Author: Elizabeth L. Eisenstein
Publisher: Literary Licensing, LLC
ISBN: 9781258196431
Category :
Languages : en
Pages : 224

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Book Description

Author: Elizabeth L. Eisenstein
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 236

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Book Description
This is an interpretive treatment of the man Bakunin called "the greatest conspirator of the century." Eisenstein draws a distinction between the "amateur" revolutionist and the frequently unemployed professional who attempted to create opportunities to practice his craft but did not necessarily play a part in any particular revolution.

Author: Elizabeth Lewisohn Eisenstein
Publisher:
ISBN:
Category :
Languages : en
Pages : 205

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Book Description

Author: Elizabeth Lewisohn Eisenstein
Publisher:
ISBN:
Category :
Languages : en
Pages : 205

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Book Description

Author: Elizabeth L. Eisenstein
Publisher:
ISBN:
Category :
Languages : en
Pages : 236

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Book Description

Author: Georges Lefebvre
Publisher: Princeton University Press
ISBN: 0691206937
Category : History
Languages : en
Pages : 277

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Book Description
The Coming of the French Revolution remains essential reading for anyone interested in the origins of this great turning point in the formation of the modern world. First published in 1939, on the eve of the Second World War, and suppressed by the Vichy government, this classic work explains what happened in France in 1789, the first year of the French Revolution. Georges Lefebvre wrote history "from below"—a Marxist approach. Here, he places the peasantry at the center of his analysis, emphasizing the class struggles in France and the significant role they played in the coming of the revolution. Eloquently translated by the historian R. R. Palmer and featuring an introduction by Timothy Tackett that provides a concise intellectual biography of Lefebvre and a critical appraisal of the book, this Princeton Classics edition continues to offer fresh insights into democracy, dictatorship, and insurrection.

Author: Elizabeth L. Eisenstein
Publisher: Cambridge University Press
ISBN: 9780521845434
Category : Business & Economics
Languages : en
Pages : 412

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Book Description
New illustrated and abridged edition surveys the communications revolution of the fifteenth century.

Author: Richard Cobb
Publisher:
ISBN:
Category : History
Languages : en
Pages : 264

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Book Description
"From Publishers Weekly : This irresistible history of the French Revolution is much more than a colorful mosaic. By splicing a reflective narrative with graphics (engravings, satirical cartoons, photographs) and primary documentsletters, trial transcripts, memoirs, decrees, newspaper editorialsit brings vivid immediacy to tumultuous events without sacrificing objective distance. The main narrative consists of dozens of tableaux, allowing room for such topics as prison conditions, Freemasonry, feudalism, the market for luxury goods. Along with the expected profiles of Marie-Antoinette, Louis XVI, Robespierre and Marat, we meet scheming pretender Philippe of Orleans who tried to bring down the king, professional revolutionary Tom Paine imprisoned under the Terror, and unstable leftist Joseph Fouche who led a campaign of de-Christianization and later became Napoleon's police minister. The text is provocative in its discussion of the Jacobins' prototype welfare state and of the Terror as a response to foreign pressures."--via amazon.com (1988 HarperCollins ed.).

Author: Elizabeth L. Eisenstein
Publisher: University of Pennsylvania Press
ISBN: 0812222164
Category : Design
Languages : en
Pages : 384

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Book Description
Annotation 'Divine Art, Infernal Machine' presents a history of the printing press & of the ambivalent attitudes of the public toward printers & printing since the days of Gutenberg & his business partner Johann Fust, a gentleman often tellingly confused with the notorious Doctor Faustus.

Author: Amy Nelson
Publisher: Penn State Press
ISBN: 0271046198
Category : History
Languages : en
Pages : 350

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Book Description
Mention twentieth-century Russian music, and the names of three &"giants&"&—Igor Stravinsky, Sergei Prokofiev, and Dmitrii Shostakovich&—immediately come to mind. Yet during the turbulent decade following the Bolshevik Revolution, Stravinsky and Prokofiev lived abroad and Shostakovich was just finishing his conservatory training. While the fame of these great musicians is widely recognized, little is known about the creative challenges and political struggles that engrossed musicians in Soviet Russia during the crucial years after 1917. Music for the Revolution examines musicians&’ responses to Soviet power and reveals the conditions under which a distinctively Soviet musical culture emerged in the early thirties. Given the dramatic repression of intellectual freedom and creativity in Stalinist Russia, the twenties often seem to be merely a prelude to Totalitarianism in artistic life. Yet this was the decade in which the creative intelligentsia defined its relationship with the Soviet regime and the aesthetic foundations for socialist realism were laid down. In their efforts to deal with the political challenges of the Revolution, musicians grappled with an array of issues affecting musical education, professional identity, and the administration of musical life, as well as the embrace of certain creative platforms and the rejection of others. Nelson shows how debates about these issues unfolded in the context of broader concerns about artistic modernism and elitism, as well as the more expansive goals and censorial authority of Soviet authorities. Music for the Revolution shows how the musical community helped shape the musical culture of Stalinism and extends the interpretive frameworks of Soviet culture presented in recent scholarship to an area of artistic creativity often overlooked by historians. It should be broadly important to those interested in Soviet history, the cultural roots of Stalinism, Russian and Soviet music, and the place of music and the arts in revolutionary change.