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Author: James L. McHard
Publisher: The Future of Modern Music
ISBN: 9780977819508
Category : Music
Languages : en
Pages : 354
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Book Description
Author: James L. McHard
Publisher: The Future of Modern Music
ISBN: 9780977819508
Category : Music
Languages : en
Pages : 354
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Book Description
Author: James L. McHard
Publisher: American Book Publishing Group
ISBN: 9781930586246
Category : Music
Languages : en
Pages : 0
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Book Description
With this brave new book, James McHard pulls away all the negativity shrouding the word modern in the realm of classical music. Through a skilled analysis of prominent composers from 1890 to the present, along with their musical styles, philosophies, and incentives, McHard reveals modern music as the fully enriched and enriching listening experience that it is.
Author: Ewa Mazierska
Publisher: Bloomsbury Publishing USA
ISBN: 1501355899
Category : Music
Languages : en
Pages : 256
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Book Description
What 'live music' means for one generation or culture does not necessarily mean 'live' for another. This book examines how changes in economy, culture and technology pertaining to post-digital times affect production, performance and reception of live music. Considering established examples of live music, such as music festivals, alongside practices influenced by developments in technology, including live streaming and holograms, the book examines whether new forms stand the test of 'live authenticity' for their audiences. It also speculates how live music might develop in the future, its relationship to recorded music and mediated performance and how business is conducted in the popular music industry.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 816
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Book Description
Author: Adam Gussow
Publisher: UNC Press Books
ISBN: 1469660377
Category : Music
Languages : en
Pages : 333
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Book Description
Mamie Smith's pathbreaking 1920 recording of "Crazy Blues" set the pop music world on fire, inaugurating a new African American market for "race records." Not long after, such records also brought black blues performance to an expanding international audience. A century later, the mainstream blues world has transformed into a multicultural and transnational melting pot, taking the music far beyond the black southern world of its origins. But not everybody is happy about that. If there's "No black. No white. Just the blues," as one familiar meme suggests, why do some blues people hear such pronouncements as an aggressive attempt at cultural appropriation and an erasure of traumatic histories that lie deep in the heart of the music? Then again, if "blues is black music," as some performers and critics insist, what should we make of the vibrant global blues scene, with its all-comers mix of nationalities and ethnicities? In Whose Blues?, award-winning blues scholar and performer Adam Gussow confronts these challenging questions head-on. Using blues literature and history as a cultural anchor, Gussow defines, interprets, and makes sense of the blues for the new millennium. Drawing on the blues tradition's major writers including W. C. Handy, Langston Hughes, Zora Neale Hurston, and Amiri Baraka, and grounded in his first-person knowledge of the blues performance scene, Gussow's thought-provoking book kickstarts a long overdue conversation.
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 9781429977616
Category : Music
Languages : en
Pages : 384
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Book Description
One of The Telegraph's Best Music Books 2011 Alex Ross's award-winning international bestseller, The Rest Is Noise: Listening to the Twentieth Century, has become a contemporary classic, establishing Ross as one of our most popular and acclaimed cultural historians. Listen to This, which takes its title from a beloved 2004 essay in which Ross describes his late-blooming discovery of pop music, showcases the best of his writing from more than a decade at The New Yorker. These pieces, dedicated to classical and popular artists alike, are at once erudite and lively. In a previously unpublished essay, Ross brilliantly retells hundreds of years of music history—from Renaissance dances to Led Zeppelin—through a few iconic bass lines of celebration and lament. He vibrantly sketches canonical composers such as Schubert, Verdi, and Brahms; gives us in-depth interviews with modern pop masters such as Björk and Radiohead; and introduces us to music students at a Newark high school and indie-rock hipsters in Beijing. Whether his subject is Mozart or Bob Dylan, Ross shows how music expresses the full complexity of the human condition. Witty, passionate, and brimming with insight, Listen to This teaches us how to listen more closely.
Author: John Hullah
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 264
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Book Description
Author: John Pyke Hullah
Publisher:
ISBN:
Category :
Languages : en
Pages : 316
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Book Description
Author: Richard Alexander Streatfeild
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 426
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Book Description
Author: Louis Charles Elson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 342
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Book Description