Author: Jonathan Woolley
Publisher:
ISBN:
Category : Postmodernism
Languages : en
Pages : 202
Book Description
The Ethical Project in Rolf Dieter Brinkmann's Westwärts 1 & 2
Author: Jonathan Woolley
Publisher:
ISBN:
Category : Postmodernism
Languages : en
Pages : 202
Book Description
Publisher:
ISBN:
Category : Postmodernism
Languages : en
Pages : 202
Book Description
German Pop Culture
Author: Agnes C. Mueller
Publisher: University of Michigan Press
ISBN: 9780472113842
Category : History
Languages : en
Pages : 256
Book Description
An incisive study of the impact of American culture on modern German society
Publisher: University of Michigan Press
ISBN: 9780472113842
Category : History
Languages : en
Pages : 256
Book Description
An incisive study of the impact of American culture on modern German society
Cultural Techniques
Author: Bernhard Siegert
Publisher: Fordham Univ Press
ISBN: 0823263770
Category : Social Science
Languages : en
Pages : 287
Book Description
In a crucial shift within posthumanistic media studies, Bernhard Siegert dissolves the concept of media into a network of operations that reproduce, displace, process, and reflect the distinctions fundamental for a given culture. Cultural Techniques aims to forget our traditional understanding of media so as to redefine the concept through something more fundamental than the empiricist study of a medium’s individual or collective uses or of its cultural semantics or aesthetics. Rather, Siegert seeks to relocate media and culture on a level where the distinctions between object and performance, matter and form, human and nonhuman, sign and channel, the symbolic and the real are still in the process of becoming. The result is to turn ontology into a domain of all that is meant in German by the word Kultur. Cultural techniques comprise not only self-referential symbolic practices like reading, writing, counting, or image-making. The analysis of artifacts as cultural techniques emphasizes their ontological status as “in-betweens,” shifting from firstorder to second-order techniques, from the technical to the artistic, from object to sign, from the natural to the cultural, from the operational to the representational. Cultural Techniques ranges from seafaring, drafting, and eating to the production of the sign-signaldistinction in old and new media, to the reproduction of anthropological difference, to the study of trompe-l’oeils, grids, registers, and doors. Throughout, Siegert addresses fundamental questions of how ontological distinctions can be replaced by chains of operations that process those alleged ontological distinctions within the ontic. Grounding posthumanist theory both historically and technically, this book opens up a crucial dialogue between new German media theory and American postcybernetic discourses.
Publisher: Fordham Univ Press
ISBN: 0823263770
Category : Social Science
Languages : en
Pages : 287
Book Description
In a crucial shift within posthumanistic media studies, Bernhard Siegert dissolves the concept of media into a network of operations that reproduce, displace, process, and reflect the distinctions fundamental for a given culture. Cultural Techniques aims to forget our traditional understanding of media so as to redefine the concept through something more fundamental than the empiricist study of a medium’s individual or collective uses or of its cultural semantics or aesthetics. Rather, Siegert seeks to relocate media and culture on a level where the distinctions between object and performance, matter and form, human and nonhuman, sign and channel, the symbolic and the real are still in the process of becoming. The result is to turn ontology into a domain of all that is meant in German by the word Kultur. Cultural techniques comprise not only self-referential symbolic practices like reading, writing, counting, or image-making. The analysis of artifacts as cultural techniques emphasizes their ontological status as “in-betweens,” shifting from firstorder to second-order techniques, from the technical to the artistic, from object to sign, from the natural to the cultural, from the operational to the representational. Cultural Techniques ranges from seafaring, drafting, and eating to the production of the sign-signaldistinction in old and new media, to the reproduction of anthropological difference, to the study of trompe-l’oeils, grids, registers, and doors. Throughout, Siegert addresses fundamental questions of how ontological distinctions can be replaced by chains of operations that process those alleged ontological distinctions within the ontic. Grounding posthumanist theory both historically and technically, this book opens up a crucial dialogue between new German media theory and American postcybernetic discourses.
Software Studies
Author: Matthew Fuller
Publisher: MIT Press
ISBN: 0262062747
Category : Computer programs
Languages : en
Pages : 349
Book Description
This collection of short expository, critical and speculative texts offers a field guide to the cultural, political, social and aesthetic impact of software. Experts from a range of disciplines each take a key topic in software and the understanding of software, such as algorithms and logical structures.
Publisher: MIT Press
ISBN: 0262062747
Category : Computer programs
Languages : en
Pages : 349
Book Description
This collection of short expository, critical and speculative texts offers a field guide to the cultural, political, social and aesthetic impact of software. Experts from a range of disciplines each take a key topic in software and the understanding of software, such as algorithms and logical structures.
Phenomenology of Spirit
Author: Georg Wilhelm Friedrich Hegel
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120814738
Category : Philosophy
Languages : en
Pages : 648
Book Description
wide criticism both from Western and Eastern scholars.
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120814738
Category : Philosophy
Languages : en
Pages : 648
Book Description
wide criticism both from Western and Eastern scholars.
Nexus
Author: William Collins Donahue
Publisher: Boydell & Brewer
ISBN: 1571135634
Category : History
Languages : en
Pages : 202
Book Description
Second volume of the biennial publication of the Duke German Jewish Studies Workshop, making available important new research and considering the definition and development of the field of German Jewish Studies. Nexus is the official publication of the biennial German Jewish Studies Workshop at Duke University, the first ongoing forum in North America for German Jewish studies. It publishes innovative research in German Jewish Studies and serves as a venue for introducing new directions in the field, analyzing the development and definition of the field itself, and considering the place of German Jewish Studies within the disciplines of both German Studiesand Jewish Studies. Additionally, it examines issues of pedagogy and programming at the undergraduate, graduate, and community levels. The second volume of Nexus presents a special forum section on the controversial German Jewish religious historian Hans-Joachim Schoeps (1909-80), including contributions by Julius H. Schoeps, Hans J. Hillerbrand, Eric M. Meyers, Laura Lieber, Noah B. Strote, and Paul Reitter, as well as cutting-edge essays thathighlight important new developments in the field of German Jewish Studies. Contributors: Nick Block, Abigail Gillman, Anton Hieke, Hans J. Hillerbrand, Martin Kagel, Richard S. Levy, Laura Lieber, Eric M. Meyers, Andrea Reiter, Paul Reitter, Julius H. Schoeps, Noah B. Strote, Karina von Tippelskirch. William C. Donahue is Bishop-MacDermott Family Professor of Germanic Languages & Literature, and Professor, Program in Literature andJewish Studies, Duke University. Martha B. Helfer is Professor of German and an affiliate member of the Department of Jewish Studies at Rutgers, The State University of New Jersey.
Publisher: Boydell & Brewer
ISBN: 1571135634
Category : History
Languages : en
Pages : 202
Book Description
Second volume of the biennial publication of the Duke German Jewish Studies Workshop, making available important new research and considering the definition and development of the field of German Jewish Studies. Nexus is the official publication of the biennial German Jewish Studies Workshop at Duke University, the first ongoing forum in North America for German Jewish studies. It publishes innovative research in German Jewish Studies and serves as a venue for introducing new directions in the field, analyzing the development and definition of the field itself, and considering the place of German Jewish Studies within the disciplines of both German Studiesand Jewish Studies. Additionally, it examines issues of pedagogy and programming at the undergraduate, graduate, and community levels. The second volume of Nexus presents a special forum section on the controversial German Jewish religious historian Hans-Joachim Schoeps (1909-80), including contributions by Julius H. Schoeps, Hans J. Hillerbrand, Eric M. Meyers, Laura Lieber, Noah B. Strote, and Paul Reitter, as well as cutting-edge essays thathighlight important new developments in the field of German Jewish Studies. Contributors: Nick Block, Abigail Gillman, Anton Hieke, Hans J. Hillerbrand, Martin Kagel, Richard S. Levy, Laura Lieber, Eric M. Meyers, Andrea Reiter, Paul Reitter, Julius H. Schoeps, Noah B. Strote, Karina von Tippelskirch. William C. Donahue is Bishop-MacDermott Family Professor of Germanic Languages & Literature, and Professor, Program in Literature andJewish Studies, Duke University. Martha B. Helfer is Professor of German and an affiliate member of the Department of Jewish Studies at Rutgers, The State University of New Jersey.
Berlin for Jews
Author: Leonard Barkan
Publisher: University of Chicago Press
ISBN: 022601066X
Category : Biography & Autobiography
Languages : en
Pages : 234
Book Description
Intro -- Contents -- Prologue: Me and Berlin -- 1. Places: Schönhauser Allee -- 2. Places: Bayerisches Viertel -- 3. People: Rahel Varnhagen -- 4. People: James Simon -- 5. People: Walter Benjamin -- Epilogue: Recollections, Reconstructions -- Acknowledgments -- Suggestions for Further Reading.
Publisher: University of Chicago Press
ISBN: 022601066X
Category : Biography & Autobiography
Languages : en
Pages : 234
Book Description
Intro -- Contents -- Prologue: Me and Berlin -- 1. Places: Schönhauser Allee -- 2. Places: Bayerisches Viertel -- 3. People: Rahel Varnhagen -- 4. People: James Simon -- 5. People: Walter Benjamin -- Epilogue: Recollections, Reconstructions -- Acknowledgments -- Suggestions for Further Reading.
Limited Inc
Author: Jacques Derrida
Publisher: Northwestern University Press
ISBN: 0810107880
Category : Philosophy
Languages : en
Pages : 169
Book Description
Signature event context -- Summary of "Reiterating the differences"--Limited Inc a b c -- Afterword : toward an ethic of discussion.
Publisher: Northwestern University Press
ISBN: 0810107880
Category : Philosophy
Languages : en
Pages : 169
Book Description
Signature event context -- Summary of "Reiterating the differences"--Limited Inc a b c -- Afterword : toward an ethic of discussion.
Resistance
Author: Martin Butler
Publisher: transcript Verlag
ISBN: 3839431492
Category : Social Science
Languages : en
Pages : 197
Book Description
All around the world and throughout history, resistance has played an important role - and it still does. Some strive to raise it to cause change. Some dare not to speak of it. Some try to smother it to keep a status quo. The contributions to this volume explore phenomena of resistance in a range of historical and contemporary environments. In so doing, they not only contribute to shaping a comparative view on subjects, representations, and contexts of resistance, but also open up a theoretical dialogue on terms and concepts of resistance both in and across different disciplines. With contributions by Micha Brumlik, Peter McLaren, and others.
Publisher: transcript Verlag
ISBN: 3839431492
Category : Social Science
Languages : en
Pages : 197
Book Description
All around the world and throughout history, resistance has played an important role - and it still does. Some strive to raise it to cause change. Some dare not to speak of it. Some try to smother it to keep a status quo. The contributions to this volume explore phenomena of resistance in a range of historical and contemporary environments. In so doing, they not only contribute to shaping a comparative view on subjects, representations, and contexts of resistance, but also open up a theoretical dialogue on terms and concepts of resistance both in and across different disciplines. With contributions by Micha Brumlik, Peter McLaren, and others.
Postdramatic Theatre
Author: Hans-Thies Lehmann
Publisher: Routledge
ISBN: 1134496834
Category : Performing Arts
Languages : en
Pages : 225
Book Description
Newly adapted for the Anglophone reader, this is an excellent translation of Hans-Thies Lehmann’s groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre. In looking at the developments since the late 1960s, Lehmann considers them in relation to dramatic theory and theatre history, as an inventive response to the emergence of new technologies, and as an historical shift from a text-based culture to a new media age of image and sound. Engaging with theoreticians of 'drama' from Aristotle and Brecht, to Barthes and Schechner, the book analyzes the work of recent experimental theatre practitioners such as Robert Wilson, Tadeusz Kantor, Heiner Müller, the Wooster Group, Needcompany and Societas Raffaello Sanzio. Illustrated by a wealth of practical examples, and with an introduction by Karen Jürs-Munby providing useful theoretical and artistic contexts for the book, Postdramatic Theatre is an historical survey expertly combined with a unique theoretical approach which guides the reader through this new theatre landscape.
Publisher: Routledge
ISBN: 1134496834
Category : Performing Arts
Languages : en
Pages : 225
Book Description
Newly adapted for the Anglophone reader, this is an excellent translation of Hans-Thies Lehmann’s groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre. In looking at the developments since the late 1960s, Lehmann considers them in relation to dramatic theory and theatre history, as an inventive response to the emergence of new technologies, and as an historical shift from a text-based culture to a new media age of image and sound. Engaging with theoreticians of 'drama' from Aristotle and Brecht, to Barthes and Schechner, the book analyzes the work of recent experimental theatre practitioners such as Robert Wilson, Tadeusz Kantor, Heiner Müller, the Wooster Group, Needcompany and Societas Raffaello Sanzio. Illustrated by a wealth of practical examples, and with an introduction by Karen Jürs-Munby providing useful theoretical and artistic contexts for the book, Postdramatic Theatre is an historical survey expertly combined with a unique theoretical approach which guides the reader through this new theatre landscape.