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Author: Terri Griffith
Publisher: Cornell University Press
ISBN: 1609090373
Category : Art
Languages : en
Pages : 345
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Book Description
The New Art Examiner was the only successful art magazine ever to come out of Chicago. It had nearly a three-decade long run, and since its founding in 1974 by Jane Addams Allen and Derek Guthrie, no art periodical published in the Windy City has lasted longer or has achieved the critical mass of readers and admirers that it did. The Essential New Art Examiner gathers the most memorable and celebrated articles from this seminal publication. First a newspaper, then a magazine, the New Art Examiner succeeded unlike no other periodical of its time. Before the word "blog" was ever spoken, it was the source of news and information for Chicago-area artists. And as its reputation grew, the New Art Examiner gained a national audience and exercised influence far beyond the Midwest. As one critic put it, "it fought beyond its weight class." The articles in The Essential New Art Examiner are organized chronologically. Each section of the book begins with a new essay by the original editor of the pieces therein that reconsiders the era and larger issues at play in the art world when they were first published. The result is a fascinating portrait of the individuals who ran the New Art Examiner and an inside look at the artistic trends and aesthetic agendas that guided it. Derek Guthrie and Jane Addams Allen, for instance, had their own renegade style. James Yood never shied away from a good fight. And Ann Wiens was heralded for embracing technologies and design. The story of the New Art Examiner is the story of a constantly evolving publication, shaped by talented editors and the times in which it was printed. Now, more than three decades after the journal's founding, The Essential New Art Examiner brings together the best examples of this groundbreaking publication: great editing, great writing, a feisty staff who changed and adapted as circumstances dictated—a publication that rolled with the times and the art of the times. With passion, insight, and editorial brilliance, the staff of the New Art Examiner turned a local magazine into a national institution.
Author: Terri Griffith
Publisher: Cornell University Press
ISBN: 1609090373
Category : Art
Languages : en
Pages : 345
Get Book Here
Book Description
The New Art Examiner was the only successful art magazine ever to come out of Chicago. It had nearly a three-decade long run, and since its founding in 1974 by Jane Addams Allen and Derek Guthrie, no art periodical published in the Windy City has lasted longer or has achieved the critical mass of readers and admirers that it did. The Essential New Art Examiner gathers the most memorable and celebrated articles from this seminal publication. First a newspaper, then a magazine, the New Art Examiner succeeded unlike no other periodical of its time. Before the word "blog" was ever spoken, it was the source of news and information for Chicago-area artists. And as its reputation grew, the New Art Examiner gained a national audience and exercised influence far beyond the Midwest. As one critic put it, "it fought beyond its weight class." The articles in The Essential New Art Examiner are organized chronologically. Each section of the book begins with a new essay by the original editor of the pieces therein that reconsiders the era and larger issues at play in the art world when they were first published. The result is a fascinating portrait of the individuals who ran the New Art Examiner and an inside look at the artistic trends and aesthetic agendas that guided it. Derek Guthrie and Jane Addams Allen, for instance, had their own renegade style. James Yood never shied away from a good fight. And Ann Wiens was heralded for embracing technologies and design. The story of the New Art Examiner is the story of a constantly evolving publication, shaped by talented editors and the times in which it was printed. Now, more than three decades after the journal's founding, The Essential New Art Examiner brings together the best examples of this groundbreaking publication: great editing, great writing, a feisty staff who changed and adapted as circumstances dictated—a publication that rolled with the times and the art of the times. With passion, insight, and editorial brilliance, the staff of the New Art Examiner turned a local magazine into a national institution.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 736
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Book Description
The independent voice of the visual arts.
Author: Douglas Walla
Publisher: University of Chicago Press
ISBN: 022631541X
Category : Art
Languages : en
Pages : 317
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Book Description
Paul Laffoley is a Visionary artist who lives and works in a tiny space in Boston he calls "the Boston Visionary Cell." A trained architect, Laffoley produces brilliantly colored mandala paintings filled with symbols and texts. Each painting is accompanied by a tex called a "thought-form," which serves as commentary on the painting's content. The paintings--many of them large (73 x 73 inches)--have titles that range from the paranormal and arcane ("The Ectoplasmic Man," "The Sexuality of Robots") to the erudite: "De Rerum Natura," referring to the poet Lucretius. Laffoley is interested in "the mechanics of mysticism," time and space, dreams, magic, and consciousness. In addition to painting, he has also designed a time machine and a prayer gun. This book collects what Laffoley and his gallerist, Douglas Walla, see as "the essential works"--94 color plates w/91 attendant thought-forms. It also includes an introduction by Walla, a biography of Laffoley by artist Steven Moskowitz, and essays by two scholars. Linda Dalrymple Henderson (University of Texas at Austin, Art History) is a renowned expert on Henri Bergson, Duchamp, the art/science juncture, and "the fourth dimension." Arielle Saiber (associate professor of Italian, Bowdoin College) analyzes one Laffoley's major works: Dante's 'Divine Comedy' Triptych.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 128
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Book Description
Author: Maggie Taft
Publisher: University of Chicago Press
ISBN: 022616831X
Category : Art
Languages : en
Pages : 441
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Book Description
For decades now, the story of art in America has been dominated by New York. It gets the majority of attention, the stories of its schools and movements and masterpieces the stuff of pop culture legend. Chicago, on the other hand . . . well, people here just get on with the work of making art. Now that art is getting its due. Art in Chicago is a magisterial account of the long history of Chicago art, from the rupture of the Great Fire in 1871 to the present, Manierre Dawson, László Moholy-Nagy, and Ivan Albright to Chris Ware, Anne Wilson, and Theaster Gates. The first single-volume history of art and artists in Chicago, the book—in recognition of the complexity of the story it tells—doesn’t follow a single continuous trajectory. Rather, it presents an overlapping sequence of interrelated narratives that together tell a full and nuanced, yet wholly accessible history of visual art in the city. From the temptingly blank canvas left by the Fire, we loop back to the 1830s and on up through the 1860s, tracing the beginnings of the city’s institutional and professional art world and community. From there, we travel in chronological order through the decades to the present. Familiar developments—such as the founding of the Art Institute, the Armory Show, and the arrival of the Bauhaus—are given a fresh look, while less well-known aspects of the story, like the contributions of African American artists dating back to the 1860s or the long history of activist art, finally get suitable recognition. The six chapters, each written by an expert in the period, brilliantly mix narrative and image, weaving in oral histories from artists and critics reflecting on their work in the city, and setting new movements and key works in historical context. The final chapter, comprised of interviews and conversations with contemporary artists, brings the story up to the present, offering a look at the vibrant art being created in the city now and addressing ongoing debates about what it means to identify as—or resist identifying as—a Chicago artist today. The result is an unprecedentedly inclusive and rich tapestry, one that reveals Chicago art in all its variety and vigor—and one that will surprise and enlighten even the most dedicated fan of the city’s artistic heritage. Part of the Terra Foundation for American Art’s year-long Art Design Chicago initiative, which will bring major arts events to venues throughout Chicago in 2018, Art in Chicago is a landmark publication, a book that will be the standard account of Chicago art for decades to come. No art fan—regardless of their city—will want to miss it.
Author: Rebecca Zorach
Publisher: Duke University Press
ISBN: 1478002468
Category : Art
Languages : en
Pages : 301
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Book Description
In the 1960s and early 1970s, Chicago witnessed a remarkable flourishing of visual arts associated with the Black Arts Movement. From the painting of murals as a way to reclaim public space and the establishment of independent community art centers to the work of the AFRICOBRA collective and Black filmmakers, artists on Chicago's South and West Sides built a vision of art as service to the people. In Art for People's Sake Rebecca Zorach traces the little-told story of the visual arts of the Black Arts Movement in Chicago, showing how artistic innovations responded to decades of racist urban planning that left Black neighborhoods sites of economic depression, infrastructural decay, and violence. Working with community leaders, children, activists, gang members, and everyday people, artists developed a way of using art to help empower and represent themselves. Showcasing the depth and sophistication of the visual arts in Chicago at this time, Zorach demonstrates the crucial role of aesthetics and artistic practice in the mobilization of Black radical politics during the Black Power era.
Author: Kieran Cashell
Publisher: Bloomsbury Publishing
ISBN: 1350108715
Category : Photography
Languages : en
Pages : 281
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Book Description
One of the most captivating and provocative artists of the Sensation generation, Richard Billingham (b. 1970) came to prominence in the late 1990s with his visceral photobook Ray's a Laugh, a slice of everyday life in a high-rise sink estate in the British West Midlands. This book is the first comprehensive discussion of Billingham's art practice. Articulating the socio-historical, aesthetic, geographical as well as anthropological aspects of Billingham's art, the book situates his work within the British neorealist tradition in visual art, cinema and televisual culture. Beginning with the first photographic studies of his father in the early 1990s, Cashell argues that these sympathetic, haunting images prefigure the later development of his thematic concerns. Significant consideration is also given to Billingham's cinematic oeuvre, including his recent feature-length autobiographical film, Ray & Liz, which substantially clarifies the complex continuity of his developing aesthetic vision. Illustrated throughout with colour and black and white reproductions, Photographic Realism: The Art of Richard Billingham combines investigative research with interviews and studio conversations, providing a subtle and sophisticated critical evaluation of the artist's key photographic and film-based works from the 1990s to the present.
Author: Mark Pascale
Publisher: Yale University Press
ISBN: 0300257481
Category : Art
Languages : en
Pages : 253
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Book Description
The extraordinary life of a captivating American artist, beautifully illustrated with his dreamlike drawings Much of Joseph Elmer Yoakum's story comes from the artist himself--and is almost too fantastic to believe. At a young age, Yoakum (1891-1972) traveled the globe with numerous circuses; he later served in a segregated noncombat regiment during World War I before settling in Chicago. There, inspired by a dream, he began his artistic career at age seventy-one, producing some two thousand drawings over a decade. How did Yoakum gain representation in major museum collections in Chicago and New York? What fueled his process, which he described as a "spiritual unfoldment"? This volume delves into the friendships Yoakum forged with the Chicago Imagists that secured his place in art history, explores the religious outlook that may have helped him cope with a racially fractured city, and examines his complicated relationship to African American and Native American identities. With hundreds of beautiful color reproductions of his dreamlike drawings, it offers the most comprehensive study of the artist's work, illuminating his vivid and imaginative creativity and giving definition and dimension to his remarkable biography.
Author: Jane Blocker
Publisher: Duke University Press
ISBN: 9780822323242
Category : Art
Languages : en
Pages : 188
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Book Description
An analysis of the career of Ana Mendieta, a Cuban-American feminist artist who came to prominence in the late 70s and early 80s, in terms of gender and performance theory.
Author: bell hooks
Publisher: The New Press
ISBN: 1620979292
Category : Art
Languages : en
Pages : 0
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Book Description
The canonical work of cultural criticism by the “profoundly influential critic” (Artnet), in a beautiful thirtieth-anniversary edition, featuring a new foreword by esteemed visual artist Mickalene Thomas Called “one of the country’s most influential feminist thinkers” by Artforum, bell hooks and her work have enjoyed a huge resurgence of popularity since her passing in 2021. Her 2018 book All About Love has sold upwards of 700,000 copies, and posthumous tributes have credited her with being “instrumental in cracking open the white, western canon for Black artists” (Artnet). To celebrate the thirtieth anniversary of her groundbreaking essay collection Art on My Mind, The New Press will publish a handsome, celebratory edition, featuring a new foreword by Tony-nominated producer and all-around creative phenom Mickalene Thomas and a new cover featuring original photos of bell hooks shot by African American photojournalist Eli Reed. This classic work, which, as the New York Times wrote, “examines the way race, sex and class shape who makes art, how it sells and who values it,” includes what Artforum calls “incisive essays” on the work of Jean-Michel Basquiat, Isaac Julien, Carrie Mae Weems, and Romare Bearden, among others. Her essays on Black vernacular architecture, representation of the Black male body, and the creative process of women artists, are complemented by conversations with Carrie Mae Weems, Emma Amos, Margo Humphrey, and LaVerne Wells-Bowie, which Kirkus Reviews calls “excellent indeed,” and “a real contribution to our understanding of the situation of black women artists.”
