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Author: Victor Yelverton Haines
Publisher: Washington, D.C. : University Press of America
ISBN:
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Achieves a synthesis of two tendencies in Gawain criticism: the culpa school, which emphasizes Gawain's sin without being able to explain the final laughter at Camelot, and the felix school, which sees the comedy without being able to face the fact of Gawain's pernicious sin. Students of medieval literature, theologians interested in typology and the paradox of the felix culpa, and art historians interested in medieval iconography will all find much of value in this excellent study.
Author: Victor Yelverton Haines
Publisher: Washington, D.C. : University Press of America
ISBN:
Category : Literary Criticism
Languages : en
Pages : 256
Get Book Here
Book Description
Achieves a synthesis of two tendencies in Gawain criticism: the culpa school, which emphasizes Gawain's sin without being able to explain the final laughter at Camelot, and the felix school, which sees the comedy without being able to face the fact of Gawain's pernicious sin. Students of medieval literature, theologians interested in typology and the paradox of the felix culpa, and art historians interested in medieval iconography will all find much of value in this excellent study.
Author: William Raymond Johnston Barron
Publisher: Manchester University Press
ISBN: 9780719055171
Category : Arthurian romances
Languages : en
Pages : 194
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Book Description
This edition of one of the classic Middle English romances gives the original text side by side with a sensitive modern translation.
Author: E.L. Risden
Publisher: McFarland
ISBN: 1476634327
Category : History
Languages : en
Pages : 224
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Book Description
The 14th century English alliterative poem Sir Gawain and the Green Knight is admired for its morally complex plot and brilliant poetics. A chivalric romance placed in an Arthurian setting, it has since received acclaim for its commentary regarding important socio-political and religious concerns. The poem's technical brilliance blends psychological depth and vivid language to produce an effect widely considered superior to any other work of the time. Although the poem is a combination of English alliterative meter, romanticism, and a wide-ranging knowledge of Celtic lore, continental materials and Latin classics, the extent to which Classical antecedents affected or directed the poem is a point of continued controversy among literary scholars. This collection of essays by scholars of diverse interests addresses this puzzling and fascinating question. The introduction provides an expansive background for the topic, and subsequent essays explore the extent to which classical Greek, Roman, Arabic, Christian and Celtic influences are revealed in the poem's opening and closing allusions, themes, and composition. Essays discuss the way in which the anonymous author of Sir Gawain employs figural echoes of classical materials, cultural memoirs of past British tradition, and romantic re-textualizations of Trojan and British literature. It is argued that Sir Gawain may be understood as an Aeneas, Achilles, or Odysseus figure, while the British situation in the 14th century may be understood as analogous to that of ancient Troy.
Author:
Publisher: BRILL
ISBN: 9004459030
Category : Philosophy
Languages : en
Pages : 227
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Book Description
This book is an intercultural exploration of the full scope of evil. The problems of evil have beset humanity throughout the ages and continue to trouble us. The studies here examine evil in Asian thought, in Western theory, in the cosmic order, in human psychology, and in social practice. Insights are added to the philosophical discussions from religion, culture, history, law, technology, and literature.
Author: Hildegard L. C. Tristram
Publisher: Gunter Narr Verlag
ISBN: 9783823354079
Category : British literature
Languages : en
Pages : 272
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Book Description
Author: Thelma S. Fenster
Publisher: Psychology Press
ISBN: 9780415928892
Category : Arthurian romances
Languages : en
Pages : 428
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Book Description
Twenty-nine collected essays represent a critical history of Shakespeare's play as text and as theater, beginning with Samuel Johnson in 1765, and ending with a review of the Royal Shakespeare Company production in 1991. The criticism centers on three aspects of the play: the love/friendship debate.
Author: David Rosen
Publisher: University of Illinois Press
ISBN: 9780252063091
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
In a sensitive and provocative study of six great works of British literature, David Rosen traces the evolution of masculinity, inviting readers to contemplate the shifting joys and sorrows men have experienced throughout the last millennium, and the changing but constant tensions between their lives and ideals. Focusing on Beowulf, Sir Gawain and the Green Knight, Hamlet, Paradise Lost, Hard Times, and Sons and Lovers, Rosen shows how the actions of heroes fail to resolve tensions between masculine ideals and male experiences.
Author: M. Victoria Guerin
Publisher: Stanford University Press
ISBN: 9780804722902
Category : Literary Criticism
Languages : en
Pages : 358
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Book Description
At the heart of the book is Mordred, King Arthur's incestuous son, shown by Guerin to be an integral part of the Arthurian tradition from the very beginning. Mordred is seen as the tangible proof of the king's sin, committed in all innocence in his youth but resulting in a living incarnation of evil who will kill his father on Salisbury Plain, putting an end to the Arthurian world. But in the early stages of Arthurian romance, because this story cannot be told without the death of Arthur, it cannot be told at all, for Arthur's existence is the necessary condition of the genre: the story of his death would entail authorial suicide and the impossibility of further literary creation. Guerin argues that the authors of the texts examined in this study - Chretien de Troyes's Le Chevalier de la Charrete and Le Conte du Graal and the anonymous Middle English Sir Gawain and the Green Knight - deliberately use the medieval reader's extra-textual knowledge of the Mordred story to create a second level of reading: behind Lancelot, Perceval, and Gawain is the shadowy figure of Mordred (never explicitly mentioned), and the modern reader must learn to see this shadow in order fully to appreciate the authors' purpose. Taking into account this hidden framework not only sheds a surprising new light on these texts, it also gives a convincing solution to the much-discussed question of why Chretien left two of his romances, Le Chevalier de la Charrete and Le Conte du Graal, unfinished. The first chapter, which deals with Arthurian tragedy in the thirteenth century Prose Cycle, is particularly timely as it coincides with the publication of the first English translation of the cycle, to which Guerin's study serves as an excellent introduction.
Author: Barbara Newman
Publisher: University of Notre Dame Pess
ISBN: 0268161402
Category : Religion
Languages : en
Pages : 416
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Book Description
The sacred and the secular in medieval literature have too often been perceived as opposites, or else relegated to separate but unequal spheres. In Medieval Crossover: Reading the Secular against the Sacred, Barbara Newman offers a new approach to the many ways that sacred and secular interact in medieval literature, arguing that (in contrast to our own cultural situation) the sacred was the normative, unmarked default category against which the secular always had to define itself and establish its niche. Newman refers to this dialectical relationship as "crossover"—which is not a genre in itself, but a mode of interaction, an openness to the meeting or even merger of sacred and secular in a wide variety of forms. Newman sketches a few of the principles that shape their interaction: the hermeneutics of "both/and," the principle of double judgment, the confluence of pagan material and Christian meaning in Arthurian romance, the rule of convergent idealism in hagiographic romance, and the double-edged sword in parody. Medieval Crossover explores a wealth of case studies in French, English, and Latin texts that concentrate on instances of paradox, collision, and convergence. Newman convincingly and with great clarity demonstrates the widespread applicability of the crossover concept as an analytical tool, examining some very disparate works. These include French and English romances about Lancelot and the Grail; the mystical writing of Marguerite Porete (placed in the context of lay spirituality, lyric traditions, and the Romance of the Rose); multiple examples of parody (sexually obscene, shockingly anti-Semitic, or cleverly litigious); and René of Anjou's two allegorical dream visions. Some of these texts are scarcely known to medievalists; others are rarely studied together. Newman's originality in her choice of these primary works will inspire new questions and set in motion new fields of exploration for medievalists working in a large variety of disciplines, including literature, religious studies, history, and cultural studies.
Author: W R J Barron
Publisher: University of Wales Press
ISBN: 1786837412
Category : Literary Criticism
Languages : en
Pages : 650
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Book Description
This first comprehensive treatment of Arthurian literature in the English language up until the end of the Middle Ages is now available for the first time in paperback. English people think of Arthur as their own – stamped on the landscape in scores of place-names, echoed in the names of princes even today. Yet some would say the English were the historical Arthur’s bitterest enemies and usurpers of his heritage. The process by which Arthurian legends have become an important part of England’s cultural heritage is traced in this book. Previous studies have concentrated on the handful of chivalric romances, which have given the impression that Arthur is a hero of romantic escapism. This study seeks to provide a more comprehensive and insightful look at the English Arthurian legends and how they evolved. It focuses primarily upon the literary aspects of Arthurian legend, but it also makes some important political and social observations.
