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Author: Royal Academy of Arts (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 594
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Book Description
Author: Royal Academy of Arts (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 594
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 982
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Book Description
Author: David Fraser Jenkins
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
Augustus John (1878-1961) was a hugely charismatic and colourful figure, his technical skill as a draughtsman matched by his bohemian manners and dashing appearance. In the pre-war years he epitomised the rebellious artist, travelling the country in a caravan and learning Romany as a result of the time he spent with gypsies. An official War artist during the first war, he subsequently took up a career as a portraitist, painting the leading literary figures of his day as well as inheriting Sargent's mantle as a painter of Society. Gwen John (1876-1939) studied at the Slade along with Augustus, leaving in the same year (1898). She then studied in Paris under Whistler, adopting his remarkable control of colour. In 1904 she settled permanently in France, where she earned a living as a model for artists including Rodin, who became her lover. The opposite of her brother both in personality and artistically, she favoured introspective subjects, and led a reclusive life.
Author: Holger Hoock
Publisher: Clarendon Press
ISBN: 9780191556104
Category : Art
Languages : en
Pages : 396
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Book Description
This is the story of the forging of a national cultural institution in late eighteenth- and early nineteenth-century Britain. The Royal Academy of Arts was the dominant art school and exhibition society in London and a model for art societies across the British Isles and North America. This is the first study of its early years, re-evaluating the Academy's significance in national cultural life and its profile in an international context. Holger Hoock reassesses royal and state patronage of the arts and explores the concepts and practices of cultural patriotism and the politicization of art during the American and French Revolutions. By demonstrating how the Academy shaped the notions of an English and British school of art and influenced the emergence of the British cultural state, he illuminates the politics of national culture and the character of British public life in an age of war, revolution, and reform.
Author: Tacita Dean
Publisher: Getty Publications
ISBN: 160606777X
Category : Art
Languages : en
Pages : 368
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Book Description
Available for a limited time, this artist’s book by renowned visual artist Tacita Dean explores her chance encounters with objects in the archives of the Getty Research Institute. As the Getty Research Institute artist in residence in 2014–15, Tacita Dean was asked to define a subject and identify a path of research. What she proposed instead was a project titled “The Importance of Objective Chance as a Tool of Research.” Her idea was to allow chance to be her guide. Dean researched randomly, picking out boxes from the collections without knowing their contents, meandering through objects and images from sources as varied as medieval alchemy books to twentieth-century artist letters. Monet Hates Me features reproductions of fifty artworks she created from Getty’s archival holdings along with enlightening texts that expand on her method of research and illustrate her encounters with the archives.
Author: Christopher Forbes
Publisher:
ISBN:
Category : Academic art
Languages : en
Pages : 190
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Author:
Publisher:
ISBN: 9781912520725
Category :
Languages : en
Pages : 128
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Book Description
On John Constable as a proto-abstractionist of pastoral landscape One of Britain's greatest landscape painters, John Constable was brought up in Dedham Vale, the valley of the River Stour in Suffolk. The eldest son of a wealthy mill owner, he entered the Royal Academy Schools in 1800 at the age of 24, and thereafter committed himself to painting nature out of doors. His "six-footers," such as The Hay Wainand The Leaping Horse, were designed to promote landscape as a subject and to stand out in the Academy's Annual Exhibition. Despite this, he sold few paintings in his lifetime and was elected a Royal Academician late in his career. With texts by leading authorities on the artist, this handsome book looks at the freedom of Constable's late works and records his enormous contribution to the English landscape tradition. John Constable(1776-1837) is one of Britain's best-known artists, and is often considered one of the greatest landscape painters of all time. He was born near the River Stour in Suffolk, an area the artist depicted so frequently that it is referred to as "Constable country." Pastoral scenes were unfashionable at the time and Constable struggled to establish himself as a painter. He was finally elected a Royal Academician in 1829, and in 1832, he exhibited The Opening of Waterloo Bridge--an effort 13 years in the making--at the Summer Exhibition.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 336
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Book Description
Vol. for 1867 includes Illustrated catalogue of the Paris Universal Exhibition.
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 504
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Book Description
Author: William Sandby
Publisher:
ISBN:
Category : Artists, British
Languages : en
Pages : 492
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Book Description
