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Author: Sarah McNeely
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages :
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Book Description
This dissertation examines the figure of the female traveller in Victorian fiction. Using examples of travelling women from canonical novels of the Victorian era, including Charlotte Bronte Villette, William Makepeace Thackeray Vanity Fair, George Eliot Middlemarch, and Lewis Carroll Alice Adventures in Wonderland, this study identifies the gender implications of mobility in Victorian fiction. This study defines the female traveller as a female protagonist or secondary character who undertakes a significant journey that holds importance in the overall narrative and where she steps out of her element in class, geography, or culture. The figure of the travelling woman in Victorian fiction is a signal that the text is doing important ideological work with regard to gender and mobility. The travelling woman disrupts two conventional tropes, masculine mobility and female stasis, and calls for a re-evaluation of the way we see and privilege mobility in the Victorian novel.
Author: Sarah McNeely
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages :
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Book Description
This dissertation examines the figure of the female traveller in Victorian fiction. Using examples of travelling women from canonical novels of the Victorian era, including Charlotte Bronte Villette, William Makepeace Thackeray Vanity Fair, George Eliot Middlemarch, and Lewis Carroll Alice Adventures in Wonderland, this study identifies the gender implications of mobility in Victorian fiction. This study defines the female traveller as a female protagonist or secondary character who undertakes a significant journey that holds importance in the overall narrative and where she steps out of her element in class, geography, or culture. The figure of the travelling woman in Victorian fiction is a signal that the text is doing important ideological work with regard to gender and mobility. The travelling woman disrupts two conventional tropes, masculine mobility and female stasis, and calls for a re-evaluation of the way we see and privilege mobility in the Victorian novel.
Author: Nancy Micklewright
Publisher: Routledge
ISBN: 1351577891
Category : Photography
Languages : en
Pages : 416
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Book Description
Juxtaposing the albums of Lady Brassey, an overlooked figure among Victorian women travelers, with Brassey's travel books, Nancy Micklewright takes advantage of a unique opportunity to examine the role of photography in the 1870s and 1880s in constructing ideas about place and empire. This study draws on a range of source material to investigate aspects of the Brassey collection. The book begins with an overview of Lady Brassey's life and projects, as well as an examination of issues relevant to subsequent discussions of the travel literature, the photographs, and the albums in which the photographs are assembled. Lady Brassey is next considered as a traveler and public figure, and the author gives an overview of Brassey's travel literature, placing her in her social and political context. Micklewright then considers the seventy volumes of photographs which comprise the Brassey album collection, taking an especially close look at the eight albums devoted to the Middle East. Analyzing the specific contents and structure of the albums, and the interplay of text and image within, she explores how the Brasseys constructed their presentation of the region. While confirming some earlier work about constructions of the Orient by the British during the time, this book offers a much more detailed and nuanced understanding of how photographic and literary constructions were related to individual experience and identity within a larger British identity. The first appendix explores the illustrative relationship between the photograph albums and Lady Brassey's travel books, yielding an understanding of the processes involved in transferring the photographic image to a printed one, at a particular moment in the development of book illustration. A second appendix lists the contents and named photographers of all seventy albums in the Brassey collection. All in all, Micklewright's study makes a significant contribution to our understanding of the complex and unstable socia
Author: Maria H. Frawley
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
These chapers include discussion of travel writing by such major figures as Mary Shelley, Isabella Bird Bishop, and Mary Kingsley as well as that of less-known travel writers such as Charlotte Eaton, Frances Elliot, Amelia Edwards, and Florence Dixie.
Author: Dimitrios Kassis
Publisher: Cambridge Scholars Publishing
ISBN: 1443875155
Category : Literary Criticism
Languages : en
Pages : 370
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Book Description
Travel literature has always been associated with the construction of utopias which were founded on the idea of unknown lands. During their journeys in foreign lands, British travellers tended to formulate various critical opinions based on their background knowledge of the country visited. Their attempts to interpret other nations were often misinterpretations of the peoples in question as the Other. At the close of the eighteenth century, when Grand Tourism started to fade away and travelling became a mainstream activity for the middle-class Briton, travel writers attempted to identify with.
Author: Phyllis Weliver
Publisher: Routledge
ISBN: 1351744488
Category : Literary Criticism
Languages : en
Pages : 315
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Book Description
This title was first publushed in 2000. Phyllis Weliver investigates representations of female musicians in British novels from 1860 to 1900 with regard to changing gender roles, musical practices and scientific discourses. During this time women were portrayed in complex and nuanced ways as they played and sang in family drawing rooms. Women in the 19th century were judged on their manners, appearance, language and other accomplishments such as sewing or painting, but music stood out as an area where women were encouraged to take centre stage and demonstrate their genteel education, graceful movements and self-expression. However within the novels of the Victorian were begining to move away from portraying the musical accomplishments of middle- and upper-class women as feminine and worthwhile towards depicting musical women as truly dangerous. This book explores the reasons for this reaction and the way labels and images were constructed to show extremes of behaviour, and it looks at whether the fiction was depicting the real trends in music at the time.
Author: Tara MacDonald
Publisher: Routledge
ISBN: 1317317807
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
By tracing the rise of the New Man alongside novelistic changes in the representations of marriage, MacDonald shows how this figure encouraged Victorian writers to reassess masculine behaviour and to re-imagine the marriage plot in light of wider social changes. She finds examples in novels by Dickens, Anne Brontë, George Eliot and George Gissing.
Author: John Sutherland
Publisher: Routledge
ISBN: 131786333X
Category : Literary Criticism
Languages : en
Pages : 734
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Book Description
With over 900 biographical entries, more than 600 novels synopsized, and a wealth of background material on the publishers, reviewers and readers of the age the Longman Companion to Victorian Fiction is the fullest account of the period's fiction ever published. Now in a second edition, the book has been revised and a generous selection of images have been chosen to illustrate various aspects of Victorian publishing, writing, and reading life. Organised alphabetically, the information provided will be a boon to students, researchers and all lovers of reading. The entries, though concise, meet the high standards demanded by modern scholarship. The writing - marked by Sutherland's characteristic combination of flair, clarity and erudition - is of such a high standard that the book is a joy to read, as well as a definitive work of reference.
Author: Kristine Swenson
Publisher: University of Missouri Press
ISBN: 082626431X
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
In Medical Women and Victorian Fiction, Kristine Swenson explores the cultural intersections of fiction, feminism, and medicine during the second half of the nineteenth century in Britain and her colonies by looking at the complex and reciprocal relationship between women and medicine in Victorian culture. Her examination centers around two distinct though related figures: the Nightingale nurse and the New Woman doctor. The medical women in the fiction of Elizabeth Gaskell (Ruth), Wilkie Collins (The Woman in White), Dr. Margaret Todd (Mona McLean, Medical Student), Hilda Gregg (Peace with Honour), and others are analyzed in relation to nonfictional discussions of nurses and women doctors in medical publications, nursing tracts, feminist histories, and newspapers. Victorian anxieties over sexuality, disease, and moral corruption came together most persistently around the figure of a prostitute. However, Swenson takes as her focus for this volume an opposing figure, the medical woman, whom Victorians deployed to combat these social ills. As symbols of traditional female morality informed and transformed by the new social and medical sciences, representations of medical women influenced public debate surrounding women's education and employment, the Contagious Diseases Acts, and the health of the empire. At the same time, the presence of these educated, independent women, who received payment for performing tasks traditionally assigned to domestic women or servants, inevitably altered the meaning of womanhood and the positions of other women in Victorian culture. Swenson challenges more conventional histories of the rise of the actual nurse and the woman doctor by treating as equally important the development of cultural representations of these figures.
Author: Natalie McKnight
Publisher: Cambridge Scholars Publishing
ISBN: 1443833118
Category : Literary Criticism
Languages : en
Pages : 235
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Book Description
This book examines the changing roles of fathers in the nineteenth century as seen in the lives and fiction of Victorian authors. Fatherhood underwent unprecedented change during this period. The Industrial Revolution moved work out of the home for many men, diminishing contact between fathers and their children. Yet fatherhood continued to be seen as the ultimate expression of masculinity, and being involved with the lives of one’s children was essential to being a good father. Conflicting and frustrating expectations of fathers and the growing disillusionment with other paternal authorities such as church and state yielded memorable portrayals of fathers from the best novelists of the age. The essays in this volume explore how Victorian authors (the Brontës, Dickens, Gaskell, Trollope, Eliot, Hardy, and Elizabeth Sewall and Mary Augusta Ward) responded to these tensions in their lives and in their fiction. The stern Victorian father cliché persisted, but it was countered by imaginative, involved, albeit faulty fathers and surrogate fathers. This volume poses fathering questions that are still relevant today: What does it mean to be a good father? And, with distrust in patriarchal authorities continuing to increase, are there any sources of authority left that one can trust?
Author: Rebecca Butler
Publisher: Routledge
ISBN: 1000381625
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
With the rise of mass tourism, Italy became increasingly accessible to Victorian women travellers not only as a locus of artistic culture but also as a site of political enquiry. Despite being outwardly denied a political voice in Britain, many female tourists were conspicuous in their commitment to the Italian campaign for national independence, or Risorgimento (1815–61). Revisiting Italy brings several previously unexamined travel accounts by women to light during a decisive period in this political campaign. Revealing the wider currency of the Risorgimento in British literature, Butler situates once-popular but now-marginalized writers: Clotilda Stisted, Janet Robertson, Mary Pasqualino, Selina Bunbury, Margaret Dunbar and Frances Minto Elliot alongside more prominent figures: the Shelley-Byron circle, the Brownings, Florence Nightingale and the Kemble sisters. Going beyond the travel book, she analyses a variety of forms of travel writing including unpublished letters, privately printed accounts and periodical serials. Revisiting Italy focuses on the convergence of political advocacy, gender ideologies, national identity and literary authority in women’s travel writing. Whether promoting nationalism through a maternal lens, politicizing the pilgrimage motif or reviving gothic representations of a revolutionary Italy, it identifies shared touristic discourses as temporally contingent, shaped by commercial pressures and the volatile political climate at home and abroad.
