Author: G. Johnston
Publisher: Springer
ISBN: 1137121289
Category : Education
Languages : en
Pages : 207
Book Description
In their literary autobiographies, modernists Vita Sackville-West, Gertrude Stein, Virginia Woolf, and H.D. (Hilda Doolittle) challenge the scientific figures of the perverse lesbian, particularly those promulgated by Havelock Ellis and Sigmund Freud. By multiplying their 'I's, manipulating subject and object divisions, undermining boundaries between writer and audience, and using repetition to code erotic moments, these writers queer the terms of autobiography. That queering requires understanding autobiography as more institutional than introspective, and the autobiographies themselves question the very theories that determine them: theories of lesbianism, female development, and memory.
The Formation of 20th-Century Queer Autobiography
Author: G. Johnston
Publisher: Springer
ISBN: 1137121289
Category : Education
Languages : en
Pages : 207
Book Description
In their literary autobiographies, modernists Vita Sackville-West, Gertrude Stein, Virginia Woolf, and H.D. (Hilda Doolittle) challenge the scientific figures of the perverse lesbian, particularly those promulgated by Havelock Ellis and Sigmund Freud. By multiplying their 'I's, manipulating subject and object divisions, undermining boundaries between writer and audience, and using repetition to code erotic moments, these writers queer the terms of autobiography. That queering requires understanding autobiography as more institutional than introspective, and the autobiographies themselves question the very theories that determine them: theories of lesbianism, female development, and memory.
Publisher: Springer
ISBN: 1137121289
Category : Education
Languages : en
Pages : 207
Book Description
In their literary autobiographies, modernists Vita Sackville-West, Gertrude Stein, Virginia Woolf, and H.D. (Hilda Doolittle) challenge the scientific figures of the perverse lesbian, particularly those promulgated by Havelock Ellis and Sigmund Freud. By multiplying their 'I's, manipulating subject and object divisions, undermining boundaries between writer and audience, and using repetition to code erotic moments, these writers queer the terms of autobiography. That queering requires understanding autobiography as more institutional than introspective, and the autobiographies themselves question the very theories that determine them: theories of lesbianism, female development, and memory.
The Formation of 20th-Century Queer Autobiography
Author: G. Johnston
Publisher: Palgrave Macmillan
ISBN: 9781349737840
Category : Education
Languages : en
Pages : 203
Book Description
Using the figure of the Lesbian in modernist lesbian autobiographies, this book interrogates both the genre autobiography and modernist scientific theories of female sexual development.
Publisher: Palgrave Macmillan
ISBN: 9781349737840
Category : Education
Languages : en
Pages : 203
Book Description
Using the figure of the Lesbian in modernist lesbian autobiographies, this book interrogates both the genre autobiography and modernist scientific theories of female sexual development.
The Formation of 20th-Century Queer Autobiography
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Cover -- Half-Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction: Queering the Text: Formation of Modernist Lesbian Autobiography -- 1. wHoles in the Dyke: Havelock Ellis and Sigmund Freud Figuring the Lesbian -- 2. Counterfeit Perversion: Vita Sackville-West's Portrait -- 3. Virginia Woolf's Subjectivities and (Auto)biographies -- 4. Hilda Doolittle's Lesbian Vision -- 5. Lesbian Textualities in Stein's Lifting Belly -- Notes -- Bibliography -- Index
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Cover -- Half-Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction: Queering the Text: Formation of Modernist Lesbian Autobiography -- 1. wHoles in the Dyke: Havelock Ellis and Sigmund Freud Figuring the Lesbian -- 2. Counterfeit Perversion: Vita Sackville-West's Portrait -- 3. Virginia Woolf's Subjectivities and (Auto)biographies -- 4. Hilda Doolittle's Lesbian Vision -- 5. Lesbian Textualities in Stein's Lifting Belly -- Notes -- Bibliography -- Index
After Sappho: A Novel
Author: Selby Wynn Schwartz
Publisher: Liveright Publishing
ISBN: 1324092327
Category : Fiction
Languages : en
Pages : 178
Book Description
LONGLISTED FOR THE 2022 BOOKER PRIZE A Guardian Best Book of the Year A New York Times Editors' Choice Selection “A work of stirring genius, a catalogue of intimacies and inventions, desires and dreams." —Jacob Brogan, Washington Post An exhilarating debut from a radiant new voice, After Sappho reimagines the intertwined lives of feminists at the turn of the twentieth century. “The first thing we did was change our names. We were going to be Sappho,” so begins this intrepid debut novel, centuries after the Greek poet penned her lyric verse. Ignited by the same muse, a myriad of women break from their small, predetermined lives for seemingly disparate paths: in 1892, Rina Faccio trades her needlepoint for a pen; in 1902, Romaine Brooks sails for Capri with nothing but her clotted paintbrushes; and in 1923, Virginia Woolf writes: “I want to make life fuller and fuller.” Writing in cascading vignettes, Selby Wynn Schwartz spins an invigorating tale of women whose narratives converge and splinter as they forge queer identities and claim the right to their own lives. A luminous meditation on creativity, education, and identity, After Sappho announces a writer as ingenious as the trailblazers of our past. “This book is splendid: Impish, irate, deep, courageous. . . . Brava!”—Lucy Ellmann, author of Ducks, Newburyport
Publisher: Liveright Publishing
ISBN: 1324092327
Category : Fiction
Languages : en
Pages : 178
Book Description
LONGLISTED FOR THE 2022 BOOKER PRIZE A Guardian Best Book of the Year A New York Times Editors' Choice Selection “A work of stirring genius, a catalogue of intimacies and inventions, desires and dreams." —Jacob Brogan, Washington Post An exhilarating debut from a radiant new voice, After Sappho reimagines the intertwined lives of feminists at the turn of the twentieth century. “The first thing we did was change our names. We were going to be Sappho,” so begins this intrepid debut novel, centuries after the Greek poet penned her lyric verse. Ignited by the same muse, a myriad of women break from their small, predetermined lives for seemingly disparate paths: in 1892, Rina Faccio trades her needlepoint for a pen; in 1902, Romaine Brooks sails for Capri with nothing but her clotted paintbrushes; and in 1923, Virginia Woolf writes: “I want to make life fuller and fuller.” Writing in cascading vignettes, Selby Wynn Schwartz spins an invigorating tale of women whose narratives converge and splinter as they forge queer identities and claim the right to their own lives. A luminous meditation on creativity, education, and identity, After Sappho announces a writer as ingenious as the trailblazers of our past. “This book is splendid: Impish, irate, deep, courageous. . . . Brava!”—Lucy Ellmann, author of Ducks, Newburyport
The Body in Autobiography and Autobiographical Novels
Author: Menotti Lerro
Publisher: Cambridge Scholars Publishing
ISBN: 1527519058
Category : Biography & Autobiography
Languages : en
Pages : 117
Book Description
This volume explores a web of complex relationships between body and mind, discussing the efforts of individuals from a wide variety of backgrounds to define, to achieve, or to reject the “normal”; and, in some cases, to put something else in its place. After considering the problems arising from other people’s perceptions of non-standard bodies, the book turns to gender: is it written “upon the body”, established at birth, determined only by physical traits and distinguished by material things such as clothes; or is it written “within the body”, defined through the subject’s own feelings? It considers what happens when “males” consider themselves “female”, and “females” consider themselves “male”. It concludes with the analysis of four books, by different authors with different sexual orientations. Two of these volumes might be considered “genuine autobiographies”, while the other two are novels which include numerous autobiographical features that reflect the authors’ own thoughts.
Publisher: Cambridge Scholars Publishing
ISBN: 1527519058
Category : Biography & Autobiography
Languages : en
Pages : 117
Book Description
This volume explores a web of complex relationships between body and mind, discussing the efforts of individuals from a wide variety of backgrounds to define, to achieve, or to reject the “normal”; and, in some cases, to put something else in its place. After considering the problems arising from other people’s perceptions of non-standard bodies, the book turns to gender: is it written “upon the body”, established at birth, determined only by physical traits and distinguished by material things such as clothes; or is it written “within the body”, defined through the subject’s own feelings? It considers what happens when “males” consider themselves “female”, and “females” consider themselves “male”. It concludes with the analysis of four books, by different authors with different sexual orientations. Two of these volumes might be considered “genuine autobiographies”, while the other two are novels which include numerous autobiographical features that reflect the authors’ own thoughts.
Gender and the Intersubjective Sublime in Faulkner, Forster, Lawrence, and Woolf
Author: Erin Speese
Publisher: Routledge
ISBN: 1317130383
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
Exploring how the modern novel's complex depictions of parenthood restructure traditional conceptions of the Romantic sublime, Erin K. Johns Speese shows how William Faulkner, E.M. Forster, D.H. Lawrence, and Virginia Woolf use related strategies to rewrite the traditional sublime as an intersubjective experience. Speese shows that this reframing depends on the recognition of social objectification and an ethics of reciprocal empathy between mothers and fathers. She juxtaposes traditional aesthetics and Slavoj Žižek’s concept of the sublime object of ideology with recent theoretical work regarding identity, arguing that these modern novelists construct what she terms a "sublime subject," that is, a person who functions in the space of the traditional sublime object. In revealing the possibility of transcendent emotional connection over reason, these novelists critique the objectification of the other in favor of a sublime experience that reveals the subject-shattering power of empathy.
Publisher: Routledge
ISBN: 1317130383
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
Exploring how the modern novel's complex depictions of parenthood restructure traditional conceptions of the Romantic sublime, Erin K. Johns Speese shows how William Faulkner, E.M. Forster, D.H. Lawrence, and Virginia Woolf use related strategies to rewrite the traditional sublime as an intersubjective experience. Speese shows that this reframing depends on the recognition of social objectification and an ethics of reciprocal empathy between mothers and fathers. She juxtaposes traditional aesthetics and Slavoj Žižek’s concept of the sublime object of ideology with recent theoretical work regarding identity, arguing that these modern novelists construct what she terms a "sublime subject," that is, a person who functions in the space of the traditional sublime object. In revealing the possibility of transcendent emotional connection over reason, these novelists critique the objectification of the other in favor of a sublime experience that reveals the subject-shattering power of empathy.
Modernist Writings and Religio-scientific Discourse
Author: L. Vetter
Publisher: Springer
ISBN: 0230106455
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
Addresses the early twentieth-century intersection of scientific and religious discourse exploring literary modernism through the lens of cultural history, focusing on the works of H.D., Mina Loy, and Jean Toomer. It covers a range of topics such as electromagnetism and sexuality, dance, and theories of spiritual evolution.
Publisher: Springer
ISBN: 0230106455
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
Addresses the early twentieth-century intersection of scientific and religious discourse exploring literary modernism through the lens of cultural history, focusing on the works of H.D., Mina Loy, and Jean Toomer. It covers a range of topics such as electromagnetism and sexuality, dance, and theories of spiritual evolution.
Odd women?
Author: Emma Liggins
Publisher: Manchester University Press
ISBN: 1526111640
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
This genealogy of the 'odd woman' compares representations of spinsters, lesbians and widows in British women’s fiction and auto/biography from the 1850s to the 1930s. Women outside heterosexual marriage in this period were seen as abnormal, superfluous, incomplete and threatening, yet were also hailed as ‘women of the future’. Before 1850 odd women were marginalised, minor characters in British women’s fiction, yet by the 1930s spinsters, lesbians and widows had become heroines. This book examines how women writers, including Charlotte Brontë, Elisabeth Gaskell, Ella Hepworth Dixon, May Sinclair, E. H. Young, Radclyffe Hall, Winifred Holtby and Virginia Woolf, challenged dominant perceptions of singleness and lesbianism in their novels, stories and autobiographies. Drawing on advice literature, medical texts and feminist polemic, it demonstrates how these narratives responded to contemporary political controversies around the vote, women’s work, sexual inversion and birth control, as well as examining the impact of the First World War.
Publisher: Manchester University Press
ISBN: 1526111640
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
This genealogy of the 'odd woman' compares representations of spinsters, lesbians and widows in British women’s fiction and auto/biography from the 1850s to the 1930s. Women outside heterosexual marriage in this period were seen as abnormal, superfluous, incomplete and threatening, yet were also hailed as ‘women of the future’. Before 1850 odd women were marginalised, minor characters in British women’s fiction, yet by the 1930s spinsters, lesbians and widows had become heroines. This book examines how women writers, including Charlotte Brontë, Elisabeth Gaskell, Ella Hepworth Dixon, May Sinclair, E. H. Young, Radclyffe Hall, Winifred Holtby and Virginia Woolf, challenged dominant perceptions of singleness and lesbianism in their novels, stories and autobiographies. Drawing on advice literature, medical texts and feminist polemic, it demonstrates how these narratives responded to contemporary political controversies around the vote, women’s work, sexual inversion and birth control, as well as examining the impact of the First World War.
Lesbianism in Swedish Literature
Author: J. Björklund
Publisher: Springer
ISBN: 1137364963
Category : Literary Criticism
Languages : en
Pages : 150
Book Description
Here, Björklund shows that Swedish literary discourses on lesbianism provocatively contrast with a widely accepted view that attitudes toward homosexuality have gradually become more tolerant. The lasting power of negative discourses upends the assumption that Sweden's progressive laws reflect progressive attitudes toward homosexuality.
Publisher: Springer
ISBN: 1137364963
Category : Literary Criticism
Languages : en
Pages : 150
Book Description
Here, Björklund shows that Swedish literary discourses on lesbianism provocatively contrast with a widely accepted view that attitudes toward homosexuality have gradually become more tolerant. The lasting power of negative discourses upends the assumption that Sweden's progressive laws reflect progressive attitudes toward homosexuality.
Virginia Woolf in Context
Author: Bryony Randall
Publisher: Cambridge University Press
ISBN: 1139536265
Category : Literary Criticism
Languages : en
Pages : 521
Book Description
As a paradigmatic modernist author, Virginia Woolf is celebrated for the ways her fiction illuminates modern and contemporary life. Woolf scholars have long debated how context - whether historical, cultural, or theoretical - is to be understood in relation to her work and how her work produces new insights into context. Drawing on an international field of leading and emergent specialists, this collection provides an authoritative resource for contemporary Woolf scholarship that explores the distinct and overlapping dimensions of her writings. Rather than survey existing scholarship, these essays extend Woolf studies in new directions by examining how the author is contextualised today. The collection also highlights connections between Woolf and key cultural, political and historical issues of the twentieth century such as avant-gardism in music and art, developments in journalism and the publishing industry, political struggles over race, gender and class and the bearings of colonialism, empire and war.
Publisher: Cambridge University Press
ISBN: 1139536265
Category : Literary Criticism
Languages : en
Pages : 521
Book Description
As a paradigmatic modernist author, Virginia Woolf is celebrated for the ways her fiction illuminates modern and contemporary life. Woolf scholars have long debated how context - whether historical, cultural, or theoretical - is to be understood in relation to her work and how her work produces new insights into context. Drawing on an international field of leading and emergent specialists, this collection provides an authoritative resource for contemporary Woolf scholarship that explores the distinct and overlapping dimensions of her writings. Rather than survey existing scholarship, these essays extend Woolf studies in new directions by examining how the author is contextualised today. The collection also highlights connections between Woolf and key cultural, political and historical issues of the twentieth century such as avant-gardism in music and art, developments in journalism and the publishing industry, political struggles over race, gender and class and the bearings of colonialism, empire and war.