The Fortepianist as Orator ; Beethoven and the Transformation of the Declamatory Style PDF Download
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Author: George Barth
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 136
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Book Description
Author: George Barth
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 136
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Book Description
Author: George Barth
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 208
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Book Description
"Rounding out his book, he provides several discerning analyses, including an interpretation of tempo, gesture, and articulation in the Sonata in F major for pianoforte and violoncello, opus 5, no. 1, and a study of tempo flexibility in the Variations on an Original Theme, opus 34." "The Pianist as Orator will provide stimulating reading for music theorists and historians of the classical and Romantic periods, as well as for music teachers and performers - professional and amateur alike."--BOOK JACKET.
Author: George Barth
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 162
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 140
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Author: Cecil Adkins
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 424
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Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 426
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Author: Katherine Bergeron
Publisher:
ISBN:
Category : Gregorian chants
Languages : en
Pages : 274
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Book Description
Author: Richard Hudson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 498
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Book Description
Tracing the complex history of tempo rubato, this book identifies and traces the development of two main types of rubato: an earlier one in which note values in a melody are altered while the accompaniment keeps strict time, and a later, more familiar one in which the tempo of the entire musical substance fluctuates. In the course of his narrative, Hudson ranges widely over western music, from Gregorian Chant to Chopin, from C.P.E. Bach to jazz, quoting extensively from the writings of theorists, composers, and performers. In so doing he not only suggests new ways of approaching the rubato in the music of nineteenth-century composers like Chopin and Liszt, where we expect to encounter the term, but also illuminates the music of earlier and later periods, revealing its use even in the music of that most metronomic of composers, Stravinsky.
Author: Alton Thompson
Publisher:
ISBN:
Category : Cantatas
Languages : en
Pages : 648
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Author: New York Public Library. Music Division
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 792
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Book Description
