's house on Main Street. Her gardens were full of scented flowers and blossoming trees. She sent notes with nosegays and bouquets to neighbors instead of appearing in the flesh. Flowers were her messengers. Resisting digressions into the world of Dickinson scholarship, Farr stays true to her purpose, even offering a guide to the flowers the poet grew and how to replicate her gardens. --Susan Salter Reynolds, Los Angeles Times Cuttings from the book: "The pansy, like the anemone, was a favorite of Emily Dickinson because it came up early, announcing the longed-for spring, and, as a type of bravery, could withstand cold and even an April snow flurry or two in her Amherst garden. In her poem the pansy announces itself boldly, telling her it has been 'resoluter' than the 'Coward Bumble Bee' that loiters by a warm hearth waiting for May." "She spoke of the written word as a flower, telling Emily Fowler Ford, for example, 'thank you for writing me, one precious little "forget-me-not" to bloom along my way.' She often spoke of a flower when she meant herself: 'You failed to keep your appointment with the apple-blossoms,' she reproached her friend Maria Whitney in June 1883, meaning that Maria had not visited her . . . Sometimes she marked the day or season by alluding to flowers that had or had not bloomed: 'I said I should send some flowers this week . . . [but] my Vale Lily asked me to wait for her.'" "People were also associated with flowers . . . Thus, her loyal, brisk, homemaking sister Lavinia is mentioned in Dickinson's letters in concert with sweet apple blossoms and sturdy chrysanthemums . . . Emily's vivid, ambitious sister-in-law Susan Dickinson is mentioned in the company of cardinal flowers and of that grand member of the fritillaria family, the Crown Imperial."
Publisher: Harvard University Press
ISBN: 0674036727
Category : Poetry
Languages : en
Pages : 368
Book Description
In this first substantial study of Emily Dickinson's devotion to flowers and gardening, Judith Farr seeks to join both poet and gardener in one creative personality. She casts new light on Dickinson's temperament, her aesthetic sensibility, and her vision of the relationship between art and nature, revealing that the successful gardener's intimate understanding of horticulture helped shape the poet's choice of metaphors for every experience: love and hate, wickedness and virtue, death and immortality. Gardening, Farr demonstrates, was Dickinson's other vocation, more public than the making of poems but analogous and closely related to it. Over a third of Dickinson's poems and nearly half of her letters allude with passionate intensity to her favorite wildflowers, to traditional blooms like the daisy or gentian, and to the exotic gardenias and jasmines of her conservatory. Each flower was assigned specific connotations by the nineteenth century floral dictionaries she knew; thus, Dickinson's association of various flowers with friends, family, and lovers, like the tropes and scenarios presented in her poems, establishes her participation in the literary and painterly culture of her day. A chapter, "Gardening with Emily Dickinson" by Louise Carter, cites family letters and memoirs to conjecture the kinds of flowers contained in the poet's indoor and outdoor gardens. Carter hypothesizes Dickinson's methods of gardening, explaining how one might grow her flowers today. Beautifully illustrated and written with verve, The Gardens of Emily Dickinson will provide pleasure and insight to a wide audience of scholars, admirers of Dickinson's poetry, and garden lovers everywhere. Table of Contents: Introduction 1. Gardening in Eden 2. The Woodland Garden 3. The Enclosed Garden 4. The "Garden in the Brain" 5. Gardening with Emily Dickinson Louise Carter Epilogue: The Gardener in Her Seasons Appendix: Flowers and Plants Grown by Emily Dickinson Abbreviations Notes Acknowledgments Index of Poems Cited Index Reviews of this book: In this first major study of our beloved poet Dickinson's devotion to gardening, Farr shows us that like poetry, gardening was her daily passion, her spiritual sustenance, and her literary inspiration...Rather than speaking generally about Dickinson's gardening habits, as other articles on the subject have done, Farr immerses the reader in a stimulating and detailed discussion of the flowers Dickinson grew, collected, and eulogized...The result is an intimate study of Dickinson that invites readers to imagine the floral landscapes that she saw, both in and out of doors, and to re-create those landscapes by growing the same flowers (the final chapter is chock-full of practical gardening tips). --Maria Kochis, Library Journal Reviews of this book: This is a beautiful book on heavy white paper with rich reproductions of Emily Dickinson's favorite flowers, including sheets from the herbarium she kept as a young girl. But which came first, the flowers or the poems? So intertwined are Dickinson's verses with her life in flowers that they seem to be the lens through which she saw the world. In her day (1830-86), many people spoke 'the language of flowers.' Judith Farr shows how closely the poet linked certain flowers with her few and beloved friends: jasmine with editor Samuel Bowles, Crown Imperial with Susan Gilbert, heliotrope with Judge Otis Lord and day lilies with her image of herself. The Belle of Amherst, Mass., spent most of her life on 14 acres behind her father's house on Main Street. Her gardens were full of scented flowers and blossoming trees. She sent notes with nosegays and bouquets to neighbors instead of appearing in the flesh. Flowers were her messengers. Resisting digressions into the world of Dickinson scholarship, Farr stays true to her purpose, even offering a guide to the flowers the poet grew and how to replicate her gardens. --Susan Salter Reynolds, Los Angeles Times Cuttings from the book: "The pansy, like the anemone, was a favorite of Emily Dickinson because it came up early, announcing the longed-for spring, and, as a type of bravery, could withstand cold and even an April snow flurry or two in her Amherst garden. In her poem the pansy announces itself boldly, telling her it has been 'resoluter' than the 'Coward Bumble Bee' that loiters by a warm hearth waiting for May." "She spoke of the written word as a flower, telling Emily Fowler Ford, for example, 'thank you for writing me, one precious little "forget-me-not" to bloom along my way.' She often spoke of a flower when she meant herself: 'You failed to keep your appointment with the apple-blossoms,' she reproached her friend Maria Whitney in June 1883, meaning that Maria had not visited her . . . Sometimes she marked the day or season by alluding to flowers that had or had not bloomed: 'I said I should send some flowers this week . . . [but] my Vale Lily asked me to wait for her.'" "People were also associated with flowers . . . Thus, her loyal, brisk, homemaking sister Lavinia is mentioned in Dickinson's letters in concert with sweet apple blossoms and sturdy chrysanthemums . . . Emily's vivid, ambitious sister-in-law Susan Dickinson is mentioned in the company of cardinal flowers and of that grand member of the fritillaria family, the Crown Imperial."
The Naturescaping Workbook
Author: Beth O'Donnell Young
Publisher: Timber Press
ISBN: 1604691182
Category : Gardening
Languages : en
Pages : 227
Book Description
Much of modern garden design is about controlling nature to achieve a desired effect. But for the eco-conscious homeowner, the best garden designer is Mother Nature, and following her lead can result in a beautiful low-maintenance landscape that requires fewer resources, attracts natural wildlife, and saves time and money. In The Naturescaping Workbook, author Beth O'Donnell Young sets forth an easy-to-follow, do-it-yourself plan for gardeners of all skill levels. Her step-by-step approach teaches gardeners to understand their own natural habitat and to nurture the native eco-systems that exist in their yard. And the payoff is huge. By simply becoming aware of the natural wonders in the backyard, anyone can gain a more beautiful garden and take a big step toward bringing nature home.
Publisher: Timber Press
ISBN: 1604691182
Category : Gardening
Languages : en
Pages : 227
Book Description
Much of modern garden design is about controlling nature to achieve a desired effect. But for the eco-conscious homeowner, the best garden designer is Mother Nature, and following her lead can result in a beautiful low-maintenance landscape that requires fewer resources, attracts natural wildlife, and saves time and money. In The Naturescaping Workbook, author Beth O'Donnell Young sets forth an easy-to-follow, do-it-yourself plan for gardeners of all skill levels. Her step-by-step approach teaches gardeners to understand their own natural habitat and to nurture the native eco-systems that exist in their yard. And the payoff is huge. By simply becoming aware of the natural wonders in the backyard, anyone can gain a more beautiful garden and take a big step toward bringing nature home.
The Garden Magazine
Author:
Publisher:
ISBN:
Category : Gardening
Languages : en
Pages : 902
Book Description
Publisher:
ISBN:
Category : Gardening
Languages : en
Pages : 902
Book Description
Official Bulletin
Author: Dahlia Society of New England
Publisher:
ISBN:
Category : Dahlias
Languages : en
Pages : 298
Book Description
Publisher:
ISBN:
Category : Dahlias
Languages : en
Pages : 298
Book Description
Patrick Tighe Architecture
Author: Patrick Tighe
Publisher: Images Publishing
ISBN: 1864706759
Category : Architecture
Languages : en
Pages : 338
Book Description
This beautifully designed and illustrated monograph sets out Patrick Tighe’s innovative, diverse and wide-ranging collection of contemporary work towards the post-digital, showing the reader a hyper- detailed analytical investigation of digital forms and their practices. It sets out how his architecture has brought a return to the real in an attempt to rethink the language and practice of architecture. The book’s many inspiring and intricate drawings render clear the ideas that show the palpable energy and momentum that exists in this practice. In every instance, this firm embraces dichotomy, mining its potential to produce a more vital and consequential architecture. The book’s stunning imagery and nuanced narratives tell the story of Tighe’s architecture across 35 projects spanning across the globe, to help establish how his work draws from and builds upon existing polarities to find resolution, and how tensions yield a more dynamic architecture. The work is multiple and varied: from the small-scale residential to the urban scale, from the United States to Europe to China to North Africa, from high-end villas for royalty to art installations to social housing projects. This compelling collection of work follows the following five key themes: CRAFT (from the manufactured to the technological); MATERIAL (from the natural to the synthetic); EXPERIENCE (from the actual to the perceptual); GEOMETRY (from the simple to the complex); and METHOD (from the analog to the digital). This distinguished monograph also includes an incisive introduction by Patrick Tighe and is augmented by two essays by Thom Mayne and Stephen Phillips, who also provide clarity and insightful discourse on how Tighe’s work is continuously in transition and evolving, and how he’s rethinking and engaging in a discourse to defamiliarize the familiar.
Publisher: Images Publishing
ISBN: 1864706759
Category : Architecture
Languages : en
Pages : 338
Book Description
This beautifully designed and illustrated monograph sets out Patrick Tighe’s innovative, diverse and wide-ranging collection of contemporary work towards the post-digital, showing the reader a hyper- detailed analytical investigation of digital forms and their practices. It sets out how his architecture has brought a return to the real in an attempt to rethink the language and practice of architecture. The book’s many inspiring and intricate drawings render clear the ideas that show the palpable energy and momentum that exists in this practice. In every instance, this firm embraces dichotomy, mining its potential to produce a more vital and consequential architecture. The book’s stunning imagery and nuanced narratives tell the story of Tighe’s architecture across 35 projects spanning across the globe, to help establish how his work draws from and builds upon existing polarities to find resolution, and how tensions yield a more dynamic architecture. The work is multiple and varied: from the small-scale residential to the urban scale, from the United States to Europe to China to North Africa, from high-end villas for royalty to art installations to social housing projects. This compelling collection of work follows the following five key themes: CRAFT (from the manufactured to the technological); MATERIAL (from the natural to the synthetic); EXPERIENCE (from the actual to the perceptual); GEOMETRY (from the simple to the complex); and METHOD (from the analog to the digital). This distinguished monograph also includes an incisive introduction by Patrick Tighe and is augmented by two essays by Thom Mayne and Stephen Phillips, who also provide clarity and insightful discourse on how Tighe’s work is continuously in transition and evolving, and how he’s rethinking and engaging in a discourse to defamiliarize the familiar.