The Forum Exhibition of Modern American Painters, March 13th to March 25th, 1916 PDF Download
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Author: Mitchell Kennerley
Publisher:
ISBN:
Category : Painting, American
Languages : en
Pages : 132
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Author: Mitchell Kennerley
Publisher:
ISBN:
Category : Painting, American
Languages : en
Pages : 132
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Book Description
Author: Mitchell Kennerley
Publisher: Legare Street Press
ISBN: 9781018699721
Category :
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Mitchell Kennerley
Publisher:
ISBN:
Category : Painting, American
Languages : en
Pages : 130
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Book Description
Author: Anderson Galleries Inc
Publisher: Forgotten Books
ISBN: 9781330124710
Category : Art
Languages : en
Pages : 116
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Book Description
Excerpt from The Forum Exhibition of Modern American Painters, March 13th to March 25th, 1916 The object of the present exhibition is to put before the American public in a large and complete manner the very best examples of the more modern American art; to stimulate interest in the really good native work of this movement; to present for the first time a comprehensive, critical selection of the serious painting now being shown in isolated groups; to turn public attention for the moment from European art an concentrate it on the excellent work being done in America; and to bring serious, deserving painters in direct contact with the public without a commercial intermediary. Out of fifty names of the most deserving very modern American painters, the Committee has selected the sixteen names here represented; and from the large number of paintings submitted, the Committee has chosen the works now on view. Thus not only are the artists chosen for their merit, but the works also represent what, in the eyes of the Committee, are the best paintings of each artist. The Forum Committee is composed of six men actively interested in art - men who hold high positions in their respective fields in America. Dr. Christian Brinton has for many years been one of the foremost American critics and lecturers on international art. He is the author of Modern Artists, Impressions of the Art at the Panama-Pacific Exposition, and many other works on painting; he is Advisory Editor of Art in America, and a regular contributor to the leading art journals. Robert Henri is an artist of international reputation. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Anderson Galleries Inc
Publisher:
ISBN: 9780243623266
Category :
Languages : en
Pages :
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Author: Mitchell Kennerley
Publisher: Palala Press
ISBN: 9781358625404
Category :
Languages : en
Pages :
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author:
Publisher:
ISBN:
Category : Painting, American
Languages : en
Pages : 96
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Book Description
Author: Mitchell Kennerley
Publisher:
ISBN: 9780649541980
Category : Fiction
Languages : en
Pages : 120
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Book Description
Author: Chicago Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 510
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Book Description
Author: Justin Wolff
Publisher: Macmillan
ISBN: 0374199876
Category : Art
Languages : en
Pages : 416
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Book Description
Born in Missouri at the end of the nineteenth century, Thomas Hart Benton would become the most notorious and celebrated painter America had ever seen. The first artist to make the cover of Time, he was a true original: an heir to both the rollicking populism of his father's political family and the quiet life of his Appalachian grandfather. In his twenties, he would find his calling in New York, where he was drawn to memories of his small-town youth—and to visions of the American scene. By the mid-1930s, Benton's heroic murals were featured in galleries, statehouses, universities, and museums, and magazines commissioned him to report on the stories of the day. Yet even as the nation learned his name, he was often scorned by critics and political commentators, many of whom found him too nationalistic and his art too regressive. Even Jackson Pollock, his once devoted former student, would turn away from him in dramatic fashion. A boxer in his youth, Benton was quick to fight back, but the widespread backlash had an impact—and foreshadowed many of the artistic debates that would dominate the coming decades. In this definitive biography, Justin Wolff places Benton in the context of his tumultuous historical moment—as well as in the landscapes and cultural circles that inspired him. Thomas Hart Benton—with compelling insights into Benton's art, his philosophy, and his family history—rescues a great American artist from myth and hearsay, and provides an indelibly moving portrait of an influential, controversial, and often misunderstood man.
