Author: Bob Flaws
Publisher: Blue Poppy Enterprises, Inc.
ISBN: 9780936185521
Category : Medical
Languages : en
Pages : 276
Book Description
Statements of Fact in Traditional Chinese Medicine
中文听说读写
Author: Yuehua Liu
Publisher: Cheng & Tsui
ISBN: 9780887276446
Category : Juvenile Nonfiction
Languages : en
Pages : 335
Book Description
Cheng & Tsui's best-loved Chinese textbook series is new, revised, and better than ever!
Publisher: Cheng & Tsui
ISBN: 9780887276446
Category : Juvenile Nonfiction
Languages : en
Pages : 335
Book Description
Cheng & Tsui's best-loved Chinese textbook series is new, revised, and better than ever!
Currency Wars
Author: John K. Cooley
Publisher: Skyhorse Publishing
ISBN:
Category : Business & Economics
Languages : en
Pages : 376
Book Description
The world's quietest weapon of mass destruction is 75 percent cotton, 25 percent linen, and 100 percent fake. The amount of counterfeit money in circulation is unknown, but hundreds of millions of bogus U.S. dollars are seized each year. Mass counterfeiting is not just organized crime, it can also be aggressive economic warfare waged by states to destabilize enemy governments, and it is reaching epidemic proportions. Forgery provides cash for states like North Korea and Iran in their pursuit of weapons—a fact publicly unacknowledged, even as fears grow over their nuclear ambitions. In Currency Wars, John Cooley maps this dirty matrix of war and politics, sabotage and subterfuge, with new evidence and recently disclosed documents. With sound grounding in current affairs and history alike, Cooley demonstrates that the machinations of today's states echo attempts in antiquity by Persia, Greece, Rome, and China to use and defend against forgery and currency debasement. Counterfeiting remained a high crime throughout medieval and Renaissance Europe; played a key role in the American and French Revolutions; and was used by the British, Germans, and Soviets in two World Wars. Bad money mixed with post-war dictatorships, and was a tool of the KGB, CIA, Stasi, Hezbollah, the Medellín cartels, and the Chinese Triads. This compelling, accessible account reveals grand-scale forgery's corrosive implications for global economic, political, and social stability. It is essential reading for anyone concerned with the complications and consequences of increasing and inevitable globalization, and it serves as a provocative reminder of the ways in which human greed and fear act as catalysts in world economics.
Publisher: Skyhorse Publishing
ISBN:
Category : Business & Economics
Languages : en
Pages : 376
Book Description
The world's quietest weapon of mass destruction is 75 percent cotton, 25 percent linen, and 100 percent fake. The amount of counterfeit money in circulation is unknown, but hundreds of millions of bogus U.S. dollars are seized each year. Mass counterfeiting is not just organized crime, it can also be aggressive economic warfare waged by states to destabilize enemy governments, and it is reaching epidemic proportions. Forgery provides cash for states like North Korea and Iran in their pursuit of weapons—a fact publicly unacknowledged, even as fears grow over their nuclear ambitions. In Currency Wars, John Cooley maps this dirty matrix of war and politics, sabotage and subterfuge, with new evidence and recently disclosed documents. With sound grounding in current affairs and history alike, Cooley demonstrates that the machinations of today's states echo attempts in antiquity by Persia, Greece, Rome, and China to use and defend against forgery and currency debasement. Counterfeiting remained a high crime throughout medieval and Renaissance Europe; played a key role in the American and French Revolutions; and was used by the British, Germans, and Soviets in two World Wars. Bad money mixed with post-war dictatorships, and was a tool of the KGB, CIA, Stasi, Hezbollah, the Medellín cartels, and the Chinese Triads. This compelling, accessible account reveals grand-scale forgery's corrosive implications for global economic, political, and social stability. It is essential reading for anyone concerned with the complications and consequences of increasing and inevitable globalization, and it serves as a provocative reminder of the ways in which human greed and fear act as catalysts in world economics.
The Chinese Classics : with a Translation, Critical and Exegetical Notes, Prolegomena, and Copious Indexes
Author: James Legge
Publisher:
ISBN:
Category :
Languages : en
Pages : 218
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 218
Book Description
The Chinese Classics with a Translation, Critical and Exegetical Notes, Prolegomena, and Copious Indexes by James Legge
Author: James Legge
Publisher:
ISBN:
Category :
Languages : en
Pages : 514
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 514
Book Description
The Chinese Classics: with a Translation, Critical and Exegetical Notes, Prolegomena and Copious Indexes ... in Seven Volumes
Author: James Legge
Publisher:
ISBN:
Category : China
Languages : en
Pages : 514
Book Description
Publisher:
ISBN:
Category : China
Languages : en
Pages : 514
Book Description
Shanzhai
Author: Byung-Chul Han
Publisher: MIT Press
ISBN: 0262534363
Category : Philosophy
Languages : en
Pages : 100
Book Description
Tracing the thread of “decreation” in Chinese thought, from constantly changing classical masterpieces to fake cell phones that are better than the original. Shanzhai is a Chinese neologism that means “fake,” originally coined to describe knock-off cell phones marketed under such names as Nokir and Samsing. These cell phones were not crude forgeries but multifunctional, stylish, and as good as or better than the originals. Shanzhai has since spread into other parts of Chinese life, with shanzhai books, shanzhai politicians, shanzhai stars. There is a shanzhai Harry Potter: Harry Potter and the Porcelain Doll, in which Harry takes on his nemesis Yandomort. In the West, this would be seen as piracy, or even desecration, but in Chinese culture, originals are continually transformed—deconstructed. In this volume in the Untimely Meditations series, Byung-Chul Han traces the thread of deconstruction, or “decreation,” in Chinese thought, from ancient masterpieces that invite inscription and transcription to Maoism—“a kind a shanzhai Marxism,” Han writes. Han discusses the Chinese concepts of quan, or law, which literally means the weight that slides back and forth on a scale, radically different from Western notions of absoluteness; zhen ji, or original, determined not by an act of creation but by unending process; xian zhan, or seals of leisure, affixed by collectors and part of the picture's composition; fuzhi, or copy, a replica of equal value to the original; and shanzhai. The Far East, Han writes, is not familiar with such “pre-deconstructive” factors as original or identity. Far Eastern thought begins with deconstruction.
Publisher: MIT Press
ISBN: 0262534363
Category : Philosophy
Languages : en
Pages : 100
Book Description
Tracing the thread of “decreation” in Chinese thought, from constantly changing classical masterpieces to fake cell phones that are better than the original. Shanzhai is a Chinese neologism that means “fake,” originally coined to describe knock-off cell phones marketed under such names as Nokir and Samsing. These cell phones were not crude forgeries but multifunctional, stylish, and as good as or better than the originals. Shanzhai has since spread into other parts of Chinese life, with shanzhai books, shanzhai politicians, shanzhai stars. There is a shanzhai Harry Potter: Harry Potter and the Porcelain Doll, in which Harry takes on his nemesis Yandomort. In the West, this would be seen as piracy, or even desecration, but in Chinese culture, originals are continually transformed—deconstructed. In this volume in the Untimely Meditations series, Byung-Chul Han traces the thread of deconstruction, or “decreation,” in Chinese thought, from ancient masterpieces that invite inscription and transcription to Maoism—“a kind a shanzhai Marxism,” Han writes. Han discusses the Chinese concepts of quan, or law, which literally means the weight that slides back and forth on a scale, radically different from Western notions of absoluteness; zhen ji, or original, determined not by an act of creation but by unending process; xian zhan, or seals of leisure, affixed by collectors and part of the picture's composition; fuzhi, or copy, a replica of equal value to the original; and shanzhai. The Far East, Han writes, is not familiar with such “pre-deconstructive” factors as original or identity. Far Eastern thought begins with deconstruction.
Fountain of Fortune
Author: Richard von Glahn
Publisher: Univ of California Press
ISBN: 0520917456
Category : History
Languages : en
Pages : 322
Book Description
The most striking feature of Wutong, the preeminent God of Wealth in late imperial China, was the deity’s diabolical character. Wutong was perceived not as a heroic figure or paragon but rather as an embodiment of greed and lust, a maleficent demon who preyed on the weak and vulnerable. In The Sinister Way, Richard von Glahn examines the emergence and evolution of the Wutong cult within the larger framework of the historical development of Chinese popular or vernacular religion—as opposed to institutional religions such as Buddhism or Daoism. Von Glahn’s study, spanning three millennia, gives due recognition to the morally ambivalent and demonic aspects of divine power within the common Chinese religious culture. Surveying Chinese religion from 1000 BCE to the beginning of the twentieth century, The Sinister Way views the Wutong cult as by no means an aberration. In Von Glahn’s work we see how, from earliest times, the Chinese imagined an enchanted world populated by fiendish fairies and goblins, ancient stones and trees that spring suddenly to life, ghosts of the unshriven dead, and the blood-eating spirits of the mountains and forests. From earliest times, too, we find in Chinese religious culture an abiding tension between two fundamental orientations: on one hand, belief in the power of sacrifice and exorcism to win blessings and avert calamity through direct appeal to a multitude of gods; on the other, faith in an all-encompassing moral equilibrium inhering in the cosmos.
Publisher: Univ of California Press
ISBN: 0520917456
Category : History
Languages : en
Pages : 322
Book Description
The most striking feature of Wutong, the preeminent God of Wealth in late imperial China, was the deity’s diabolical character. Wutong was perceived not as a heroic figure or paragon but rather as an embodiment of greed and lust, a maleficent demon who preyed on the weak and vulnerable. In The Sinister Way, Richard von Glahn examines the emergence and evolution of the Wutong cult within the larger framework of the historical development of Chinese popular or vernacular religion—as opposed to institutional religions such as Buddhism or Daoism. Von Glahn’s study, spanning three millennia, gives due recognition to the morally ambivalent and demonic aspects of divine power within the common Chinese religious culture. Surveying Chinese religion from 1000 BCE to the beginning of the twentieth century, The Sinister Way views the Wutong cult as by no means an aberration. In Von Glahn’s work we see how, from earliest times, the Chinese imagined an enchanted world populated by fiendish fairies and goblins, ancient stones and trees that spring suddenly to life, ghosts of the unshriven dead, and the blood-eating spirits of the mountains and forests. From earliest times, too, we find in Chinese religious culture an abiding tension between two fundamental orientations: on one hand, belief in the power of sacrifice and exorcism to win blessings and avert calamity through direct appeal to a multitude of gods; on the other, faith in an all-encompassing moral equilibrium inhering in the cosmos.
The China Review, Or, Notes and Queries on the Far East
Author:
Publisher:
ISBN:
Category : China
Languages : en
Pages : 534
Book Description
Publisher:
ISBN:
Category : China
Languages : en
Pages : 534
Book Description
Shanghai's Bund and Beyond
Author: Niv Horesh
Publisher: Yale University Press
ISBN: 0300143621
Category : Business & Economics
Languages : en
Pages : 255
Book Description
As China emerges as a global powerhouse, this title examines its economic past and the shaping of its financial institutions.
Publisher: Yale University Press
ISBN: 0300143621
Category : Business & Economics
Languages : en
Pages : 255
Book Description
As China emerges as a global powerhouse, this title examines its economic past and the shaping of its financial institutions.