Author: John Harper
Publisher: Oxford University Press
ISBN: 9780193161283
Category : History
Languages : en
Pages : 337
Book Description
This book is intended as an introduction to the principal forms and orders of Western liturgy between about 900 and 1700, to explain their nature and basic historical origin, and to present in detail the contents and orders of principal services as well as additional and special forms of worship. The book emphasizes the mainstream of Western liturgy derived from the medieval Roman Rite as found in secular and monastic churches. After the Reformation it concentrates on the Rites of the Roman Catholic CHurch and the Church of England: orders of worship which were undisturbed in the eighteenth century, and which persisted (with minor revisions) until the extensive liturgical revisions and reforms of the 1960s. There is consideration fro the nature of liturgy, a historical summary, and individual chapters on medieval churches and their communities, the Christian calendar, medieval liturgical books, the Psalms, the Office, the Mass, Processions and Additional Observances, Holy Week and Easter, the Tridentine Rite and the English Book of COmmon Prayer. There are two further chapters which raise the problems of establishing the order of a Latin liturgical service, and introduce selected medieval sources mostly accessibly in facsimile or edition. A select, annotated bibliography and a glossary of ecclesiastical and liturgical terms are included.
The Forms and Orders of Western Liturgy from the Tenth to the Eighteenth Century
Author: John Harper
Publisher: Oxford University Press
ISBN: 9780193161283
Category : History
Languages : en
Pages : 337
Book Description
This book is intended as an introduction to the principal forms and orders of Western liturgy between about 900 and 1700, to explain their nature and basic historical origin, and to present in detail the contents and orders of principal services as well as additional and special forms of worship. The book emphasizes the mainstream of Western liturgy derived from the medieval Roman Rite as found in secular and monastic churches. After the Reformation it concentrates on the Rites of the Roman Catholic CHurch and the Church of England: orders of worship which were undisturbed in the eighteenth century, and which persisted (with minor revisions) until the extensive liturgical revisions and reforms of the 1960s. There is consideration fro the nature of liturgy, a historical summary, and individual chapters on medieval churches and their communities, the Christian calendar, medieval liturgical books, the Psalms, the Office, the Mass, Processions and Additional Observances, Holy Week and Easter, the Tridentine Rite and the English Book of COmmon Prayer. There are two further chapters which raise the problems of establishing the order of a Latin liturgical service, and introduce selected medieval sources mostly accessibly in facsimile or edition. A select, annotated bibliography and a glossary of ecclesiastical and liturgical terms are included.
Publisher: Oxford University Press
ISBN: 9780193161283
Category : History
Languages : en
Pages : 337
Book Description
This book is intended as an introduction to the principal forms and orders of Western liturgy between about 900 and 1700, to explain their nature and basic historical origin, and to present in detail the contents and orders of principal services as well as additional and special forms of worship. The book emphasizes the mainstream of Western liturgy derived from the medieval Roman Rite as found in secular and monastic churches. After the Reformation it concentrates on the Rites of the Roman Catholic CHurch and the Church of England: orders of worship which were undisturbed in the eighteenth century, and which persisted (with minor revisions) until the extensive liturgical revisions and reforms of the 1960s. There is consideration fro the nature of liturgy, a historical summary, and individual chapters on medieval churches and their communities, the Christian calendar, medieval liturgical books, the Psalms, the Office, the Mass, Processions and Additional Observances, Holy Week and Easter, the Tridentine Rite and the English Book of COmmon Prayer. There are two further chapters which raise the problems of establishing the order of a Latin liturgical service, and introduce selected medieval sources mostly accessibly in facsimile or edition. A select, annotated bibliography and a glossary of ecclesiastical and liturgical terms are included.
The Forms and Orders of Western Liturgy from the Tenth to the Eighteenth Century
Author: John Harper
Publisher:
ISBN:
Category :
Languages : en
Pages : 337
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 337
Book Description
The Forms and Orders of Western Liturgy from the Tenth to the Eighteenth Century
Author: John Martin Harper
Publisher:
ISBN:
Category :
Languages : en
Pages : 337
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 337
Book Description
The Forms and Orders of Western Liturgy from the Tenth to the Eighteenth Century
Author: John Harper
Publisher:
ISBN:
Category :
Languages : en
Pages : 337
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 337
Book Description
The Forms and Orders of Western Liturgy from the Tenth to the Eighteenth Century
Author: John Harper
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Late Medieval Liturgical Offices
Author: Andrew Hughes
Publisher: PIMS
ISBN: 9780888443724
Category : Divine office
Languages : en
Pages : 244
Book Description
Publisher: PIMS
ISBN: 9780888443724
Category : Divine office
Languages : en
Pages : 244
Book Description
Renaissance Music
Author: Kenneth Kreitner
Publisher: Routledge
ISBN: 1351551477
Category : History
Languages : en
Pages : 469
Book Description
We know what, say, a Josquin mass looks like but what did it sound like? This is a much more complex and difficult question than it may seem. Kenneth Kreitner has assembled twenty articles, published between 1946 and 2009, by scholars exploring the performance of music from the fifteenth and sixteenth centuries. The collection includes works by David Fallows, Howard Mayer Brown, Christopher Page, Margaret Bent, and others covering the voices-and-instruments debate of the 1980s, the performance of sixteenth-century sacred and secular music, the role of instrumental ensembles, and problems of pitch standards and musica ficta. Together the papers form not just a comprehensive introduction to the issues of renaissance performance practice, but a compendium of clear thinking and elegant writing about a perpetually intriguing period of music history.
Publisher: Routledge
ISBN: 1351551477
Category : History
Languages : en
Pages : 469
Book Description
We know what, say, a Josquin mass looks like but what did it sound like? This is a much more complex and difficult question than it may seem. Kenneth Kreitner has assembled twenty articles, published between 1946 and 2009, by scholars exploring the performance of music from the fifteenth and sixteenth centuries. The collection includes works by David Fallows, Howard Mayer Brown, Christopher Page, Margaret Bent, and others covering the voices-and-instruments debate of the 1980s, the performance of sixteenth-century sacred and secular music, the role of instrumental ensembles, and problems of pitch standards and musica ficta. Together the papers form not just a comprehensive introduction to the issues of renaissance performance practice, but a compendium of clear thinking and elegant writing about a perpetually intriguing period of music history.
Dictionary of Biblical Criticism and Interpretation
Author:
Publisher: Routledge
ISBN: 1134635575
Category :
Languages : en
Pages : 419
Book Description
Publisher: Routledge
ISBN: 1134635575
Category :
Languages : en
Pages : 419
Book Description
Thomas Tallis
Author: John Harley
Publisher: Routledge
ISBN: 1317010353
Category : Music
Languages : en
Pages : 339
Book Description
John Harley’s Thomas Tallis is the first full-length book to deal comprehensively with the composer’s life and works. Tallis entered the Chapel Royal in the middle of a long life, and remained there for over 40 years. During a colourful period of English history he famously served King Henry VIII and the three of Henry’s children who followed him to the throne. His importance for English music during the second half of the sixteenth century is equalled only by that of his pupil, colleague and friend William Byrd. In a series of chronological chapters, Harley describes Tallis’s career before and after he entered the Chapel. The fully considered biography is placed in the context of larger political and cultural changes of the period. Each monarch’s reign is treated with an examination of the ways in which Tallis met its particular musical needs. Consideration is given to all of Tallis’s surviving compositions, including those probably intended for patrons and amateurs beyond the court, and attention is paid to the context within which they were written. Tallis emerges as a composer whose music displays his special ability in setting words and creating ingenious musical patterns. A table places most of Tallis’s compositions in a broad chronological order.
Publisher: Routledge
ISBN: 1317010353
Category : Music
Languages : en
Pages : 339
Book Description
John Harley’s Thomas Tallis is the first full-length book to deal comprehensively with the composer’s life and works. Tallis entered the Chapel Royal in the middle of a long life, and remained there for over 40 years. During a colourful period of English history he famously served King Henry VIII and the three of Henry’s children who followed him to the throne. His importance for English music during the second half of the sixteenth century is equalled only by that of his pupil, colleague and friend William Byrd. In a series of chronological chapters, Harley describes Tallis’s career before and after he entered the Chapel. The fully considered biography is placed in the context of larger political and cultural changes of the period. Each monarch’s reign is treated with an examination of the ways in which Tallis met its particular musical needs. Consideration is given to all of Tallis’s surviving compositions, including those probably intended for patrons and amateurs beyond the court, and attention is paid to the context within which they were written. Tallis emerges as a composer whose music displays his special ability in setting words and creating ingenious musical patterns. A table places most of Tallis’s compositions in a broad chronological order.
"Slay them not": Twelfth-Century Christian-Jewish Relations and the Glossed Psalms
Author: Linda M.A. Stone
Publisher: BRILL
ISBN: 900439236X
Category : History
Languages : en
Pages : 222
Book Description
Linda Stone’s analysis of the anti-Jewish polemic present in three closely-linked twelfth-century Psalms glosses brings a new source to the study of medieval Christian-Jewish relations. She reveals how its presence, within the parva, media and magna glosses compiled respectively, by Anselm of Laon, Gilbert of Poitiers and Peter Lombard, illuminates the various societal challenges facing the twelfth-century Church. She shows that, rather than a twelfth-century phenomenon, using such anti-Jewish terminology in Christian Psalms exegesis was a long-standing reflection of Christianity’s ambivalence towards Judaism. Moreover, demonstrating how her analysis of anti-Jewish terminology unravelled the Psalm glosses’ textual relationships, she suggests that analysis of its presence in other glossed books of the Bible could offer a further resource for uncovering their complexities.
Publisher: BRILL
ISBN: 900439236X
Category : History
Languages : en
Pages : 222
Book Description
Linda Stone’s analysis of the anti-Jewish polemic present in three closely-linked twelfth-century Psalms glosses brings a new source to the study of medieval Christian-Jewish relations. She reveals how its presence, within the parva, media and magna glosses compiled respectively, by Anselm of Laon, Gilbert of Poitiers and Peter Lombard, illuminates the various societal challenges facing the twelfth-century Church. She shows that, rather than a twelfth-century phenomenon, using such anti-Jewish terminology in Christian Psalms exegesis was a long-standing reflection of Christianity’s ambivalence towards Judaism. Moreover, demonstrating how her analysis of anti-Jewish terminology unravelled the Psalm glosses’ textual relationships, she suggests that analysis of its presence in other glossed books of the Bible could offer a further resource for uncovering their complexities.