Author: Raymond Eichmann
Publisher: Scholarly Title
ISBN:
Category : Literary Criticism
Languages : en
Pages : 306
Book Description
The French Fabliau
Author: Raymond Eichmann
Publisher: Scholarly Title
ISBN:
Category : Literary Criticism
Languages : en
Pages : 306
Book Description
Publisher: Scholarly Title
ISBN:
Category : Literary Criticism
Languages : en
Pages : 306
Book Description
The French Fabliau B.N. MS. 837
Author: Raymond Eichmann
Publisher: Routledge
ISBN: 0429639252
Category : Business & Economics
Languages : en
Pages : 410
Book Description
Originally published in 1984, this book features The French Fabliau alongisde a translation and textual notes. The original manuscript, formerly labeled Bibliotheque du Roi 7218, is rightfully considered the oldest and one of the two most imporant and complete collections of medieval literature.
Publisher: Routledge
ISBN: 0429639252
Category : Business & Economics
Languages : en
Pages : 410
Book Description
Originally published in 1984, this book features The French Fabliau alongisde a translation and textual notes. The original manuscript, formerly labeled Bibliotheque du Roi 7218, is rightfully considered the oldest and one of the two most imporant and complete collections of medieval literature.
The Iconography of Power
Author: David LaGuardia
Publisher: University of Delaware Press
ISBN: 9780874136692
Category : Literary Criticism
Languages : en
Pages : 188
Book Description
Despite its enormous success and its evident importance in the context of sixteenth-century French literature, few major studies have been written about the French nouvelle of the age of Rabelais, aside from the explosion of articles and books on the Heptameron during the last decade. This study defends the thesis that various nouvelle collections employ an iconographic mode of representation, developing characters by means of external details that situate them on grids of hierarchical power relations. Author David LaGuardia concentrates on the philosophical implications of the nouvelle as a means of cataloging a large body of information about everyday life across a wide social spectrum in France in the fifteenth and sixteenth centuries.
Publisher: University of Delaware Press
ISBN: 9780874136692
Category : Literary Criticism
Languages : en
Pages : 188
Book Description
Despite its enormous success and its evident importance in the context of sixteenth-century French literature, few major studies have been written about the French nouvelle of the age of Rabelais, aside from the explosion of articles and books on the Heptameron during the last decade. This study defends the thesis that various nouvelle collections employ an iconographic mode of representation, developing characters by means of external details that situate them on grids of hierarchical power relations. Author David LaGuardia concentrates on the philosophical implications of the nouvelle as a means of cataloging a large body of information about everyday life across a wide social spectrum in France in the fifteenth and sixteenth centuries.
Comic Provocations
Author: H. Crocker
Publisher: Springer
ISBN: 0230601170
Category : Literary Criticism
Languages : en
Pages : 205
Book Description
This collection explores how Old French fabliaux disrupt literal and figurative bodies. Essays cover theoretical issues including fragmentation and multiplication, social anxiety and excessive circulation, performative productions and creative formations, to trace the competing consequences that arise from this literary body's unsettling capacity.
Publisher: Springer
ISBN: 0230601170
Category : Literary Criticism
Languages : en
Pages : 205
Book Description
This collection explores how Old French fabliaux disrupt literal and figurative bodies. Essays cover theoretical issues including fragmentation and multiplication, social anxiety and excessive circulation, performative productions and creative formations, to trace the competing consequences that arise from this literary body's unsettling capacity.
The Comic Text
Author: Brian J. Levy
Publisher: BRILL
ISBN: 9004486054
Category : Social Science
Languages : en
Pages : 320
Book Description
This book offers a close analysis of the Old French fabliaux, that medieval corpus of short comic tales in narrative verse celebrated (sometimes notorious) for their irreverence and sexual content. It picks out certain key images - such as gambling, illness, and damnation - which develop into themes and motifs running through all the texts, and which add layers of ironic patterning to the essential subject-matter and narrative of each fabliau. These elements, in many respects the 'small print' of the joke, furnish the comic text with many rhythms and echoes, all contributing to the ludic, adversarial nature of the text. They are extremely flexible, serving as a rhetoric of depiction that extends from broad comic motif to the lightest triggering of a mocking smile. This volume will be of interest to all students of medieval culture, Old French literature, and the development of the short or comic narrative.
Publisher: BRILL
ISBN: 9004486054
Category : Social Science
Languages : en
Pages : 320
Book Description
This book offers a close analysis of the Old French fabliaux, that medieval corpus of short comic tales in narrative verse celebrated (sometimes notorious) for their irreverence and sexual content. It picks out certain key images - such as gambling, illness, and damnation - which develop into themes and motifs running through all the texts, and which add layers of ironic patterning to the essential subject-matter and narrative of each fabliau. These elements, in many respects the 'small print' of the joke, furnish the comic text with many rhythms and echoes, all contributing to the ludic, adversarial nature of the text. They are extremely flexible, serving as a rhetoric of depiction that extends from broad comic motif to the lightest triggering of a mocking smile. This volume will be of interest to all students of medieval culture, Old French literature, and the development of the short or comic narrative.
A Cultural History of Comedy in the Middle Ages
Author: Martha Bayless
Publisher: Bloomsbury Publishing
ISBN: 1350187615
Category : History
Languages : en
Pages : 233
Book Description
Comedy and humor flourished in manifold forms in the Middle Ages. This volume, covering the period from 1000 to 1400 CE, examines the themes, practice, and effects of medieval comedy, from the caustic morality of principled satire to the exuberant improprieties of many wildly popular tales of sex and trickery. The analysis includes the most influential authors of the age, such as Chaucer, Boccaccio, Juan Ruiz, and Hrothswitha of Gandersheim, as well as lesser-known works and genres, such as songs of insult, nonsense-texts, satirical church paintings, topical jokes, and obscene pilgrim badges. The analysis touches on most of the literatures of medieval Europe, including a discussion of the formal attitudes toward humor in Christian, Jewish, and Islamic traditions. The volume demonstrates the many ways in which medieval humor could be playful, casual, sophisticated, important, subversive, and even dangerous. Each chapter takes a different theme as its focus: form, theory, praxis, identities, the body, politics and power, laughter, and ethics.
Publisher: Bloomsbury Publishing
ISBN: 1350187615
Category : History
Languages : en
Pages : 233
Book Description
Comedy and humor flourished in manifold forms in the Middle Ages. This volume, covering the period from 1000 to 1400 CE, examines the themes, practice, and effects of medieval comedy, from the caustic morality of principled satire to the exuberant improprieties of many wildly popular tales of sex and trickery. The analysis includes the most influential authors of the age, such as Chaucer, Boccaccio, Juan Ruiz, and Hrothswitha of Gandersheim, as well as lesser-known works and genres, such as songs of insult, nonsense-texts, satirical church paintings, topical jokes, and obscene pilgrim badges. The analysis touches on most of the literatures of medieval Europe, including a discussion of the formal attitudes toward humor in Christian, Jewish, and Islamic traditions. The volume demonstrates the many ways in which medieval humor could be playful, casual, sophisticated, important, subversive, and even dangerous. Each chapter takes a different theme as its focus: form, theory, praxis, identities, the body, politics and power, laughter, and ethics.
Medieval Sexuality
Author: Joyce E. Salisbury
Publisher: Routledge
ISBN: 0429615051
Category : Social Science
Languages : en
Pages : 269
Book Description
Originally published in 1990. Well-annotated bibliographical entries cover works on history, religion, medicine, philosophy, law and literature in western Europe from about the third century A.D. through the end of the medieval period. The primary sources are organised thematically, and separately from secondary sources. Languages covered include English, Spanish, Portuguese, French, German, Italian, and Latin. The focus is on sexuality and sexual attitudes, not on the related topics of marriage and family. Detailed indexes are also included.
Publisher: Routledge
ISBN: 0429615051
Category : Social Science
Languages : en
Pages : 269
Book Description
Originally published in 1990. Well-annotated bibliographical entries cover works on history, religion, medicine, philosophy, law and literature in western Europe from about the third century A.D. through the end of the medieval period. The primary sources are organised thematically, and separately from secondary sources. Languages covered include English, Spanish, Portuguese, French, German, Italian, and Latin. The focus is on sexuality and sexual attitudes, not on the related topics of marriage and family. Detailed indexes are also included.
Three Studies in Medieval Religious and Social Thought
Author: Giles Constable
Publisher: Cambridge University Press
ISBN: 9780521638746
Category : History
Languages : en
Pages : 496
Book Description
This volume of three Studies concentrates on the changes in religious thought and institutions in the eleventh and twelfth centuries, and includes not only monks and nuns but also less organised types of life such as hermits, recluses, crusaders and penitents. It is complementary to Professor Constable's forthcoming book The Reformation of the Twelfth Century, but is dissimilar from it in examining three themes over a long period, from late antiquity to the seventeenth century, in order to show how they changed over time. The interpretation of Mary and Martha deals primarily (but not exclusively) with the balance of action and contemplation in Christian life; the ideal of the imitation of Christ studies the growing emphasis on the human Christ, especially His body and wounds; and the orders of society looks at the conceptual divisions of society and the emergence of the modern idea of a middle class.
Publisher: Cambridge University Press
ISBN: 9780521638746
Category : History
Languages : en
Pages : 496
Book Description
This volume of three Studies concentrates on the changes in religious thought and institutions in the eleventh and twelfth centuries, and includes not only monks and nuns but also less organised types of life such as hermits, recluses, crusaders and penitents. It is complementary to Professor Constable's forthcoming book The Reformation of the Twelfth Century, but is dissimilar from it in examining three themes over a long period, from late antiquity to the seventeenth century, in order to show how they changed over time. The interpretation of Mary and Martha deals primarily (but not exclusively) with the balance of action and contemplation in Christian life; the ideal of the imitation of Christ studies the growing emphasis on the human Christ, especially His body and wounds; and the orders of society looks at the conceptual divisions of society and the emergence of the modern idea of a middle class.
A Cultural History of Women in the Middle Ages
Author: Kim M. Phillips
Publisher: Bloomsbury Publishing
ISBN: 1350995827
Category : History
Languages : en
Pages : 346
Book Description
The medieval era has been described as 'the Age of Chivalry' and 'the Age of Faith' but also as 'the Dark Ages'. Medieval women have often been viewed as subject to a punishing misogyny which limited their legal rights and economic activities, but some scholars have claimed they enjoyed a 'rough and ready equality' with men. The contrasting figures of Eve and the Virgin Mary loom over historians' interpretations of the period 1000-1500. Yet a wealth of recent historiography goes behind these conventional motifs, showing how medieval women's lives were shaped by status, age, life-stage, geography and religion as well as by gender. A Cultural History of Women in the Middle Ages presents essays on medieval women's life cycle, bodies and sexuality, religion and popular beliefs, medicine and disease, public and private realms, education and work, power, and artistic representation to illustrate the diversity of medieval women's lives and constructions of femininity.
Publisher: Bloomsbury Publishing
ISBN: 1350995827
Category : History
Languages : en
Pages : 346
Book Description
The medieval era has been described as 'the Age of Chivalry' and 'the Age of Faith' but also as 'the Dark Ages'. Medieval women have often been viewed as subject to a punishing misogyny which limited their legal rights and economic activities, but some scholars have claimed they enjoyed a 'rough and ready equality' with men. The contrasting figures of Eve and the Virgin Mary loom over historians' interpretations of the period 1000-1500. Yet a wealth of recent historiography goes behind these conventional motifs, showing how medieval women's lives were shaped by status, age, life-stage, geography and religion as well as by gender. A Cultural History of Women in the Middle Ages presents essays on medieval women's life cycle, bodies and sexuality, religion and popular beliefs, medicine and disease, public and private realms, education and work, power, and artistic representation to illustrate the diversity of medieval women's lives and constructions of femininity.
Chaucer's Decameron and the Origin of the Canterbury Tales
Author: Frederick M. Biggs
Publisher: Boydell & Brewer
ISBN: 1843844753
Category : Literary Criticism
Languages : en
Pages : 294
Book Description
A major and original contribution to the debate as to Chaucer's use and knowledge of Boccaccio, finding a new source for the "Shipman's Tale". A possible direct link between the two greatest literary collections of the fourteenth century, Boccaccio's Decameron and Chaucer's Canterbury Tales, has long tantalized readers because these works share many stories, which are, moreover, placed in similar frames. And yet, although he identified many of his sources, Chaucer never mentioned Boccaccio; indeed when he retold the Decameron's final novella, his pilgrim, the Clerk, states that it was written by Petrarch. For these reasons, most scholars now believe that while Chaucer might have heard parts of the earlier collection when he was in Italy, he did not have it at hand as he wrote. This volumeaims to change our understanding of this question. It analyses the relationship between the "Shipman's Tale", originally written for the Wife of Bath, and Decameron 8.10, not seen before as a possible source. The book alsoargues that more important than the narratives that Chaucer borrowed is the literary technique that he learned from Boccaccio - to make tales from ideas. This technique, moreover, links the "Shipman's Tale" to the "Miller's Tale"and the new "Wife of Bath's Tale". Although at its core a hermeneutic argument, this book also delves into such important areas as alchemy, domestic space, economic history, folklore, Irish/English politics, manuscripts, and misogyny. FREDERICK M. BIGGS is Professor of English at the University of Connecticut.
Publisher: Boydell & Brewer
ISBN: 1843844753
Category : Literary Criticism
Languages : en
Pages : 294
Book Description
A major and original contribution to the debate as to Chaucer's use and knowledge of Boccaccio, finding a new source for the "Shipman's Tale". A possible direct link between the two greatest literary collections of the fourteenth century, Boccaccio's Decameron and Chaucer's Canterbury Tales, has long tantalized readers because these works share many stories, which are, moreover, placed in similar frames. And yet, although he identified many of his sources, Chaucer never mentioned Boccaccio; indeed when he retold the Decameron's final novella, his pilgrim, the Clerk, states that it was written by Petrarch. For these reasons, most scholars now believe that while Chaucer might have heard parts of the earlier collection when he was in Italy, he did not have it at hand as he wrote. This volumeaims to change our understanding of this question. It analyses the relationship between the "Shipman's Tale", originally written for the Wife of Bath, and Decameron 8.10, not seen before as a possible source. The book alsoargues that more important than the narratives that Chaucer borrowed is the literary technique that he learned from Boccaccio - to make tales from ideas. This technique, moreover, links the "Shipman's Tale" to the "Miller's Tale"and the new "Wife of Bath's Tale". Although at its core a hermeneutic argument, this book also delves into such important areas as alchemy, domestic space, economic history, folklore, Irish/English politics, manuscripts, and misogyny. FREDERICK M. BIGGS is Professor of English at the University of Connecticut.