Author: James Robinson Planch
Publisher:
ISBN:
Category :
Languages : en
Pages : 388
Book Description
The Extravaganzas of J. R. Planche, Esq, 1825-1871
Author: James Robinson Planch
Publisher:
ISBN:
Category :
Languages : en
Pages : 388
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 388
Book Description
The Extravaganzas of J. R. Planché, Esq., (Somerset Herald) 1825-1871
Author: James Robinson Planché
Publisher:
ISBN:
Category :
Languages : en
Pages : 386
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 386
Book Description
Lives of Shakespearian Actors, Part IV, Volume 2
Author: Gail Marshall
Publisher: Taylor & Francis
ISBN: 1040128904
Category : Literary Criticism
Languages : en
Pages : 357
Book Description
Features three female actors who were significant in their development of new and innovative ways of performing Shakespeare.
Publisher: Taylor & Francis
ISBN: 1040128904
Category : Literary Criticism
Languages : en
Pages : 357
Book Description
Features three female actors who were significant in their development of new and innovative ways of performing Shakespeare.
Illusions in Motion
Author: Erkki Huhtamo
Publisher: MIT Press
ISBN: 0262547546
Category : Social Science
Languages : en
Pages : 461
Book Description
Tracing the cultural, material, and discursive history of an early manifestation of media culture in the making. Beginning in the late eighteenth century, huge circular panoramas presented their audiences with resplendent representations that ranged from historic battles to exotic locations. Such panoramas were immersive but static. There were other panoramas that moved—hundreds, and probably thousands of them. Their history has been largely forgotten. In Illusions in Motion, Erkki Huhtamo excavates this neglected early manifestation of media culture in the making. The moving panorama was a long painting that unscrolled behind a “window” by means of a mechanical cranking system, accompanied by a lecture, music, and sometimes sound and light effects. Showmen exhibited such panoramas in venues that ranged from opera houses to church halls, creating a market for mediated realities in both city and country. In the first history of this phenomenon, Huhtamo analyzes the moving panorama in all its complexity, investigating its relationship to other media and its role in the culture of its time. In his telling, the panorama becomes a window for observing media in operation. Huhtamo explores such topics as cultural forms that anticipated the moving panorama; theatrical panoramas; the diorama; the "panoramania" of the 1850s and the career of Albert Smith, the most successful showman of that era; competition with magic lantern shows; the final flowering of the panorama in the late nineteenth century; and the panorama's afterlife as a topos, traced through its evocation in literature, journalism, science, philosophy, and propaganda.
Publisher: MIT Press
ISBN: 0262547546
Category : Social Science
Languages : en
Pages : 461
Book Description
Tracing the cultural, material, and discursive history of an early manifestation of media culture in the making. Beginning in the late eighteenth century, huge circular panoramas presented their audiences with resplendent representations that ranged from historic battles to exotic locations. Such panoramas were immersive but static. There were other panoramas that moved—hundreds, and probably thousands of them. Their history has been largely forgotten. In Illusions in Motion, Erkki Huhtamo excavates this neglected early manifestation of media culture in the making. The moving panorama was a long painting that unscrolled behind a “window” by means of a mechanical cranking system, accompanied by a lecture, music, and sometimes sound and light effects. Showmen exhibited such panoramas in venues that ranged from opera houses to church halls, creating a market for mediated realities in both city and country. In the first history of this phenomenon, Huhtamo analyzes the moving panorama in all its complexity, investigating its relationship to other media and its role in the culture of its time. In his telling, the panorama becomes a window for observing media in operation. Huhtamo explores such topics as cultural forms that anticipated the moving panorama; theatrical panoramas; the diorama; the "panoramania" of the 1850s and the career of Albert Smith, the most successful showman of that era; competition with magic lantern shows; the final flowering of the panorama in the late nineteenth century; and the panorama's afterlife as a topos, traced through its evocation in literature, journalism, science, philosophy, and propaganda.
Victorian Epic Burlesques
Author: Rachel Bryant Davies
Publisher: Bloomsbury Publishing
ISBN: 1350027197
Category : History
Languages : en
Pages : 299
Book Description
This anthology presents annotated scripts of four major burlesques by key playwrights: Melodrama Mad! or, the Siege of Troy by Thomas John Dibdin (1819); Telemachus; or, the Island of Calypso by J.R. Planché (1834); The Iliad; or, the Siege of Troy by Robert Brough (1858) and Ulysses; or the Ironclad Warriors and the Little Tug of War by F.C. Burnand (1865). Beloved legend, archaeological riddle and educational staple: Homer's epic tales of the Trojan War and its aftermath were vividly reimagined in nineteenth-century Britain. Classical burlesques-exceptionally successful theatrical entertainments-continually mined the Iliad and Odyssey to lucrative comic effect. Burlesques combined song, dance and slapstick comedy with an eclectic kaleidoscope of topical allusions. From namedropping boxing legends to recasting Shakespearean combats, epic adaptations overflow with satirical commentary on politics, cultural highlights and everyday current affairs. In uncovering Homer's irreverently playful afterlife, this selection showcases burlesque's development and wide appeal. The critical introduction analyses how these plays contested the accessibility of classical antiquity and dramatic performance. Textual and literary annotations, with contemporary illustrations, illuminate the juxtaposed sources to establish these repackaged epics as indispensable tools for unlocking nineteenth-century social, cultural and political history. Resources for further study are available online.
Publisher: Bloomsbury Publishing
ISBN: 1350027197
Category : History
Languages : en
Pages : 299
Book Description
This anthology presents annotated scripts of four major burlesques by key playwrights: Melodrama Mad! or, the Siege of Troy by Thomas John Dibdin (1819); Telemachus; or, the Island of Calypso by J.R. Planché (1834); The Iliad; or, the Siege of Troy by Robert Brough (1858) and Ulysses; or the Ironclad Warriors and the Little Tug of War by F.C. Burnand (1865). Beloved legend, archaeological riddle and educational staple: Homer's epic tales of the Trojan War and its aftermath were vividly reimagined in nineteenth-century Britain. Classical burlesques-exceptionally successful theatrical entertainments-continually mined the Iliad and Odyssey to lucrative comic effect. Burlesques combined song, dance and slapstick comedy with an eclectic kaleidoscope of topical allusions. From namedropping boxing legends to recasting Shakespearean combats, epic adaptations overflow with satirical commentary on politics, cultural highlights and everyday current affairs. In uncovering Homer's irreverently playful afterlife, this selection showcases burlesque's development and wide appeal. The critical introduction analyses how these plays contested the accessibility of classical antiquity and dramatic performance. Textual and literary annotations, with contemporary illustrations, illuminate the juxtaposed sources to establish these repackaged epics as indispensable tools for unlocking nineteenth-century social, cultural and political history. Resources for further study are available online.
Hearing the Crimean War
Author: Gavin Williams
Publisher: Oxford University Press
ISBN: 019091677X
Category : Music
Languages : en
Pages : 329
Book Description
What does sound, whether preserved or lost, tell us about nineteenth-century wartime? Hearing the Crimean War: Wartime Sound and the Unmaking of Sense pursues this question through the many territories affected by the Crimean War, including Britain, France, Turkey, Russia, Italy, Poland, Latvia, Dagestan, Chechnya, and Crimea. Examining the experience of listeners and the politics of archiving sound, it reveals the close interplay between nineteenth-century geographies of empire and the media through which wartime sounds became audible--or failed to do so. The volume explores the dynamics of sound both in violent encounters on the battlefield and in the experience of listeners far-removed from theaters of war, each essay interrogating the Crimean War's sonic archive in order to address a broad set of issues in musicology, ethnomusicology, literary studies, the history of the senses and sound studies.
Publisher: Oxford University Press
ISBN: 019091677X
Category : Music
Languages : en
Pages : 329
Book Description
What does sound, whether preserved or lost, tell us about nineteenth-century wartime? Hearing the Crimean War: Wartime Sound and the Unmaking of Sense pursues this question through the many territories affected by the Crimean War, including Britain, France, Turkey, Russia, Italy, Poland, Latvia, Dagestan, Chechnya, and Crimea. Examining the experience of listeners and the politics of archiving sound, it reveals the close interplay between nineteenth-century geographies of empire and the media through which wartime sounds became audible--or failed to do so. The volume explores the dynamics of sound both in violent encounters on the battlefield and in the experience of listeners far-removed from theaters of war, each essay interrogating the Crimean War's sonic archive in order to address a broad set of issues in musicology, ethnomusicology, literary studies, the history of the senses and sound studies.
Editing Lives
Author: Jesse G. Swan
Publisher: Rowman & Littlefield
ISBN: 161148541X
Category : Literary Criticism
Languages : en
Pages : 292
Book Description
Central to all post-Renaissance scholarship, textual studies continues to evolve, both in its techniques and methods as well as in the illumination it affords all other areas of modern knowledge. The life of our fellow human beings, and how we know and tell lives, is one such area of modern knowledge that is foundationally affected by theories and practices of textual creation, transmission, and apprehension. This collection of new essays and studies by internationally acclaimed scholars, along with a select few who are less acclaimed but of distinct promise, provides a view into the contemporary state of scholarship in textual and biographical studies. The collection also means to be of especial interest to scholars of the British eighteenth century, by concentrating its evidence and argument on topics and subjects important to contemporary eighteenth-century studies. The volume is inspired by the extensive contributions to the fields by the late O M Brack, Jr.
Publisher: Rowman & Littlefield
ISBN: 161148541X
Category : Literary Criticism
Languages : en
Pages : 292
Book Description
Central to all post-Renaissance scholarship, textual studies continues to evolve, both in its techniques and methods as well as in the illumination it affords all other areas of modern knowledge. The life of our fellow human beings, and how we know and tell lives, is one such area of modern knowledge that is foundationally affected by theories and practices of textual creation, transmission, and apprehension. This collection of new essays and studies by internationally acclaimed scholars, along with a select few who are less acclaimed but of distinct promise, provides a view into the contemporary state of scholarship in textual and biographical studies. The collection also means to be of especial interest to scholars of the British eighteenth century, by concentrating its evidence and argument on topics and subjects important to contemporary eighteenth-century studies. The volume is inspired by the extensive contributions to the fields by the late O M Brack, Jr.
Papers, Presentations and Patter: A Savoyards' Symposium
Author: Ralph MacPhail, Jr. (Editor)
Publisher: Lulu.com
ISBN: 110520054X
Category : Performing Arts
Languages : en
Pages : 213
Book Description
Papers presented at the International Gilbert & Sullivan Festival in Gettysburg, PA, in June 2011. Edited, and with an Introduction by Ralph MacPhail, Jr.; Foreword by Rich Wiley. Contents include "Components of Gilbert's Genius" by Harry Benford; "Was Gilbert a Little Liberal or a Little Conservative?" by Ian Bradley; "Gilbert's Girls" by Elise Curran; "The Humor of the Operas" by John E. Dreslin; "Cheerful Facts about Matters Mathematical" by Thomas Drucker; "Think British--Sing Yiddish!" by Al Grand; "'H.M.S. Pinafore' in American Waters" by William Hyder; "The Principal Comic Roles" by Sylvan H. Kesilman; "The Reality of 'Iolanthe'" by Daniel Kravetz; "The Savoy Operas Viewed through an Aristotelian Lens" by Shane K. Magargal; "The Curious Case of 'Little Maid of Arcadee'" by Marc Shepherd; "The Writing and Composition of 'The Mountebanks'" by J. Donald Smith; "Gilbert & Sullivan's Influence on the American Musical" by Andrew Vorder Bruegge; and "Gender Parody in the Savoy Operas" by Carolyn Williams.
Publisher: Lulu.com
ISBN: 110520054X
Category : Performing Arts
Languages : en
Pages : 213
Book Description
Papers presented at the International Gilbert & Sullivan Festival in Gettysburg, PA, in June 2011. Edited, and with an Introduction by Ralph MacPhail, Jr.; Foreword by Rich Wiley. Contents include "Components of Gilbert's Genius" by Harry Benford; "Was Gilbert a Little Liberal or a Little Conservative?" by Ian Bradley; "Gilbert's Girls" by Elise Curran; "The Humor of the Operas" by John E. Dreslin; "Cheerful Facts about Matters Mathematical" by Thomas Drucker; "Think British--Sing Yiddish!" by Al Grand; "'H.M.S. Pinafore' in American Waters" by William Hyder; "The Principal Comic Roles" by Sylvan H. Kesilman; "The Reality of 'Iolanthe'" by Daniel Kravetz; "The Savoy Operas Viewed through an Aristotelian Lens" by Shane K. Magargal; "The Curious Case of 'Little Maid of Arcadee'" by Marc Shepherd; "The Writing and Composition of 'The Mountebanks'" by J. Donald Smith; "Gilbert & Sullivan's Influence on the American Musical" by Andrew Vorder Bruegge; and "Gender Parody in the Savoy Operas" by Carolyn Williams.
The Routledge Pantomime Reader
Author: Jennifer Schacker
Publisher: Routledge
ISBN: 1000401227
Category : Drama
Languages : en
Pages : 516
Book Description
The Routledge Pantomime Reader is the first anthology to document this entertainment genre—one of the most distinctive and ubiquitous in nineteenth-century Britain. Across ten different shows, readers witness pantomime’s development from a highly improvisational venue for clowning, dance, and musical parody to a complex amalgamation of physical and topical comedy, stage wizardry, scenic spectacle, satire, and magical mayhem. Combining well-known tales such as "Cinderella", "Aladdin", and "Jack and the Beanstalk" with the lesser-known plotlines of "Peter Wilkins" and "The Prince of Happy Land", the book demonstrates not only how popular narratives were adapted to the current moment, but also how this blend of high and low entertainment addressed a whole range of social and cultural anxieties. Along with carefully annotated scripts, readers will find detailed introductions to all of the collected pantomimes and supplementary materials such as reviews, reminiscences, and a host of visual materials that bring these neglected entertainments to life. The plays collected here provide a remarkable perspective on the history of sexuality, class, and race during a period of vast imperial expansion and important social upheaval in Britain itself—essential reading for students and scholars of theatre history and popular performance.
Publisher: Routledge
ISBN: 1000401227
Category : Drama
Languages : en
Pages : 516
Book Description
The Routledge Pantomime Reader is the first anthology to document this entertainment genre—one of the most distinctive and ubiquitous in nineteenth-century Britain. Across ten different shows, readers witness pantomime’s development from a highly improvisational venue for clowning, dance, and musical parody to a complex amalgamation of physical and topical comedy, stage wizardry, scenic spectacle, satire, and magical mayhem. Combining well-known tales such as "Cinderella", "Aladdin", and "Jack and the Beanstalk" with the lesser-known plotlines of "Peter Wilkins" and "The Prince of Happy Land", the book demonstrates not only how popular narratives were adapted to the current moment, but also how this blend of high and low entertainment addressed a whole range of social and cultural anxieties. Along with carefully annotated scripts, readers will find detailed introductions to all of the collected pantomimes and supplementary materials such as reviews, reminiscences, and a host of visual materials that bring these neglected entertainments to life. The plays collected here provide a remarkable perspective on the history of sexuality, class, and race during a period of vast imperial expansion and important social upheaval in Britain itself—essential reading for students and scholars of theatre history and popular performance.
The Opera Quarterly
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 734
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 734
Book Description