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Author: Charlotte Lennox
Publisher: The Floating Press
ISBN: 1775415139
Category : Fiction
Languages : en
Pages : 770
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Book Description
The Female Quixote completely inverts the adventures of Don Quixote. While the latter mistook himself for the hero of a Romance, Arabella believes she is the fair maiden. She believes she can fell a hero with one look and that any number of lovers would be happy to suffer on her behalf.
Author: Charlotte Lennox
Publisher: The Floating Press
ISBN: 1775415139
Category : Fiction
Languages : en
Pages : 770
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Book Description
The Female Quixote completely inverts the adventures of Don Quixote. While the latter mistook himself for the hero of a Romance, Arabella believes she is the fair maiden. She believes she can fell a hero with one look and that any number of lovers would be happy to suffer on her behalf.
Author: Deborah L. Ross
Publisher: University Press of Kentucky
ISBN: 0813183162
Category : Literary Criticism
Languages : en
Pages : 346
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Book Description
"The only excellence of falsehood... is its resemblance to truth," proclaims a clergyman in Charlotte Lennox's The Female Quixote. He argues that romances are bad art; novels, he implies, are better. This clergyman's remarks—repeating what literary and moral authorities had been saying since the late seventeenth century—are central to Deborah Ross's discussion of romance characteristics in English women's novels. Aphra Behn, Delariviere Manley, Eliza Haywood, Charlotte Lennox, Fanny Burney, Ann Radcliffe, and Jane Austen did not take the clergyman's advice to heart. To them, the "falsehood" of romance was by no means self-evident, nor was the superior "excellence" of the novel. In theory, many of them accepted the distinction, but their works combined aspects of the romance and the novel in ways that brought them into conflict with the critical establishment. The texts discussed here illustrate a process of development both in the novel and in the conditions of women's lives. Tensions between romance and realism enabled women writers to question official versions of reality and to measure life against a romance ideal. By altering readers' perceptions and judgments, these authors gradually altered the reality that novels "resemble" and set up new combinations of romance and realism for future writers. This give-and-take between fiction and life is seen most dramatically in the way a "romantic" notion gradually comes to be treated in novels as both "real" and right. Ross follows one such notion—that women have matrimonial preferences—to the point where romance and reality merge. Ross's study brings to light an important part of the history of the novel not yet incorporated in theories and histories of the genre.
Author: María Odette Canivell Arzú
Publisher: Lexington Books
ISBN: 1498536964
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
In Literary Narratives and the Cultural Imagination: King Arthur and Don Quixote as National Heroes the author examines traditional Arthurian and Cervantine literary narratives to discuss how the two literary figures became paladins of their respective nations. Whereas the former bestows upon the homeland a positive image of Britain, based on military might, a glorious past and a promise of return, the latter contributes to a negative image of Spain based on a narrative of defeat and faded glory. In the analysis of the political intentions behind the literature that gave wings to the rise as paragons of these very famous literary characters, a semblance of the national imaginaries of the countries of their birth appears. Indeed, the tradition of Waterloo and the tradition of La Mancha are polar opposites in their Weltanschauung, and they only have in common that both heroes, Arthur and Quijote, are depicted as paladins of justice, benefactors, and redeemers of their land of birth. It is this idealized view of what is possibly the figment of a writer’s (or many different writers) pen that astonishes the reader, for behind it lies an intention to market (for internal and external consumption) both literary creations, exceeding the boundaries of the creative fiction that invented them to transform them into myths and political symbols of their respective nations.
Author: Charlotte Lennox
Publisher:
ISBN:
Category :
Languages : en
Pages : 280
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Book Description
Author: Laurie Langbauer
Publisher: Cornell University Press
ISBN: 1501723065
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
No detailed description available for "Women and Romance".
Author: Norbert Schürer
Publisher: Bucknell University Press
ISBN: 1611483913
Category : History
Languages : en
Pages : 481
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Book Description
This volume compiles and annotates for the first time the complete correspondence of the eighteenth-century British author Charlotte Lennox, best known for her novel The Female Quixote. Lennox corresponded with famous contemporaries from different walks of life such as James Boswell, David Garrick, Samuel Johnson, and Sir Joshua Reynolds, and she interacted with many other influential figures including her patroness the Countess of Bute, publisher Andrew Millar, and the Reverend Thomas Winstanley. In addition to Lennox’s and her correspondents’ letters, this book presents related documents such as the author’s proposals for subscription editions of her works, her file with the Royal Literary Fund, and a series of poems and stories supposedly composed by her son but perhaps written by herself. In these carefully and extensively annotated documents, Charlotte Lennox traces the vagaries in the career of a female writer in the male-dominated eighteenth-century literary marketplace. The introduction situates Lennox in the context of contemporaneous print culture and specifically examines the contentious question of the authorship of The Female Quixote, Lennox’s experimentation with various forms of publication, and her appeals for charity to the Royal Literary Fund when she was impoverished towards the end of her life. The author who emerges from Charlotte Lennox was an active, assertive, innovative, and independent woman trying to find her place—and make a literary career—in eighteenth-century Britain. Thus, this volume makes an important contribution to the history of female authorship, literary history, and eighteenth-century studies.
Author: Susan Carlile
Publisher:
ISBN: 9781442648487
Category : Novelists, English
Languages : en
Pages : 0
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Book Description
"Charlotte Lennox (c. 1729-1804) was an eighteenth-century English novelist whose most celebrated work, The Female Quixote (1752), is just one of eighteen works spanning a forty-three year career. Susan Carlile's critical biography of Lennox focuses on her role as the central figure in the professionalization of authorship in England. Lennox engaged in the most important literary and social discussions of her time, including the institutionalizing of Shakespeare as national poet, the career of playwriting for women, and the role of magazines as instructive texts for an increasingly literate population. Her stories of independent women influenced Jane Austen, especially in her novels Northanger Abbey and Sense and Sensibility. Carlile's work is the first biographical treatment of Lennox to include the new cache of correspondence that was released in the early 1970s and reveals her pioneering roles in making Greek drama accessible and in serializing novels in magazines. Carlile places Lennox in the context of intellectual and cultural history and reveals how she was part of an ambitious, progressive literary and social movement."--
Author: Tabitha Tenney
Publisher:
ISBN:
Category :
Languages : en
Pages : 86
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Book Description
Author: Charlotte Lennox
Publisher:
ISBN:
Category : American authors
Languages : en
Pages : 218
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Book Description
Author: S. Gordon
Publisher: Springer
ISBN: 0230601537
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
Using postmodern theory, The Practice of Quixotism explores eighteenth-century women's texts that use quixote narratives, which typically demand that individuals purge their minds of internalized fictions to insist instead that the reality we encounter is inevitably mediated by the texts we have read.
