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Author: Simon Lawrence
Publisher:
ISBN: 9780992741013
Category : Dry-point
Languages : en
Pages : 278
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Book Description
"This sixth volume [of Fleece Press books on John Buckland Wright] comprises an illustrated catalogue raisonné of all the prints JBW produced from metal plates, including drypoint, copper engraving and the intaglio process, from his earliest plates in 1927, to those that he was working on at the time of his death, as well as those that appeared posthumously as illustrations to books he had already completed."--Preface. - "This is the sixth Fleece Press book about the work of John Buckland Wright ... The images were prepared by Ian Wright Creative, and the book was printed by J.W. Northend in Sheffield on Stow Ivory Vol. 16, before being bound by the Fine Book Bindery in Findeon, Northants. There are 100 standard copies (A) which are bound in cloth. 220 copies (B) are bound in quarter cloth and a false Suminagashi marbled paper made for the book by Antonio Vélez Celemin in Madrid; they include an original tipped-in copper engraving 'Venus calling the Sea Gods' ... as frontispiece. These are housed in a slipcase. 40 copies (C) are bound in quarter vellum with the same marbled paper, housed in a slipcase. In addition to the tipped-in frontispiece as above, they include four original prints housed in a folder ... These copies are housed in a clamshell box. Six copies, lettered A to F [(D)], are not for sale. They are the same as the C edition in all respects but also include five prints ... All the original plates included with this book were printed by Jeremy Blighton and Anthony Dyson at the Black Star Press. - Errata attached to front pastedown.
Author: Simon Lawrence
Publisher:
ISBN: 9780992741013
Category : Dry-point
Languages : en
Pages : 278
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Book Description
"This sixth volume [of Fleece Press books on John Buckland Wright] comprises an illustrated catalogue raisonné of all the prints JBW produced from metal plates, including drypoint, copper engraving and the intaglio process, from his earliest plates in 1927, to those that he was working on at the time of his death, as well as those that appeared posthumously as illustrations to books he had already completed."--Preface. - "This is the sixth Fleece Press book about the work of John Buckland Wright ... The images were prepared by Ian Wright Creative, and the book was printed by J.W. Northend in Sheffield on Stow Ivory Vol. 16, before being bound by the Fine Book Bindery in Findeon, Northants. There are 100 standard copies (A) which are bound in cloth. 220 copies (B) are bound in quarter cloth and a false Suminagashi marbled paper made for the book by Antonio Vélez Celemin in Madrid; they include an original tipped-in copper engraving 'Venus calling the Sea Gods' ... as frontispiece. These are housed in a slipcase. 40 copies (C) are bound in quarter vellum with the same marbled paper, housed in a slipcase. In addition to the tipped-in frontispiece as above, they include four original prints housed in a folder ... These copies are housed in a clamshell box. Six copies, lettered A to F [(D)], are not for sale. They are the same as the C edition in all respects but also include five prints ... All the original plates included with this book were printed by Jeremy Blighton and Anthony Dyson at the Black Star Press. - Errata attached to front pastedown.
Author: John Buckland Wright
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 174
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Book Description
Author: Algernon Charles Swinburne
Publisher:
ISBN:
Category :
Languages : en
Pages : 340
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Book Description
Author: Anne Desmet
Publisher:
ISBN: 9781910807378
Category : Art
Languages : en
Pages : 0
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Book Description
Covers the entire history of wood engraving, including every major artist of the genre Accompanies the Scene through Wood: A Century of Wood Engraving exhibition at the Ashmolean Museum, from 28 March to 12 July 2020 The Ashmolean Museum houses one of the most extensive collections of wood engravings in the world. The collection effectively began with the gift in 1964, by Arthur Mitchell, of over 3,000 prints, including a large group of wood engravings. During the 1980s and 1990s, it expanded remarkably with acquisitions of large groups of prints, often as gifts from the artists, resulting in a succession of monographic exhibitions on some of the most important wood engravers. They included John Farleigh (1986), John Buckland Wright (1990), Clare Leighton (1992), Monica Poole (1993) and Anne Desmet (1998). A key point in this period of expansion was the acquisition of a comprehensive body of work by Gertrude Hermes and Blair Hughes-Stanton in 1995 from the artists' family, which resulted in a memorable exhibition organized by Katharine Eustace. More recently, the Ashmolean has formed a close partnership with the Society of Wood Engravers (SWE) and has been keeping the collection up to date by acquiring work by members, both at the Society's annual exhibition and privately. This exhibition catalog covers the entire history of wood engraving, including every major artist of the genre.
Author: Penelope Hughes-Stanton
Publisher: Pinner, Middlesex, England : Private Libraries Association
ISBN:
Category : Art
Languages : en
Pages : 204
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Book Description
Hughes-Stanton is probably the most remarkable engraver in the country: in the world perhaps. His stimulus usually comes from literary subject-matter, but once the associations start working in his mind, they are almost immediately visualised in terms of box-wood and engraved textures. --p. ix.
Author: Mark Stocker
Publisher:
ISBN: 9780994146038
Category : Art
Languages : en
Pages : 0
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Book Description
Te Papa holds New Zealands national art collection, whose origins date back to 1865 and the establishment of the then Colonial Museum (later the Dominion and then the National Museum). Built up over the years by a succession of directors and curators, the collections 40,000 works track New Zealand history and the art movements within it. In this generous book, Te Papas curators and a wide range of other expert art writers showcase the strengths of the New Zealand art collection by discussing around 270 works. From very early colonial work through to recent acquisitions, and including photography, their essays offer insights into the art, the artists and the context and issues that drove them. The book is complemented by biographies of all the featured artists, making it a valuable resource.
Author: John Buckland Wright
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 8
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Book Description
Author: Anne Desmet
Publisher:
ISBN: 9781910807385
Category : Wood-engraving
Languages : en
Pages : 48
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Book Description
- The Ashmolean has one of the greatest wood engraving collections in the world. This book represents some of the very best from this collection The Ashmolean Museum houses one of the most extensive collections of wood engravings in the world. The collection effectively began with the gift in 1964, by Arthur Mitchell, of over 3,000 prints, including a large group of wood engravings. During the 1980s and 1990s, it expanded remarkably with acquisitions of large groups of prints, often as gifts from the artists, resulted in a succession of monographic exhibitions on some of the most important wood engravers. They included John Farleigh (1986), John Buckland Wright (1990), Clare Leighton (1992), Monica Poole (1993) and Anne Desmet (1998). A key point in this period of expansion was the acquisition of a comprehensive body of work by Gertrude Hermes and Blair Hughes-Stanton in 1995 from the artists' family, which resulted in a memorable exhibition organised by Katharine Eustace. More recently, the Ashmolean has formed a close partnership with the SWE, and has been keeping the collection up to date by acquiring work by members, both at the Society's annual exhibition and privately.
Author: Francis Beaumont
Publisher: Benediction Books
ISBN: 9781849020657
Category :
Languages : en
Pages : 164
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Book Description
Author: Anne Ullmann
Publisher:
ISBN: 9780948375705
Category : Art publishing
Languages : en
Pages : 283
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Book Description
