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Author: Jean-Paul Sartre
Publisher: Verso Books
ISBN: 1844677729
Category : Biography & Autobiography
Languages : en
Pages : 577
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Book Description
In 1958, the US director John Huston asked Jean-Paul Sartre to write a scenario for a film about Sigmund Freud. Huston wanted Sartre to concentrate on the conflict-ridden period of Freud’s life when he abandoned hypnosis and invented psychoanalysis. The Freud Scenario, discovered in Sartre’s papers after his death, is the result—a deft portrait of a man engaged in a personal and intellectual struggle that would prove a turning point in twentieth-century thought. Sartre did not regard this script as a diversion from his larger intellectual project. Freud’s preoccupations with female hysteria and the father relationship touched on major themes in his own work, and Loser Wins, The Family Idiot and Words, some of Sartre’s most celebrated publications, are all in some way derived from his work for Huston. Written for a Hollywood audience, The Freud Scenario demonstrates that, in addition to a towering intellect, Sartre enjoyed a genuine popular touch. Already widely acclaimed in France, The Freud Scenario stands as a valuable testament to two of the most influential minds in modern history.
Author: Jean-Paul Sartre
Publisher: Verso Books
ISBN: 1844677729
Category : Biography & Autobiography
Languages : en
Pages : 577
Get Book
Book Description
In 1958, the US director John Huston asked Jean-Paul Sartre to write a scenario for a film about Sigmund Freud. Huston wanted Sartre to concentrate on the conflict-ridden period of Freud’s life when he abandoned hypnosis and invented psychoanalysis. The Freud Scenario, discovered in Sartre’s papers after his death, is the result—a deft portrait of a man engaged in a personal and intellectual struggle that would prove a turning point in twentieth-century thought. Sartre did not regard this script as a diversion from his larger intellectual project. Freud’s preoccupations with female hysteria and the father relationship touched on major themes in his own work, and Loser Wins, The Family Idiot and Words, some of Sartre’s most celebrated publications, are all in some way derived from his work for Huston. Written for a Hollywood audience, The Freud Scenario demonstrates that, in addition to a towering intellect, Sartre enjoyed a genuine popular touch. Already widely acclaimed in France, The Freud Scenario stands as a valuable testament to two of the most influential minds in modern history.
Author: Josue V. Harari
Publisher: Cornell University Press
ISBN: 1501743414
Category : History
Languages : en
Pages : 248
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Book Description
From Proust to Beckett, from Blanchot to Derrida from Freud to Lacan, and from Lévi-Strauss to René Girard, all of our theories of modernity have been predicated upon a nostalgia for the real. In this lively and perceptive diagnosis of the malaise of contemporary theorists, Josué Harari interprets the French Enlightenment in terms of the relationship between theory and the imaginary, and explores the paradox by which theories that purport to describe the real lack any dimension of reality. Through readings of texts by some of the progenitors of influential modem theories, Harari explores the working strategies of the imaginary. In particular, he illuminates the founding moment, an instant of personal crisis for the author, during which a theory is infused by a fictional scenario: Montesquieu's "phantasm" of the body, resulting in his theory of government; Rousseau's narcissistic delirium in Emile, resulting in his theory of education; the theory of psychoanalysis, resulting from Freud's unconscious motives for choosing the Oedipal theory over the seduction theory of neurosis; and the theory of structural anthropology, generated by a psychodrama in Tristes Tropiques which Harari reads as a symptom of Lévi-Strauss's anguish when he is confronted with reality. Two striking chapters on Sade at the center of the book reveal the operation of the theoretical imaginary in libertine discourse. Scenarios of the Imaginary will find a wide audience among students and scholars of French literature, particularly of the eighteenth century, and of contemporary French thought, and among comparativists, literary theorists, anthropologists, and historians.
Author: Janet Bergstrom
Publisher: Univ of California Press
ISBN: 9780520207486
Category : Performing Arts
Languages : en
Pages : 324
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Book Description
On film theory and psychoanalysis
Author: Hilda Doolittle
Publisher: New Directions Publishing
ISBN: 0811220044
Category : Biography & Autobiography
Languages : en
Pages : 225
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Book Description
"Bringing together Writing on the Wall, composed some ten years after H.D's stay in Vienna, and Advent, a journal she kept at the time of her analysis there, Tribute to Freud offers a rare glimpse into the consulting room of the father of psychoanalysis. It may also be the most intimate of H.D.'s works.Compelled by historical as well as personal crises, the poet worked with Freud during 1933-34. The streets of Vienna were littered with tokens dropped like confetti on the city, stating Hitler gives work. Hitler gives bread. Having endured World War I, she was now gathering her resources to face the second cataclysm she knew was approaching. In analysis, Hilda Doolittle explored her Pennsylvania childhood, her relationship with Ezra Pound (inventory of her nom de plume H.D.), Havelock Ellis, D.H. Lawrence, her ex-husband Richard Aldington, and subsequent companion Winifred Ellerman ( Bryher ), as well as her own creative processes.Freud, regarding H.D. as a student as well as a patient, wads hardly the detached presence one might imagine. Revealed here in the poet's words and in his own letters, which comprise an appendix, is the considerate friend, the charming Viennese gentleman--art collector, dog lover, wit--and the pioneer, always revising his ideas and possessed of an insight that could be terrifying in its force."--Publisher's description.
Author: Jean-Paul Sartre
Publisher: University of Chicago Press
ISBN: 9780226735238
Category : Philosophy
Languages : en
Pages : 148
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Book Description
Published posthumously, the text presents Sartre's ontology of truth in terms of freedom, action, and bad faith
Author: Jean-Paul Sartre
Publisher: University of Chicago Press
ISBN: 9780226735115
Category : Philosophy
Languages : en
Pages : 620
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Book Description
In the famous conclusion to Being and Nothingness, Jean-Paul Sartre announced that he would devote his next philosophical work to moral problems. Although he worked on this project in the late 1940s, Sartre never completed it to his satisfaction, and it remained unpublished until after his death in 1980. Presented here for the first time in English, Notebooks for an Ethics is Sartre's attempt to articulate a moral philosophy. In the Notebooks he addresses any number of themes and topics relevant to an effort to formulate a concrete and revolutionary socialist ethics, among them the differences between force and violence, the relationship of means and ends, and the relationship of oppression and alienation. Most important, he tries to show that there can be an authentic mutual recognition among free individuals where no one steals another's freedom. While remaining committed to the basic principles of Being and Nothingness, Sartre here seeks to locate the foundation for action in history and society. The Notebooks thus form an important bridge between the early existentialist Sartre and the later Marxist social thinker of the Critique of Dialectical Reason. Sartre grapples anew with such central issues as "authenticity" and the relation of alienation and freedom to moral values. In dealing with fundamental modes of relating to the Other, among them violence, entreaty, demand, appeal, refusal, and revolt, he highlights the notions of conversion and creation as they figure in the necessary transition from individualism to historical consciousness. The Notebooks themselves are complemented here by two appendixes, one on "the good and subjectivity", the other on the problem of blacks in theUnited States as a case study of oppression.
Author: Henry Bond
Publisher: MIT Press
ISBN: 0262300095
Category : Psychology
Languages : en
Pages : 254
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Book Description
A Lacanian approach to murder scene investigation. What if Jacques Lacan—the brilliant and eccentric Parisian psychoanalyst—had worked as a police detective, applying his theories to solve crimes? This may conjure up a mental film clip starring Peter Sellers in a trench coat, but in Lacan at the Scene, Henry Bond makes a serious and provocative claim: that apparently impenetrable events of violent death can be more effectively unraveled with Lacan's theory of psychoanalysis than with elaborate, technologically advanced forensic tools. Bond's exposition on murder expands and develops a resolutely Žižekian approach. Seeking out radical and unexpected readings, Bond unpacks his material utilizing Lacan's neurosis-psychosis-perversion grid. Bond places Lacan at the crime scene and builds his argument through a series of archival crime scene photographs from the 1950s—the period when Lacan was developing his influential theories. It is not the horror of the ravished and mutilated corpses that draws his attention; instead, he interrogates seemingly minor details from the everyday, isolating and rephotographing what at first seems insignificant: a single high heeled shoe on a kitchen table, for example, or carefully folded clothes placed over a chair. From these mundane details he carefully builds a robust and comprehensive manual for Lacanian crime investigation that can stand beside the FBI's standard-issue Crime Classification Manual.
Author: Jean-Paul Sartre
Publisher: University of Chicago Press
ISBN: 0226476316
Category : Biography & Autobiography
Languages : en
Pages : 142
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Book Description
In March of 1980, just a month before Sartre's death, Le Nouvel Observateur published a series of interviews, the last ever given, between the blind and debilitated philosopher and his young assistant, Benny Levy. Readers were scandalized and denounced the interviews as distorted, inauthentic, even fraudulent. They seemed to portray a Sartre who had abandoned his leftist convictions and rejected his most intimate friends, including Simone de Beauvoir. This man had cast aside his own fundamental beliefs in the primacy of individual consciousness, the inevitability of violence, and Marxism, embracing instead a messianic Judaism. No, Sartre's supporters argued, it was his interlocutor, the ex-radical, the orthodox, ultra-right-wing activist who had twisted the words and thought of an ailing Sartre to his own ends. Or had he? Shortly before his death, Sartre confirmed the authenticity of the interviews and their puzzling content. Over the past fifteen years, it has become the task of Sartre scholars to unravel and understand them. Presented in this fresh, meticulous translation, the interviews are framed by two provocative essays from Benny Levy himself, accompanied by a comprehensive introduction from noted Sartre authority Ronald Aronson. Placing the interviews in proper biographical and philosophical perspective, Aronson demonstrates that the thought of both Sartre and Levy reveals multiple intentions that taken together nevertheless confirm and add to Sartre's overall philosophy. This absorbing volume at last contextualizes and elucidates the final thoughts of a brilliant and influential mind. Jean-Paul Sartre (1906-1980) was offered, but declined, the Nobel Prize for literature in 1964. His many works of fiction, drama, and philosophy include the monumental study of Flaubert, The Family Idiot, and The Freud Scenario, both published in translation by the University of Chicago Press.
Author: Karen Mack
Publisher: Penguin
ISBN: 0425270025
Category : Fiction
Languages : en
Pages : 386
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Book Description
“A thrilling story of seduction, betrayal, and loss, Freud’s Mistress will titillate fans of Memoirs of a Geisha and The Other Boleyn Girl.”—Booklist In fin-de-siècle Vienna, it was not easy for a woman to find fulfillment both intellectually and sexually. But many believe that Minna Bernays was able to find both with one man—her brother-in-law, Sigmund Freud. At once a portrait of two sisters—the rebellious, independent Minna and her inhibited sister, Martha—and of the compelling and controversial doctor who would be revered as one of the twentieth century’s greatest thinkers, Freud’s Mistress is a novel rich with passion and historical detail and “a portrait of forbidden desire [with] a thought-provoking central question: How far are you willing to go to be happy?”* *Publishers Weekly
Author: John Fletcher
Publisher: Fordham University Press
ISBN: 0823254623
Category : Psychology
Languages : en
Pages : 336
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Book Description
This book argues that Freud’s mapping of trauma as a scene is central to both his clinical interpretation of his patients’ symptoms and his construction of successive theoretical models and concepts to explain the power of such scenes in his patients’ lives. This attention to the scenic form of trauma and its power in determining symptoms leads to Freud’s break from the neurological model of trauma he inherited from Charcot. It also helps to explain the affinity that Freud and many since him have felt between psychoanalysis and literature (and artistic production more generally), and the privileged role of literature at certain turning points in the development of his thought. It is Freud’s scenography of trauma and fantasy that speaks to the student of literature and painting. Overall, the book develops the thesis of Jean Laplanche that in Freud’s shift from a traumatic to a developmental model, along with the undoubted gains embodied in the theory of infantile sexuality, there were crucial losses: specifically, the recognition of the role of the adult other and the traumatic encounter with adult sexuality that is entailed in the ordinary nurture and formation of the infantile subject.
