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Languages : en
Pages : 173
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 173
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Book Description
Author: Sandra M. Gilbert
Publisher: Routledge
ISBN:
Category : Art
Languages : en
Pages : 192
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Book Description
First Published in 1986. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Sandra M. Gilbert
Publisher:
ISBN:
Category : Feminism and literature
Languages : en
Pages : 173
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Book Description
Author: Ewa Płonowska Ziarek
Publisher: Columbia University Press
ISBN: 0231530900
Category : Philosophy
Languages : en
Pages : 283
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Book Description
Ewa Ziarek fully articulates a feminist aesthetics, focusing on the struggle for freedom in women's literary and political modernism and the devastating impact of racist violence and sexism. She examines the contradiction between women's transformative literary and political practices and the oppressive realities of racist violence and sexism, and she situates these tensions within the entrenched opposition between revolt and melancholia in studies of modernity and within the friction between material injuries and experimental aesthetic forms. Ziarek's political and aesthetic investigations concern the exclusion and destruction of women in politics and literary production and the transformation of this oppression into the inaugural possibilities of writing and action. Her study is one of the first to combine an in-depth engagement with philosophical aesthetics, especially the work of Theodor W. Adorno, with women's literary modernism, particularly the writing of Virginia Woolf and Nella Larsen, along with feminist theories on the politics of race and gender. By bringing seemingly apolitical, gender-neutral debates about modernism's experimental forms together with an analysis of violence and destroyed materialities, Ziarek challenges both the anti-aesthetic subordination of modern literature to its political uses and the appreciation of art's emancipatory potential at the expense of feminist and anti-racist political struggles.
Author: Geetha Ramanathan
Publisher: Routledge
ISBN: 113629127X
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
This book visits modernism within a comparative, gendered, and third-world framework, questioning current scholarly categorisations of modernism and reframing our conception of what constitutes modernist aesthetics. It describes the construction of modernist studies and argues that despite a range of interventions which suggest that philosophical and material articulations with the third world shaped modernism, an emphasis on modernist "universals" persists. Ramanathan argues that women and third-world authors have reshaped received notions of the modern and revised orthodox ideas on the modern aesthetic. Authors such as Bessie Head, Josiane Racine, T.Obinkaram Echewa, Raja Rao, Gabriel Garcia Marquez, Sembene Ousmane, Salman Rushdie, Ana Castillo, Attia Hossain, Bapsi Sidhwa, and Sahar Khalifeh, are visited in their specific cultural contexts and use some form of realism, a mode that western modernism relegates to the nineteenth century. A comparative methodology and extensive research on intersecting topics such as post-coloniality and the articulation between gender and modernist aesthetics facilitates readings of the modern in twentieth century literature that fall outside standards of western modernism. Considering the relationship between aesthetics and ideology, Ramanathan lays out a critical apparatus to enhance our understanding of the modern, thus suggesting that form is not universal, but that the history of forms, like the history of colonialism and of women, indicates very specific modalities of the modern.
Author: Melissa Febos
Publisher: Bloomsbury Publishing USA
ISBN: 1635572533
Category : Biography & Autobiography
Languages : en
Pages : 337
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Book Description
National Book Critics Circle Award Winner National Bestseller Lambda Literary Award Finalist NAMED ONE OF THE BEST BOOKS OF THE YEAR BY TIME * NPR * The Washington Post * Kirkus Reviews * Washington Independent Review of Books * The Millions * Electric Literature * Ms Magazine * Entropy Magazine * Largehearted Boy * Passerbuys “Irreverent and original.” –New York Times “Magisterial.” –The New Yorker “An intoxicating writer.” –The Atlantic “A classic!” –Mary Karr “A true light in the dark.” –Stephanie Danler “An essential, heartbreaking project.” –Carmen Maria Machado A gripping set of stories about the forces that shape girls and the adults they become. A wise and brilliant guide to transforming the self and our society. In her powerful new book, critically acclaimed author Melissa Febos examines the narratives women are told about what it means to be female and what it takes to free oneself from them. When her body began to change at eleven years old, Febos understood immediately that her meaning to other people had changed with it. By her teens, she defined herself based on these perceptions and by the romantic relationships she threw herself into headlong. Over time, Febos increasingly questioned the stories she'd been told about herself and the habits and defenses she'd developed over years of trying to meet others' expectations. The values she and so many other women had learned in girlhood did not prioritize their personal safety, happiness, or freedom, and she set out to reframe those values and beliefs. Blending investigative reporting, memoir, and scholarship, Febos charts how she and others like her have reimagined relationships and made room for the anger, grief, power, and pleasure women have long been taught to deny. Written with Febos' characteristic precision, lyricism, and insight, Girlhood is a philosophical treatise, an anthem for women, and a searing study of the transitions into and away from girlhood, toward a chosen self.
Author: Mary Suzanne Schriber
Publisher: University Press of Kentucky
ISBN: 0813164184
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
The concept of woman as having a distinctive nature and requiring a separate sphere of activity from that of man was pervasive in the thinking of nineteenth- century Americans. So dominant was this "horizon of expectations" for woman that the imaginations of our finest novelists were often subverted, even as they attempted to expand the possibilities for women through their fiction. Selecting five American writers -- James Fenimore Cooper, Nathaniel Hawthorne, William Dean Howells, Henry James, and Edith Wharton -- Schriber traces the impact of cultural expectations for woman on the art of the novel from the early nineteenth century through the advent of Modernism. The novels of Cooper and Hawthorne exemplify the male imagination at work before the concept of woman's nature and sphere became burning issues, as they did later in the century. Howells, while attempting to expand woman's sphere in his fiction in response to feminist challenges, in fact demonstrates the recalcitrance of a priori ideas. James, provoked rather than subverted by the ideology of gender, was able to bend the culture's myopia to his own artistic purposes. Wharton's novels, in contrast, document the female imagination seeking aesthetic solutions to the problems of women rather than to woman as problem. Wharton constructs versions of female experience that were either invisible or anathema to her male counterparts. Schriber's discussion centers on those points in each text at which the culture's horizon of expectations drives the decisions and choices of the artist, sometimes to the benefit and sometimes at the expense of craft. Making full use of gender as a category of literary analysis, she recovers the meanings intended by the texts for audiences of their own time, and distinguishes those meanings from their significance for modern readers.Original in its methodology and insights, Gender and the Writer's Imagination provides a model for future literary studies.
Author: GEETA JANET DKHAR
Publisher: Archers & Elevators Publishing House
ISBN: 9390996953
Category : Antiques & Collectibles
Languages : en
Pages : 120
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Book Description
Author: Constance Classen
Publisher: Routledge
ISBN: 1134678207
Category : Social Science
Languages : en
Pages : 245
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Book Description
The Colour of Angels uncovers the gender politics behind our attitude to the senses. Using a wide variety of examples, ranging from the sensuous religious visions of the middle ages through to nineteenth-century art movements, this book reveals a previously unexplored area of womens history.
Author: Lisa Rado
Publisher: University of Virginia Press
ISBN: 9780813919805
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
In the late nineteenth century, as changing cultural representations of gender roles and categories made differences between men and women increasingly difficult to define, theorists such as Havelock Ellis, Richard von Krafft-Ebing, and Sigmund Freud began to postulate a third, androgynous sex. For many modern artists, this challenge to familiar hierarchies of gender represented a crisis in artistic authority. Faced with the failure of the romantic muse and other two-sex tropes for the imagination, James Joyce, H. D., William Faulkner, Virginia Woolf, and other modernist writers of both sexes became attracted to a culturally specific notion of an androgynous imagination. In The Modern Androgyne Imagination, Lisa Rado explores the dynamic process through which these writers filled the imaginative space left by the departed muse. For Joyce, the androgynous imagination meant experimenting with the idea of a "new womanly man." H. D. personified her "overmind" as the androgynous Ray Bart. Faulkner supplanted the muse with the hermaphrodite. And Woolf became a kind of psychic transsexual. Although they selected these particular tropes for different reasons, literary men and women shared the desire to embody perceived strengths of both sexes and to transcend sexual and artistic limitation altogether. However, courting this androgynous imagination was a risky act. It often evoked the dynamics, even the specific vocabulary, of the sublime, which Rado characterizes as a perilous confrontation with and attempted identification between self and the transcendent other--that powerful, androgynous creative mind--through which they hoped to generate authority and find inspiration. This empowerment toward which Joyce, H. D., Faulkner, and Woolf gesture in texts such as Ulysses, HERmione, The Sound and the Fury, and Orlando is rarely achieved. Joyce and Faulkner were unable to silence their fears of feminization and the female body, while H. D. and Woolf remained troubled by the threat of ego incorporation and self-erasure that the androgynous model of the imagination portends. Still, their pursuit of new imaginative tropes yields important insights into the work of these writers and of literary modernism.
