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Author: Andrew E. Benjamin
Publisher: Manchester University Press
ISBN: 9780719014864
Category : Analysis (Philosophy)
Languages : en
Pages : 248
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Book Description
Author: Andrew E. Benjamin
Publisher: Manchester University Press
ISBN: 9780719014864
Category : Analysis (Philosophy)
Languages : en
Pages : 248
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Book Description
Author: David Dawson
Publisher: Univ of California Press
ISBN: 0520226305
Category : Religion
Languages : en
Pages : 314
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Book Description
This text offers a contribution to one of Christianity's central problems: the understanding and interpretation of scripture specifically, the relationship between the Old Testament and the New.
Author: Thomas H. Luxon
Publisher: University of Chicago Press
ISBN: 9780226497853
Category : History
Languages : en
Pages : 284
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Book Description
Literal Figures is the most important work on John Bunyan to appear in many years, and a significant contribution to the history and theory of representation. Beginning with mainstream Puritan responses to a challenge to orthodoxy—a man who claims he has been literally transformed into Christ and his companion who claims to be the "Spouse of Christ"—and concluding with an analysis of The Pilgrim's Progress, which John Bunyan described as a "fall into Allegory," Thomas Luxon presents detailed analyses of key moments in the Reformation crisis of representation. Why did Puritan Christianity repeatedly turn to allegorical forms of representation in spite of its own intolerance of "Allegorical fancies?" Luxon demonstrates that Protestant doctrine itself was a kind of allegory in hiding, one that enabled Puritans to forge a figural view of reality while championing the "literal" and the "historical". He argues that for Puritanism to survive its own literalistic, anti-symbolic, and millenarian challenges, a "fall" back into allegory was inevitable. Representative of this "fall," The Pilgrim's Progress marks the culminating moment at which the Reformation's war against allegory turns upon itself. An essential work for understanding both the history and theory of representation and the work of John Bunyan, Literal Figures skillfully blends historical and critical methods to describe the most important features of early modern Protestant and Puritan culture.
Author: Don C. Collett
Publisher: Baker Academic
ISBN: 149342162X
Category : Religion
Languages : en
Pages : 294
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Book Description
Don Collett, an experienced Old Testament scholar, offers an account of Old Testament interpretation that capitalizes on recent research in figural exegesis. Collett examines the tension between figural and literal modes of exegesis as they developed in Christian thought, introduces ongoing debates and discussions concerning figural readings of Scripture, and offers theological readings of several significant Old Testament passages. This book will work well as a primer on figural exegesis for seminarians or as a capstone seminary text that ties together themes from courses in Bible, exegesis, and theology.
Author: Ramon Saldivar
Publisher: Princeton University Press
ISBN: 1400856779
Category : Literary Criticism
Languages : en
Pages : 283
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Book Description
Novels affirm the power of fiction to portray the horizons of knowledge and to dramatize the ways that the truths of human existence are created and preserved. Professor Saldivar shows that deconstructive readings of novels remind us that we do not apprehend the world directly but through interpretive codes. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Bill Readings
Publisher: Routledge
ISBN: 1134936710
Category : Philosophy
Languages : en
Pages : 177
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Book Description
The first truly introductory text on Lyotard, this book situates Lyotard's interventions in the postmodern debate in the wider context of his rethinking of the politics of representation. Bill Readings examines Lyotard's relationship to structuralism, Marxism and semiotics, and contrasts his work with the literary deconstruction of Paul de Man; he positions Lyotard's work so as to draw out the implications of poststructurlaism's attention to difference in reading. Lyotard's willingness to question the political and examine the relationship between art and politics is shown to undermine the charge that deconstruction abdicates political and social articulation.
Author: Gregory W. Lee
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802873278
Category : Bibles
Languages : en
Pages : 324
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Book Description
Presents a doctrine of Scripture based on Hebrews in dialogue with Augustine and Calvin What vision of biblical authority arises from Scripture's own use of Scripture? This question has received surprisingly little attention from theologians seeking to develop a comprehensive doctrine of Scripture. Today When You Hear His Voice by Gregory W. Lee fills this gap by listening carefully to the Epistle to the Hebrews. Lee illuminates the unique way that Hebrews appropriates Old Testament texts as he considers the theological relationship between salvation history and scriptural interpretation. He illustrates these dynamics through extended treatments of Augustine and Calvin, whose contrasting perspectives on the covenants, Israel, and the literal and figural senses provide theological categories for appreciating how Hebrews innovatively presents Scripture as God's direct address in the contemporary moment.
Author: Sarah Hammerschlag
Publisher: University of Chicago Press
ISBN: 0226315134
Category : Religion
Languages : en
Pages : 310
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Book Description
The rootless Jew, wandering disconnected from history, homeland, and nature, was often the target of early twentieth-century nationalist rhetoric aimed against modern culture. But following World War II, a number of prominent French philosophers recast this maligned figure in positive terms, and in so doing transformed postwar conceptions of politics and identity. Sarah Hammerschlag explores this figure of the Jew from its prewar usage to its resuscitation by Jean-Paul Sartre, Emmanuel Levinas, Maurice Blanchot, and Jacques Derrida. Sartre and Levinas idealized the Jew’s rootlessness in order to rethink the foundations of political identity. Blanchot and Derrida, in turn, used the figure of the Jew to call into question the very nature of group identification. By chronicling this evolution in thinking, Hammerschlag ultimately reveals how the figural Jew can function as a critical mechanism that exposes the political dangers of mythic allegiance, whether couched in universalizing or particularizing terms. Both an intellectual history and a philosophical argument, The Figural Jew will set the agenda for all further consideration of Jewish identity, modern Jewish thought, and continental philosophy.
Author: Paul De Man
Publisher: Yale University Press
ISBN: 9780300028454
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
This important theoretical work by Paul de Man sets forth a mode of reading and interpretation based on exemplary texts by Rousseau, Nietzsche, Rilke, and Proust. The readings start from unresolved difficulties in the critical traditions engendered by these authors, and they return to the places in the text where those difficulties are most apparent or most incisively reflected upon. The close reading leads to the elaboration of a more general model of textual understanding, in which de Man shows that the thematic aspects of the texts--their assertions of truth or falsehood as well as their assertions of values--are linked to specific modes of figuration that can be identified and described. The description of synchronic figures of substitution leads, by an inner logic embedded in the structure of all tropes, to extended, narrative figures or allegories. De Man poses the question whether such self-generating systems of figuration can account fully for the intricacies of meaning and of signification they produce. Throughout the book, issues in contemporary criticism are addressed analytically rather than polemically. Traditional oppositions are put in question by a rhetorical analysis which demonstrates why literary texts are such powerful sources of meaning yet epistemologically so unreliable. Since the structure which underlies this tension belongs to language in general and is not confined to literary texts, the book, starting out as practical and historical criticism or as the demonstration of a theory of literary reading, leads into larger questions pertaining to the philosophy of language. "Through elaborate and elegant close readings of poems by Rilke, Proust's Remembrance, Nietzsche's philosophical writings and the major works of Rousseau, de Man concludes that all writing concerns itself with its own activity as language, and language, he says, is always unreliable, slippery, impossible....Literary narrative, because it must rely on language, tells the story of its own inability to tell a story....De Man demonstrates, beautifully and convincingly, that language turns back on itself, that rhetoric is untrustworthy."--Julia Epstein, Washington Post Book World "The study follows out of the thinking of Nietzsche and Genette (among others), yet moves in strikingly new directions....De Man's text, almost certain to be endlessly provocative, is worthy of repeated re-reading."--Ralph Flores, Library Journal "Paul de Man continues his work in the tradition of 'deconstructionist criticism, '... which] begins with the observation that all language is constructed; therefore the task of criticism is to deconstruct it and reveal what lies behind. The title of his new work reflects de Man's preoccupation with the unreliability of language. ... The contributions that the book makes, both in the initial theoretical chapters and in the detailed analyses (or deconstructions) of particular texts are undeniable."--Caroline D. Eckhardt, World Literature Today
Author: Marc Redfield
Publisher: Fordham Univ Press
ISBN: 0823268683
Category : Philosophy
Languages : en
Pages : 272
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Book Description
This book examines the affinity between “theory” and “deconstruction” that developed in the American academy in the 1970s by way of the “Yale Critics”: Harold Bloom, Paul de Man, Geoffrey Hartman, and J. Hillis Miller, sometimes joined by the French philosopher Jacques Derrida. With this semi-fictional collective, theory became a media event, first in the academy and then in the wider print media, in and through its phantasmatic link with deconstruction and with “Yale.” The important role played by aesthetic humanism in American pedagogical discourse provides a context for understanding theory as an aesthetic scandal, and an examination of the ways in which de Man’s work challenges aesthetic pieties helps us understand why, by the 1980s, he above all had come to personify “theory.” Combining a broad account of the “Yale Critics” phenomenon with a series of careful reexaminations of the event of theory, Redfield traces the threat posed by language’s unreliability and inhumanity in chapters on lyric, on Hartman’s representation of the Wordsworthian imagination, on Bloom’s early theory of influence in the 1970s together with his later media reinvention as the genius of the Western Canon, and on John Guillory’s influential attempt to interpret de Manian theory as a symptom of literature’s increasing marginality. A final chapter examines Mark Tansey’s paintings Derrida Queries de Man and Constructing the Grand Canyon, paintings that offer subtle, complex reflections on the peculiar event of theory-as-deconstruction in America.
