Author: Giorgio Ghisi
Publisher: Metropolitan Museum of Art
ISBN: 0870993976
Category : Engraving, Italian
Languages : en
Pages : 250
Book Description
Catalogue raisonné.
The Engravings of Giorgio Ghisi
Author: Giorgio Ghisi
Publisher: Metropolitan Museum of Art
ISBN: 0870993976
Category : Engraving, Italian
Languages : en
Pages : 250
Book Description
Catalogue raisonné.
Publisher: Metropolitan Museum of Art
ISBN: 0870993976
Category : Engraving, Italian
Languages : en
Pages : 250
Book Description
Catalogue raisonné.
The Engravings of Giorgio Ghisi
Author: Michal Lewis
Publisher:
ISBN: 9780870993961
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780870993961
Category :
Languages : en
Pages : 0
Book Description
The Engravings of Giorgio Ghisi
Author:
Publisher:
ISBN: 9780300193527
Category : Engraving, Italian
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780300193527
Category : Engraving, Italian
Languages : en
Pages : 0
Book Description
The Engraving of Giorgio Ghisi
Author: Suzanne Boorsch
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Shakespeare and the Visual Imagination
Author: Stuart Sillars
Publisher: Cambridge University Press
ISBN: 1107029953
Category : Art
Languages : en
Pages : 337
Book Description
A fully illustrated study of Shakespeare's awareness of traditions in visual art and their presence in his plays and poems.
Publisher: Cambridge University Press
ISBN: 1107029953
Category : Art
Languages : en
Pages : 337
Book Description
A fully illustrated study of Shakespeare's awareness of traditions in visual art and their presence in his plays and poems.
Making Copies in European Art 1400-1600
Author:
Publisher: BRILL
ISBN: 9004379592
Category : Art
Languages : en
Pages : 541
Book Description
Making Copies in European Art 1400-1600 comprises sixteen essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice of imitation, and they investigate the artistic techniques that enabled and facilitated the production of copies. They also ask what patrons and collectors wanted from a copy, which characteristics of an artwork were considered copyable, and where and how copies were stored, studied, displayed, and circulated. Making Copies in European Art, in addition to studying many unfamiliar pictures, incorporates previously unpublished documentary materials.
Publisher: BRILL
ISBN: 9004379592
Category : Art
Languages : en
Pages : 541
Book Description
Making Copies in European Art 1400-1600 comprises sixteen essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice of imitation, and they investigate the artistic techniques that enabled and facilitated the production of copies. They also ask what patrons and collectors wanted from a copy, which characteristics of an artwork were considered copyable, and where and how copies were stored, studied, displayed, and circulated. Making Copies in European Art, in addition to studying many unfamiliar pictures, incorporates previously unpublished documentary materials.
European Art of the Fifteenth Century
Author: Stefano Zuffi
Publisher: Getty Publications
ISBN: 9780892368310
Category : Art
Languages : en
Pages : 384
Book Description
Influenced by a revival of interest in Greco-Roman ideals and sponsored by a newly prosperous merchant class, fifteenth-century artists produced works of astonishingly innovative content and technique. The International Gothic style of painting, still popular at the beginning of the century, was giving way to the influence of Early Netherlandish Flemish masters such as Jan van Eyck, who emphasized narrative and the complex use of light for symbolic meaning. Patrons favored paintings in oil and on wooden panels for works ranging from large, hinged altarpieces to small, increasingly lifelike portraits. In the Italian city-states of Florence, Venice, and Mantua, artists and architects alike perfected existing techniques and developed new ones. The painter Masaccio mastered linear perspective; the sculptor Donatello produced anatomically correct but idealized figures such as his bronze nude of David; and the brilliant architect and engineer Brunelleschi integrated Gothic and Renaissance elements to build the self-supporting dome of the Florence Cathedral. This beautifully illustrated guide analyzes the most important people, places, and concepts of this early Renaissance period, whose explosion of creativity was to spread throughout Europe in the sixteenth century.
Publisher: Getty Publications
ISBN: 9780892368310
Category : Art
Languages : en
Pages : 384
Book Description
Influenced by a revival of interest in Greco-Roman ideals and sponsored by a newly prosperous merchant class, fifteenth-century artists produced works of astonishingly innovative content and technique. The International Gothic style of painting, still popular at the beginning of the century, was giving way to the influence of Early Netherlandish Flemish masters such as Jan van Eyck, who emphasized narrative and the complex use of light for symbolic meaning. Patrons favored paintings in oil and on wooden panels for works ranging from large, hinged altarpieces to small, increasingly lifelike portraits. In the Italian city-states of Florence, Venice, and Mantua, artists and architects alike perfected existing techniques and developed new ones. The painter Masaccio mastered linear perspective; the sculptor Donatello produced anatomically correct but idealized figures such as his bronze nude of David; and the brilliant architect and engineer Brunelleschi integrated Gothic and Renaissance elements to build the self-supporting dome of the Florence Cathedral. This beautifully illustrated guide analyzes the most important people, places, and concepts of this early Renaissance period, whose explosion of creativity was to spread throughout Europe in the sixteenth century.
The Print in Italy, 1550-1620
Author: Michael Bury
Publisher: Virago Press
ISBN:
Category : Art
Languages : en
Pages : 256
Book Description
Publisher: Virago Press
ISBN:
Category : Art
Languages : en
Pages : 256
Book Description
Divine Desire
Author:
Publisher:
ISBN: 9780937108529
Category : Art and mythology
Languages : en
Pages : 45
Book Description
"...works of Netherlandish and Italian printmaking from the Renaissance and Baroque eras. ... The prints ... feature imagery that revolves around the mythology of Classical Antiquity..."--page 5.
Publisher:
ISBN: 9780937108529
Category : Art and mythology
Languages : en
Pages : 45
Book Description
"...works of Netherlandish and Italian printmaking from the Renaissance and Baroque eras. ... The prints ... feature imagery that revolves around the mythology of Classical Antiquity..."--page 5.
Hendrick Goltzius (1558-1617)
Author: Hendrik Goltzius
Publisher:
ISBN:
Category : Drawing, Dutch
Languages : en
Pages : 360
Book Description
Publisher:
ISBN:
Category : Drawing, Dutch
Languages : en
Pages : 360
Book Description