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Author: Roberta Frank
Publisher: University of Notre Dame Pess
ISBN: 0268202516
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
In The Etiquette of Early Northern Verse, Roberta Frank peers into the northern poet’s workshop, eavesdropping as Old English and Old Norse verse reveal their craft secrets. This book places two vernacular poetries of the long Viking Age into conversation, revealing their membership in a single community of taste, a traditional stylistic ecology that did serious political and historical work. Each chapter seeks the codes of a now-extinct verse technique. The first explores the underlying architecture of the two poetries, their irregularities of pace, startling formal conventions, and tight verbal detail work. The passage of time has worn away most of the circumstantial details that literary scholars in later periods take for granted, but the public relations savvy and aural and syntactic signals of early northern verse remain to some extent retrievable and relatable, an etiquette prized and presumably understood by its audiences. The second and longest chapter investigates the techniques used by early northern poets to retrieve and organize the symmetries of language. It illustrates how supererogatory alliteration and rhyme functioned as aural punctuation, marking off structural units and highlighting key moments in the texts. The third and final chapter describes the extent to which both corpora reveled in negations, litotes, indirection, and down-toners, modes that forced audiences to read between half-lines, to hear what was not said. By decluttering and stripping away excess, by drawing words through a tight mesh of meter, alliteration, and rhyme, the early northern poet filtered out dross and stitched together a poetics of stark contrasts and forebodings. Poets and lovers of poetry of all periods and places will find much to enjoy here. So will students in Old English and Old Norse courses.
Author: Roberta Frank
Publisher: University of Notre Dame Pess
ISBN: 0268202516
Category : Literary Criticism
Languages : en
Pages : 248
Get Book Here
Book Description
In The Etiquette of Early Northern Verse, Roberta Frank peers into the northern poet’s workshop, eavesdropping as Old English and Old Norse verse reveal their craft secrets. This book places two vernacular poetries of the long Viking Age into conversation, revealing their membership in a single community of taste, a traditional stylistic ecology that did serious political and historical work. Each chapter seeks the codes of a now-extinct verse technique. The first explores the underlying architecture of the two poetries, their irregularities of pace, startling formal conventions, and tight verbal detail work. The passage of time has worn away most of the circumstantial details that literary scholars in later periods take for granted, but the public relations savvy and aural and syntactic signals of early northern verse remain to some extent retrievable and relatable, an etiquette prized and presumably understood by its audiences. The second and longest chapter investigates the techniques used by early northern poets to retrieve and organize the symmetries of language. It illustrates how supererogatory alliteration and rhyme functioned as aural punctuation, marking off structural units and highlighting key moments in the texts. The third and final chapter describes the extent to which both corpora reveled in negations, litotes, indirection, and down-toners, modes that forced audiences to read between half-lines, to hear what was not said. By decluttering and stripping away excess, by drawing words through a tight mesh of meter, alliteration, and rhyme, the early northern poet filtered out dross and stitched together a poetics of stark contrasts and forebodings. Poets and lovers of poetry of all periods and places will find much to enjoy here. So will students in Old English and Old Norse courses.
Author: Roberta Frank
Publisher:
ISBN: 9780268202545
Category : Electronic books
Languages : en
Pages : 265
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Book Description
Author: Joseph St. John
Publisher: Taylor & Francis
ISBN: 104007765X
Category : Literary Criticism
Languages : en
Pages : 221
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Book Description
Genesis Myth in Beowulf and Old English Biblical Poetry explores the adaptation of antediluvian Genesis and related myth in the Old Testament poems Genesis A and Genesis B, as well as in Beowulf, a secular heroic narrative. The book explores how the Genesis poems resort to the Christian exegetical tradition and draw on secular social norms to deliver their biblically derived and related narratives in a manner relevant to their Christian Anglo-Saxon audiences. In this book it is suggested that these elements work in unison, and that the two Genesis poems function coherently in the context of the Junius 11 manuscript. Moreover, the book explores recourse to Genesis-derived myth in Beowulf, and points to important similarities between this text and the Genesis poems. It is therefore shown that while Beowulf differs from the Genesis poems in several respects, it belongs in a corpus where religious verse enjoys prominence.
Author: Mark Chinca
Publisher: Cambridge University Press
ISBN: 110847764X
Category : History
Languages : en
Pages : 357
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Book Description
A ground-breaking investigation into the emergence of new written literatures in the vernacular languages of medieval Europe.
Author: Susan Rankin
Publisher: University of Notre Dame Pess
ISBN: 0268203423
Category : History
Languages : en
Pages : 418
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Book Description
Drawing on a wide context of bookmaking, this sweeping study traces fundamental changes in books made to support musical practice during the Carolingian Renaissance. During the late eighth and ninth centuries, there were dramatic changes in the way European medieval scribes made books for singers, moving from heavy reliance on unwritten knowledge to the introduction of musical notation into manuscripts. Well-made liturgical books were vital to the success of the Carolingian fight for Christian salvation: these were the basis for carrying out worship correctly, rendering it most effective in petitions to the Christian God. In Sounding the Word of God, Susan Rankin explores Carolingian concern with the expression and control of sound in writing—discernible through instructions for readers and singers visible in liturgical books. Her central focus is on books made for singers, including those made for priests. The emergence of musical notations for ecclesiastical chant and of books designed to accommodate those notations, Rankin concludes, are important aspects of the impact of Carolingian reforming zeal on material culture. The book has three sections. Part 1 considers late antique and early medieval texts, which deal with the value of singing and its necessary regulation. Part 2 describes and investigates techniques used by Carolingian scribes to provide instructions for readers and singers. The extant books themselves are the focus of part 3. Rankin’s analysis of over two hundred manuscripts and extensive supporting images represents the work of a scholar who has spent a lifetime with the sources; her explication of the images, particularly those of the earlier manuscripts, changes the way in which musicologists and liturgical scholars will view the images. Indeed, it will change the way in which they approach the unfolding history of chant and liturgy in the Carolingian period.
Author: Peter Adamson
Publisher: University of Notre Dame Pess
ISBN: 0268203385
Category : Philosophy
Languages : en
Pages : 249
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Book Description
How do we judge whether we should be willing to follow the views of experts or whether we ought to try to come to our own, independent views? This book seeks the answer in medieval philosophical thought. In this engaging study into the history of philosophy and epistemology, Peter Adamson provides an answer to a question as relevant today as it was in the medieval period: how and when should we turn to the authoritative expertise of other people in forming our own beliefs? He challenges us to reconsider our approach to this question through a constructive recovery of the intellectual and cultural traditions of the Islamic world, the Byzantine Empire, and Latin Christendom. Adamson begins by foregrounding the distinction in Islamic philosophy between taqlīd, or the uncritical acceptance of authority, and ijtihād, or judgment based on independent effort, the latter of which was particularly prized in Islamic law, theology, and philosophy during the medieval period. He then demonstrates how the Islamic tradition paves the way for the development of what he calls a “justified taqlīd,” according to which one develops the skills necessary to critically and selectively follow an authority based on their reliability. The book proceeds to reconfigure our understanding of the relation between authority and independent thought in the medieval world by illuminating how women found spaces to assert their own intellectual authority, how medieval writers evaluated the authoritative status of Plato and Aristotle, and how independent reasoning was deployed to defend one Abrahamic faith against the other. This clear and eloquently written book will interest scholars in and enthusiasts of medieval philosophy, Islamic studies, Byzantine studies, and the history of thought.
Author: Erica Monge-Greer
Publisher: BoD – Books on Demand
ISBN: 0227180038
Category : Religion
Languages : en
Pages : 226
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Book Description
Psalm 82 can often be overlooked as simplistic, confusing, or out of place. With an understanding of ethical liturgy, Monge-Greer illuminates this mythopoeic psalm as a deeply sophisticated, prophetic summons to actively embrace justice for the poor, marginalised, and disenfranchised in our communities. Monge-Greer's interpretation provides a new opportunity for biblical study of this psalm, offering clarity and relevance to this heavily discussed psalm. Divine Council, Ethics, and Resistance in Psalm 82 explores the origins of the Psalm, its use as liturgy in early Israelite cultic practice, and its reception as resistance literature in the Second Temple period. By examining the historical usage of the psalm, Monge-Greer reveals to the reader how Psalm 82 can be used to inform their own lives and actions. Divine Council, Ethics, and Resistance in Psalm 82 is a new approach for biblical scholars, historians, and those seeking justice in the everyday.
Author: John McLeod
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Social Science
Languages : en
Pages : 363
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Book Description
This one-volume thematic encyclopedia examines life in contemporary India, with topical sections focusing on geography, history, government and politics, economy, social classes and ethnicity, religion, food, etiquette, literature and drama, and more. Modern Indian, an addition to the Understanding Modern Nations series, is an in-depth and interdisciplinary encyclopedia. While many books on life in India exist today, this volume is unique as a concise, accessible overview of multiple aspects of Indian society and history. It will be a useful background or supplemental text for anyone interested in modern Indian life and culture. Individual chapters address all aspects of life in 21st-century India, from geography and history to economy and religion to etiquette and sports. Each chapter begins with an overview, followed by entries on, for example, major political parties or literary works. Each overview and entry is self-contained and accompanied by an up-to-date Further Reading list.
Author: Baltasar Gracián
Publisher: Open Road Media
ISBN: 1504064607
Category : Reference
Languages : en
Pages : 859
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Book Description
Three timeless books on the art of living gracefully—from a Renaissance philosopher, a beloved first lady, and the original matron of American manners. The Art of Worldly Wisdom: Seventeenth-century Spanish philosopher Baltasar Gracián advises people of all walks of life on how to approach political, professional, and personal situations in a dog-eat-dog world. Comprised of three hundred pithy aphorisms, this influential work offers thought-provoking and accessible advice. Some subjects include “Never Compete,” “The Art of Letting Things Alone,” and “Anticipate Injuries and Turn Them into Favors.” Eleanor Roosevelt’s Book of Common Sense Etiquette: As a politician, diplomat, activist, and first lady, Eleanor Roosevelt knew the importance of civility. In this etiquette guide, first published in 1962, she draws from her personal and professional experiences to cover a broad range of topics, from business dealings to family affairs, receiving guests, and traveling abroad. Emily Post’s Etiquette: A popular phenomenon when it was first published in 1922, this guide established Emily Post as the undisputed authority on considerate behavior. Though updated editions have appeared over the years, this original text is both a fascinating window into American high society at the dawn of the Roaring Twenties and a timeless testament to the value of social grace.
Author: Geoffrey Sampson
Publisher: Cambridge Scholars Publishing
ISBN: 1527555224
Category : Poetry
Languages : en
Pages : 445
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Book Description
The Chinese “Book of Odes” (Shijing) is a collection of 305 poems dating from between 1000 and 600 B.C., and, thus, is one of the earliest literary works in any living language. It offers vignettes of life in an almost unimaginably remote society; many of the poems have great charm, for instance, some are authored by women about their love problems. (For such early literature it is remarkable how many poems are by women.) Over the centuries the content of the Odes has become obscured by developments in the Chinese language, by prudishness and pomposity on the part of commentators, and because earlier translators were often more interested in philological technicalities than in the poems’ human significance. This book cuts through these obscurities to present a new translation into straightforward, down-to-earth English. The Odes are the earliest rhyming poetry in any language, and they make use of alliteration and assonance to achieve their poetic effects, but changes in the sounds of modern Chinese have destroyed all this speech-music. This book restores it: alongside the author’s translations, it spells the Chinese wording out in the sounds used by the original poets—something which has only recently become possible through advances in the reconstruction of Old Chinese speech.
