The Femme Fatale in Victorian Literature PDF Download
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Author: Jennifer Hedgecock
Publisher: Cambria Press
ISBN: 1604975180
Category : Literary Collections
Languages : en
Pages : 252
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Book Description
"examines the changing social and economic status of women from the 1860s through the 1880s, and rejects the stereotypical mid-Victorian femme fatale portrayed by conservative ideologues critiquing popular fiction by Wilkie Collins, Mary Elizabeth Braddon, Honore de Balzac, and William Makepeace Thackeray. In these book reviews, the female protagonist is simply minimized to a dangerous woman. Refuting this one-dimensional characterization, this book argues that the femme fatale comes to represent the real-life struggles of the middle-class Victorian woman who overcomes major adversities such as poverty, abusive husbands, abandonment, single parenthood, limited job opportunities, the criminal underworld, and Victorian society's harsh invective against her." --publisher description.
Author: Jennifer Hedgecock
Publisher: Cambria Press
ISBN: 1604975180
Category : Literary Collections
Languages : en
Pages : 252
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Book Description
"examines the changing social and economic status of women from the 1860s through the 1880s, and rejects the stereotypical mid-Victorian femme fatale portrayed by conservative ideologues critiquing popular fiction by Wilkie Collins, Mary Elizabeth Braddon, Honore de Balzac, and William Makepeace Thackeray. In these book reviews, the female protagonist is simply minimized to a dangerous woman. Refuting this one-dimensional characterization, this book argues that the femme fatale comes to represent the real-life struggles of the middle-class Victorian woman who overcomes major adversities such as poverty, abusive husbands, abandonment, single parenthood, limited job opportunities, the criminal underworld, and Victorian society's harsh invective against her." --publisher description.
Author: Heather Braun
Publisher: Rowman & Littlefield
ISBN: 1611475627
Category : History
Languages : en
Pages : 177
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Book Description
The Rise and Fall of the Femme Fatale in British Literature, 1790-1910 explores the femme fatale's career in nineteenth-century British literature. It traces her evolution--and devolution--formally, historically, and ideologically through a selection of plays, poems, novels, and personal correspondence. Considering well-known fatal women alongside more obscure ones, The Rise and Fall of the Femme Fatale sheds new light on emerging notions of gender, sexuality, and power throughout the long nineteenth century. By placing the fatal woman in a still-developing literary and cultural narrative, this study examines how the femme fatale adapts over time, reflecting popular tastes and socio-economic landscapes.
Author: Małgorzata Łuczyńska-Hołdys
Publisher: Cambridge Scholars Publishing
ISBN: 1443851000
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
The femme fatale appears with unceasing regularity in the texts of major poets of the nineteenth century. She symbolises an intractable mystery, a refusal to be defined and a fierce attempt to exist outside the established gender system. Soft-Shed Kisses: Re-visioning the Femme Fatale in English Poetry of the 19th Century interrogates the construction and use of the fatal woman motif in the poetry of canonical male writers of the times, both Romantic and Victorian. Subsequent chapters investigate a variety of poems by John Keats, Percy Bysshe Shelley, Alfred Tennyson, Dante Gabriel Rossetti and Charles Algernon Swinburne in which the femme fatale surfaces as the most important character. Close-readings of poetry are enriched by an examination of the same motif in visual art, set against the vivid cultural background of the Victorian era.
Author:
Publisher:
ISBN:
Category : Authorship
Languages : en
Pages : 308
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Book Description
Author: Bram Dijkstra
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 470
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Book Description
This is a book filled with the dangerous fantasies of the Beautiful People of a century ago. It contains a few scenes of exemplary virtue and many more of lurid sin.
Author: Helen Hanson
Publisher: Springer
ISBN: 0230282016
Category : Performing Arts
Languages : en
Pages : 244
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Book Description
These essays trace the femme fatale across literature, visual culture and cinema, exploring the ways in which fatal femininity has been imagined in different cultural contexts and historical epochs, and moving from mythical women such as Eve, Medusa and the Sirens via historical figures such as Mata Hari to fatal women in contemporary cinema.
Author: Virginia B. Morris
Publisher: University Press of Kentucky
ISBN: 0813163765
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
Murder fascinates readers, and when a woman murders, that fascination is compounded. The paradox of mother, lover, or wife as killer fills us with shock. A woman's violence is unexpected, unacceptable. Yet killing an abusive man can make her a cultural heroine. In Double Jeopardy, Virginia Morris examines the complex roots of contemporary attitudes toward women who kill by providing a new perspective on violent women in Victorian literature. British novelists from Dickens to Hardy, in their characterizations, contradicted the traditional Western assumption that women criminals were "unnatural." The strongest evidence of their view is that the novelists make the women's victims deserve their violent death. Yet the women characters who commit murder are punished because their sympathetic Victorian creators had internalized the cultural biases that expected women to be passive and subservient. Fictional women, like their real-life counterparts, were doubly guilty: in defying the law, they also defied their gender role. Because they were "unwomanly," they were thought worse than male criminals—more vicious and more incorrigible. At the same time, they often got special treatment from the police and the courts simply because they were women. These contradictory attitudes reveal the critical significance of gender in defining criminal behavior and in fixing punishments. Morris provides literary and historical background for the novelists' ideas about women killers and traces the evolving notion that abused or misused women were capable of using justifiable—if unforgivable—violence. She argues that the criminal women in Victorian literature epitomize the ambivalent position of women generally and the particular vulnerability of a deviant minority. Her book is a valuable resource for readers concerned with criminology, literature, and feminist studies.
Author: Jamieson Ridenhour
Publisher: Rowman & Littlefield
ISBN: 0810887770
Category : History
Languages : en
Pages : 171
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Book Description
During the 19th century, London was a complex, vibrant, and multi-faceted city, the first true metropolis. As such, it contained within it a widely disparate array of worlds and cultures. Representations of London in literature varied just as widely. In the late 1830s, London began appearing as a site of literary terror, and by the end of the century a large proportion of the important Victorian "Gothic revival" novels were set in the city: The Strange Case of Dr. Jekyll and Mr. Hyde, The Picture of Dorian Gray, The Three Impostors, The Beetle, Dracula, and many others. In Darkest London is a full-length study of the Victorian Urban Gothic, a pervasive mode that appears not only in straightforward novels of terror like those mentioned above but also in the works of mainstream authors such as Charles Dickens and in the journalism and travel literature of the time. In this volume, author Jamieson Ridenhour looks beyond broad considerations of the Gothic as a historical mode to explore the development of London and the concurrent rise of the Urban Gothic. He also considers very specific aspects of London's representation in these works and draws upon recent and then-contemporary theories, close readings of relevant texts, and cartography to support and expand these ideas. This book examines the work of both canonical and non-canonical authors, including Dickens, Bram Stoker, Robert Louis Stevenson, G.W.M. Reynolds, Richard Marsh, Arthur Machen, Marie Belloc Lowndes, and Oscar Wilde. Placing the conventions of the Gothic form in their proper historical context, In Darkest London will appeal to scholars and students interested in an in-depth survey of the Urban Gothic.
Author: Richard Dellamora
Publisher: University of Chicago Press
ISBN: 0226924793
Category : Literary Criticism
Languages : en
Pages : 338
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Book Description
Recent critical and historical work on the late-Victorian period has furnished a vocabulary for discussing gender and sexuality. These popular terms include categories such as homo/hetero, patriarchal/feminist, and masculine/effeminate. This collection exploits this framework—while refining and resisting it in places—to show how certain Victorians imagined difference in ways that continue to challenge us today. One essay, for example, traces the remarkable feminist appropriation of male-identified fields of study, such as Classical philology. Others address the validation of male bodies as objects of desire in writing, painting, and emergent modernist choreography. The writings shed light on the diverse interests served by a range of cultural practitioners and on the complex ways in which the late Victorians invented themselves as modern subjects. This volume will be essential reading for students of British literary and cultural history as well as for those interested in feminist, gay, and lesbian studies. Contributors are: Oliver Buckton, Richard Dellamora, Dennis Denisoff, Regenia Gagnier, Eric Haralson, Andrew Hewitt, Christopher Lane, Thaïs Morgan, Yopie Prins, Kathy Alexis Psomiades, Julia Saville, Robert Sulcer, Jr., Martha Vicinus.
Author: J. Grossman
Publisher: Springer
ISBN: 0230274986
Category : Performing Arts
Languages : en
Pages : 185
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Book Description
In the context of nineteenth-century Victorinoir and close readings of original-cycle film noir, Julie Grossman argues that the presence of the "femme fatale" figure, as she is understood in film criticism and popular culture, is drastically over-emphasized and has helped to sustain cultural obsessions with "bad" women.
