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Author: Richard Salmon
Publisher: Cambridge University Press
ISBN: 1107435277
Category : Literary Criticism
Languages : en
Pages : 303
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Book Description
Richard Salmon provides an original account of the formation of the literary profession during the late Romantic and early Victorian periods. Focusing on the representation of authors in narrative and iconographic texts, including novels, biographies, sketches and portrait galleries, Salmon traces the emergence of authorship as a new form of professional identity from the 1820s to the 1850s. Many first-generation Victorian writers, including Carlyle, Dickens, Thackeray, Martineau and Barrett-Browning, contributed to contemporary debates on the 'Dignity of Literature', professional heroism, and the cultural visibility of the 'man of letters'. This study combines a broad mapping of the early Victorian literary field with detailed readings of major texts. The book argues that the key model of professional development within this period is embodied in the narrative form of literary apprenticeship, which inspired such celebrated works as David Copperfield and Aurora Leigh, and that its formative process is the 'disenchantment of the author'.
Author: Richard Salmon
Publisher: Cambridge University Press
ISBN: 1107435277
Category : Literary Criticism
Languages : en
Pages : 303
Get Book Here
Book Description
Richard Salmon provides an original account of the formation of the literary profession during the late Romantic and early Victorian periods. Focusing on the representation of authors in narrative and iconographic texts, including novels, biographies, sketches and portrait galleries, Salmon traces the emergence of authorship as a new form of professional identity from the 1820s to the 1850s. Many first-generation Victorian writers, including Carlyle, Dickens, Thackeray, Martineau and Barrett-Browning, contributed to contemporary debates on the 'Dignity of Literature', professional heroism, and the cultural visibility of the 'man of letters'. This study combines a broad mapping of the early Victorian literary field with detailed readings of major texts. The book argues that the key model of professional development within this period is embodied in the narrative form of literary apprenticeship, which inspired such celebrated works as David Copperfield and Aurora Leigh, and that its formative process is the 'disenchantment of the author'.
Author: Jonathan Farina
Publisher: Cambridge University Press
ISBN: 1107181631
Category : Literary Criticism
Languages : en
Pages : 317
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Book Description
This book explores the ordinary turns of phrase by which major nineteenth-century British writers created character.
Author: Hilary Fraser
Publisher: Cambridge University Press
ISBN: 1107075750
Category : Art
Languages : en
Pages : 255
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Book Description
This book examines women's art writing in the nineteenth century, challenging the idea of art history as a masculine intellectual field.
Author: Elizabeth Helsinger
Publisher: Cambridge University Press
ISBN: 1009200208
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
Conversing in Verse considers when and why poets turn to conversation to explore and expand the potential of poetry.
Author: Rosalind Parry
Publisher: Cambridge University Press
ISBN: 1009272047
Category : Art
Languages : en
Pages : 233
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Book Description
A rich history of the nineteenth-century novel as it was re-imagined for everyday readers by extraordinary twentieth-century illustrators.
Author: Lauren Gillingham
Publisher: Cambridge University Press
ISBN: 1009296574
Category : Literary Criticism
Languages : en
Pages : 327
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Book Description
Revealing how a modern notion of fashion helped to transform the novel and its representation of social change and individual and collective life in nineteenth-century Britain, Lauren Gillingham offers a revisionist history of the novel. With particular attention to the fiction of the 1820s through 1840s, this study focuses on novels that use fashion's idiom of currency and obsolescence to link narrative form to a heightened sense of the present and the visibility of public life. It contends that novelists steeped their fiction in date-stamped matters of dress, manners, and media sensations to articulate a sense of history as unfolding not in epochal change, but in transient issues and interests capturing the public's imagination. Reading fiction by Mary Shelley, Letitia Landon, Edward Bulwer-Lytton, W. H. Ainsworth, Charles Dickens, Mary Elizabeth Braddon, and others, Fashionable Fictions tells the story of a nineteenth-century genre commitment to contemporaneity that restyles the novel itself.
Author: Linda M. Austin
Publisher: Cambridge University Press
ISBN: 1108594042
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
The late nineteenth century saw a re-examination of artistic creativity in response to questions surrounding the relation between human beings and automata. These questions arose from findings in the 'new psychology', physiological research that diminished the primacy of mind and viewed human action as neurological and systemic. Concentrating on British and continental culture from 1870 to 1911, this unique study explores ways in which the idea of automatism helped shape ballet, art photography, literature, and professional writing. Drawing on documents including novels and travel essays, Linda M. Austin finds a link between efforts to establish standards of artistic practice and challenges to the idea of human exceptionalism. Austin presents each artistic discipline as an example of the same process: creation that should be intended, but involving actions that evade mental control. This study considers how late nineteenth-century literature and arts tackled the scientific question, 'Are we automata?'
Author: Amy M. King
Publisher: Cambridge University Press
ISBN: 1108492959
Category : Literary Criticism
Languages : en
Pages : 317
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Book Description
Explores how natural theology features in both early Victorian natural histories and English provincial realist novels of the same period.
Author: Anne Stiles
Publisher: Cambridge University Press
ISBN: 1108906834
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
Positive thinking is good for you. You can become healthy, wealthy, and influential by using the power of your mind to attract what you desire. These kooky but commonplace ideas stem from a nineteenth-century new religious movement known as 'mind cure' or New Thought. Related to Mary Baker Eddy's Christian Science, New Thought was once a popular religious movement with hundreds of thousands of followers, and has since migrated into secular contexts such as contemporary psychotherapy, corporate culture, and entertainment. New Thought also pervades nineteenth- and early twentieth-century children's literature, including classics such as The Secret Garden, Anne of Green Gables, and A Little Princess. In this first book-length treatment of New Thought in Anglophone fiction, Anne Stiles explains how children's literature encouraged readers to accept New Thought ideas - especially psychological concepts such as the inner child - thereby ensuring the movement's survival into the present day.
Author: Eavan O'Dochartaigh
Publisher: Cambridge University Press
ISBN: 1108834337
Category : Art
Languages : en
Pages : 293
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Book Description
Uncovering a wealth of archival information, Eavan O'Dochartaigh gives fresh and surprising insight into the Victorian image of the Arctic.
