Author: Jean Jules Jusserand
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 468
Book Description
The English Novel in the Time of Shakespeare
Author: Jean Jules Jusserand
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 468
Book Description
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 468
Book Description
The English Novel in the Time of Shakespeare
Author: J. J. Jusserand
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 420
Book Description
DigiCat Publishing presents to you this special edition of "The English Novel in the Time of Shakespeare" by J. J. Jusserand. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 420
Book Description
DigiCat Publishing presents to you this special edition of "The English Novel in the Time of Shakespeare" by J. J. Jusserand. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The English Novel in the Time of Shakespeare
Author: Jean Adrien Antoine Jules Jusserand
Publisher: Library of Alexandria
ISBN: 1465578374
Category : Fiction
Languages : en
Pages : 456
Book Description
Minute research has been made, in every country, into the origin of the drama. The origin of the novel has rarely tempted the literary archæologist. For a long time the novel was regarded as literature of a lower order; down almost to our time, critics scrupled to speak of it. When M. Villemain in his course of lectures on the eighteenth century came to Richardson, he experienced some embarrassment, and it was not without oratorical qualifications and certain bashful doubts that he dared to announce lectures on "Clarissa Harlowe" and "Sir Charles Grandison." He sought to justify himself on the ground that it was necessary to track out a special influence derived from England, "the influence of imagination united to moral sentiment in eloquent prose." But this neglect can be explained still better. We can at need fix the exact period of the origin of the drama. It is not the same with the novel. We may go as far back as we please, yet we find the thin ramifications of the novel, and we may say literally that it is as old as the world itself. Like man himself, was not the world rocked in the cradle of its childhood to the accompaniment of stories and tales? Some were boldly marvellous; others have been called historical; but very often, in spite of the dignity of the name, the "histories" were nothing but collections of traditions, of legends, of fictions: a kind of novel. This noble antiquity might doubtless have been invoked as a further justification by M. Villemain and have confirmed the reasons drawn from the "moral sentiment and eloquence" of novels, reasons which were such as to rather curtail the scope of his lectures. In England as much and even more than with any other modern nation, novelists can pride themselves upon a long line of ancestors. They can, without abusing the license permitted to genealogists, go back to the time when the English did not inhabit England, when London, like Paris, was peopled by latinised Celts, and when the ancestors of the puritans sacrificed to the god Thor. The novelists indeed can show that the beginning of their history is lost in the abysm of time. They can recall the fact that the Anglo-Saxons, when they came to dwell in the island of Britain, brought with them songs and legends, whence was evolved the strange poem of "Beowulf," the first epic, the most ancient history, and the oldest English romance. In it, truth is mingled with fiction; besides the wonders performed by the hero, a destroyer of monsters, we find a great battle mentioned by Gregory of Tours, where the Frenchmen, that were to be, cut to pieces the Englishmen that were to be; the first act of that bloody tragedy continued afterwards at Hastings, Crécy, Agincourt, Fontenoy, and Waterloo.
Publisher: Library of Alexandria
ISBN: 1465578374
Category : Fiction
Languages : en
Pages : 456
Book Description
Minute research has been made, in every country, into the origin of the drama. The origin of the novel has rarely tempted the literary archæologist. For a long time the novel was regarded as literature of a lower order; down almost to our time, critics scrupled to speak of it. When M. Villemain in his course of lectures on the eighteenth century came to Richardson, he experienced some embarrassment, and it was not without oratorical qualifications and certain bashful doubts that he dared to announce lectures on "Clarissa Harlowe" and "Sir Charles Grandison." He sought to justify himself on the ground that it was necessary to track out a special influence derived from England, "the influence of imagination united to moral sentiment in eloquent prose." But this neglect can be explained still better. We can at need fix the exact period of the origin of the drama. It is not the same with the novel. We may go as far back as we please, yet we find the thin ramifications of the novel, and we may say literally that it is as old as the world itself. Like man himself, was not the world rocked in the cradle of its childhood to the accompaniment of stories and tales? Some were boldly marvellous; others have been called historical; but very often, in spite of the dignity of the name, the "histories" were nothing but collections of traditions, of legends, of fictions: a kind of novel. This noble antiquity might doubtless have been invoked as a further justification by M. Villemain and have confirmed the reasons drawn from the "moral sentiment and eloquence" of novels, reasons which were such as to rather curtail the scope of his lectures. In England as much and even more than with any other modern nation, novelists can pride themselves upon a long line of ancestors. They can, without abusing the license permitted to genealogists, go back to the time when the English did not inhabit England, when London, like Paris, was peopled by latinised Celts, and when the ancestors of the puritans sacrificed to the god Thor. The novelists indeed can show that the beginning of their history is lost in the abysm of time. They can recall the fact that the Anglo-Saxons, when they came to dwell in the island of Britain, brought with them songs and legends, whence was evolved the strange poem of "Beowulf," the first epic, the most ancient history, and the oldest English romance. In it, truth is mingled with fiction; besides the wonders performed by the hero, a destroyer of monsters, we find a great battle mentioned by Gregory of Tours, where the Frenchmen, that were to be, cut to pieces the Englishmen that were to be; the first act of that bloody tragedy continued afterwards at Hastings, Crécy, Agincourt, Fontenoy, and Waterloo.
Shakespeare in Modern English
Author: Translated by Hugh Macdonald
Publisher: Troubador Publishing Ltd
ISBN: 178589840X
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
Shakespeare in Modern English breaks the taboo about Shakespeare’s texts, which have long been regarded as sacred and untouchable while being widely and freely translated into foreign languages. It is designed to make Shakespeare more easily understood in the theatre without dumbing down or simplifying the content. Shakespeare’s ‘As You Like It’, ‘Coriolanus’ and ‘The Tempest’ are presented in Macdonald’s book in modern English. They show that these great plays lose nothing by being acted or read in the language we all use today. Shakespeare’s language is poetic, elaborately rich and memorable, but much of it is very difficult to comprehend in the theatre when we have no notes to explain allusions, obsolete vocabulary and whimsical humour. Foreign translations of Shakespeare are normally into their modern language. So why not ours too? The purpose in rendering Shakespeare into modern English is to enhance the enjoyment and understanding of audiences in the theatre. The translations are not designed for children or dummies, but for those who want to understand Shakespeare better, especially in the theatre. Shakespeare in Modern English will appeal to those who want to understand the rich and poetical language of Shakespeare in a more comprehensible way. It is also a useful tool for older students studying Shakespeare.
Publisher: Troubador Publishing Ltd
ISBN: 178589840X
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
Shakespeare in Modern English breaks the taboo about Shakespeare’s texts, which have long been regarded as sacred and untouchable while being widely and freely translated into foreign languages. It is designed to make Shakespeare more easily understood in the theatre without dumbing down or simplifying the content. Shakespeare’s ‘As You Like It’, ‘Coriolanus’ and ‘The Tempest’ are presented in Macdonald’s book in modern English. They show that these great plays lose nothing by being acted or read in the language we all use today. Shakespeare’s language is poetic, elaborately rich and memorable, but much of it is very difficult to comprehend in the theatre when we have no notes to explain allusions, obsolete vocabulary and whimsical humour. Foreign translations of Shakespeare are normally into their modern language. So why not ours too? The purpose in rendering Shakespeare into modern English is to enhance the enjoyment and understanding of audiences in the theatre. The translations are not designed for children or dummies, but for those who want to understand Shakespeare better, especially in the theatre. Shakespeare in Modern English will appeal to those who want to understand the rich and poetical language of Shakespeare in a more comprehensible way. It is also a useful tool for older students studying Shakespeare.
Shakespeare and the Book
Author: David Scott Kastan
Publisher: Cambridge University Press
ISBN: 9780521786515
Category : Drama
Languages : en
Pages : 168
Book Description
An account of Shakespeare's plays as they were transformed from scripts into books.
Publisher: Cambridge University Press
ISBN: 9780521786515
Category : Drama
Languages : en
Pages : 168
Book Description
An account of Shakespeare's plays as they were transformed from scripts into books.
The Portable Shakespeare
Author: William Shakespeare
Publisher: Penguin
ISBN: 0142437948
Category : Drama
Languages : en
Pages : 609
Book Description
A selection of The Bard's greatest writings edited by the great Shakespearean Stephen Orgel William Shakespeare's plays revolutionized the English language and created some of the most important scenes in Western literature: Hamlet contemplating his mortality, Romeo romancing Juliet, Lear railing against his insanity into the storm, and King Henry V wandering among his soldiers on the eve of battle. With introductions and context from leading Shakespearean scholar Stephen Orgel, the essential works of the most important figure in English literature are collected here: nine complete plays, the most popular scenes and poems, as well as a glossary of 1,000 key words. With clear and authoritative texts from the Pelican Shakespeare series, this user-friendly edition will inspire students, thespians, poets, and general readers alike. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Publisher: Penguin
ISBN: 0142437948
Category : Drama
Languages : en
Pages : 609
Book Description
A selection of The Bard's greatest writings edited by the great Shakespearean Stephen Orgel William Shakespeare's plays revolutionized the English language and created some of the most important scenes in Western literature: Hamlet contemplating his mortality, Romeo romancing Juliet, Lear railing against his insanity into the storm, and King Henry V wandering among his soldiers on the eve of battle. With introductions and context from leading Shakespearean scholar Stephen Orgel, the essential works of the most important figure in English literature are collected here: nine complete plays, the most popular scenes and poems, as well as a glossary of 1,000 key words. With clear and authoritative texts from the Pelican Shakespeare series, this user-friendly edition will inspire students, thespians, poets, and general readers alike. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Dark Aemilia
Author: Sally O'Reilly
Publisher: Myriad Editions (US&CA)
ISBN: 1908434422
Category : Fiction
Languages : en
Pages : 405
Book Description
"For I have sworn thee fair, and thought thee bright; Who art as black as hell, as dark as night." —William Shakespeare, Sonnet 147 In the boldest imagining of the era since Shakespeare in Love and Elizabeth, a finalist for the Italian Premio del Castello del Terriccio, this spellbinding novel of witchcraft, poetry, and passion, brings to life Aemilia Lanyer, the "Dark Lady" of Shakespeare's Sonnets—the playwright's muse and his one true love. The daughter of a Venetian musician but orphaned as a young girl, Aemilia Bassano grows up in the court of Elizabeth I, becoming the Queen's favorite. She absorbs a love of poetry and learning, maturing into a striking young woman with a sharp mind and a quick tongue. Now brilliant, beautiful, and highly educated, she becomes mistress of Lord Hunsdon, the Lord Chamberlain and Queen's cousin. But her position is precarious; when she falls in love with court playwright William Shakespeare, her fortunes change irrevocably. A must-read for fans of Tracy Chevalier (Girl With a Pearl Earring) and Sarah Dunant (The Birth of Venus), Sally O'Reilly's richly atmospheric novel compellingly re-imagines the struggles for power, recognition, and survival in the brutal world of Elizabethan London. She conjures the art of England's first professional female poet, giving us a character for the ages—a woman who is ambitious and intelligent, true to herself, and true to her heart.
Publisher: Myriad Editions (US&CA)
ISBN: 1908434422
Category : Fiction
Languages : en
Pages : 405
Book Description
"For I have sworn thee fair, and thought thee bright; Who art as black as hell, as dark as night." —William Shakespeare, Sonnet 147 In the boldest imagining of the era since Shakespeare in Love and Elizabeth, a finalist for the Italian Premio del Castello del Terriccio, this spellbinding novel of witchcraft, poetry, and passion, brings to life Aemilia Lanyer, the "Dark Lady" of Shakespeare's Sonnets—the playwright's muse and his one true love. The daughter of a Venetian musician but orphaned as a young girl, Aemilia Bassano grows up in the court of Elizabeth I, becoming the Queen's favorite. She absorbs a love of poetry and learning, maturing into a striking young woman with a sharp mind and a quick tongue. Now brilliant, beautiful, and highly educated, she becomes mistress of Lord Hunsdon, the Lord Chamberlain and Queen's cousin. But her position is precarious; when she falls in love with court playwright William Shakespeare, her fortunes change irrevocably. A must-read for fans of Tracy Chevalier (Girl With a Pearl Earring) and Sarah Dunant (The Birth of Venus), Sally O'Reilly's richly atmospheric novel compellingly re-imagines the struggles for power, recognition, and survival in the brutal world of Elizabethan London. She conjures the art of England's first professional female poet, giving us a character for the ages—a woman who is ambitious and intelligent, true to herself, and true to her heart.
Nothing Like the Sun
Author: Anthony Burgess
Publisher: W. W. Norton & Company
ISBN: 9780393315073
Category : Fiction
Languages : en
Pages : 244
Book Description
Before Shakespeare in Love, there was Anthony Burgess's Nothing Like the Sun: a magnificent, bawdy telling of Shakespeare's love life.
Publisher: W. W. Norton & Company
ISBN: 9780393315073
Category : Fiction
Languages : en
Pages : 244
Book Description
Before Shakespeare in Love, there was Anthony Burgess's Nothing Like the Sun: a magnificent, bawdy telling of Shakespeare's love life.
The Shakespeare Requirement
Author: Julie Schumacher
Publisher: Anchor
ISBN: 0385542356
Category : Fiction
Languages : en
Pages : 253
Book Description
A WASHINGTON POST NOTABLE BOOK OF THE YEAR • The slings and arrows of outrageous fortune keep hitting beleaguered English professor Jason Fitger right between the eyes in this hilarious and eagerly awaited sequel to the cult classic of anhedonic academe, the Thurber Prize-winning Dear Committee Members. Once more into the breach... Now is the fall of his discontent, as Jason Fitger, newly appointed chair of the English Department of Payne University, takes arms against a sea of troubles, personal and institutional. His ex-wife is sleeping with the dean who must approve whatever modest initiatives he undertakes. The fearsome department secretary Fran clearly runs the show (when not taking in rescue parrots and dogs) and holds plenty of secrets she's not sharing. The lavishly funded Econ Department keeps siphoning off English's meager resources and has taken aim at its remaining office space. And Fitger's attempt to get a mossbacked and antediluvian Shakespeare scholar to retire backfires spectacularly when the press concludes that the Bard is being kicked to the curricular curb. Lord, what fools these mortals be! Julie Schumacher proves the point and makes the most of it in this delicious romp of satire.
Publisher: Anchor
ISBN: 0385542356
Category : Fiction
Languages : en
Pages : 253
Book Description
A WASHINGTON POST NOTABLE BOOK OF THE YEAR • The slings and arrows of outrageous fortune keep hitting beleaguered English professor Jason Fitger right between the eyes in this hilarious and eagerly awaited sequel to the cult classic of anhedonic academe, the Thurber Prize-winning Dear Committee Members. Once more into the breach... Now is the fall of his discontent, as Jason Fitger, newly appointed chair of the English Department of Payne University, takes arms against a sea of troubles, personal and institutional. His ex-wife is sleeping with the dean who must approve whatever modest initiatives he undertakes. The fearsome department secretary Fran clearly runs the show (when not taking in rescue parrots and dogs) and holds plenty of secrets she's not sharing. The lavishly funded Econ Department keeps siphoning off English's meager resources and has taken aim at its remaining office space. And Fitger's attempt to get a mossbacked and antediluvian Shakespeare scholar to retire backfires spectacularly when the press concludes that the Bard is being kicked to the curricular curb. Lord, what fools these mortals be! Julie Schumacher proves the point and makes the most of it in this delicious romp of satire.
Family Life in the Age of Shakespeare
Author: Bruce W. Young
Publisher: Bloomsbury Publishing USA
ISBN: 0313342407
Category : Literary Criticism
Languages : en
Pages : 278
Book Description
From the star-crossed romance of Romeo and Juliet to Othello's misguided murder of Desdemona to the betrayal of King Lear by his daughters, family life is central to Shakespeare's dramas. This book helps students learn about family life in Shakespeare's England and in his plays. The book begins with an overview of the roots of Renaissance family life in the classical era and Middle Ages. This is followed by an extended consideration of family life in Elizabethan England. The book then explores how Shakespeare treats family life in his plays. Later chapters then examine how productions of his plays have treated scenes related to family life, and how scholars and critics have responded to family life in his works. The volume closes with a bibliography of print and electronic resources. The volume begins with a look at the classical and medieval background of family life in the Early Modern era. This is followed by a sustained discussion of family life in Shakespeare's world. The book then examines issues related to family life across a broad range of Shakespeare's works. Later chapters then examine how productions of the plays have treated scenes concerning family life, and how scholars and critics have commented on family life in Shakespeare's writings. The volume closes with a bibliography of print and electronic resources for student research. Students of literature will value this book for its illumination of critical scenes in Shakespeare's works, while students in social studies and history courses will appreciate its use of Shakespeare to explore daily life in the Elizabethan age.
Publisher: Bloomsbury Publishing USA
ISBN: 0313342407
Category : Literary Criticism
Languages : en
Pages : 278
Book Description
From the star-crossed romance of Romeo and Juliet to Othello's misguided murder of Desdemona to the betrayal of King Lear by his daughters, family life is central to Shakespeare's dramas. This book helps students learn about family life in Shakespeare's England and in his plays. The book begins with an overview of the roots of Renaissance family life in the classical era and Middle Ages. This is followed by an extended consideration of family life in Elizabethan England. The book then explores how Shakespeare treats family life in his plays. Later chapters then examine how productions of his plays have treated scenes related to family life, and how scholars and critics have responded to family life in his works. The volume closes with a bibliography of print and electronic resources. The volume begins with a look at the classical and medieval background of family life in the Early Modern era. This is followed by a sustained discussion of family life in Shakespeare's world. The book then examines issues related to family life across a broad range of Shakespeare's works. Later chapters then examine how productions of the plays have treated scenes concerning family life, and how scholars and critics have commented on family life in Shakespeare's writings. The volume closes with a bibliography of print and electronic resources for student research. Students of literature will value this book for its illumination of critical scenes in Shakespeare's works, while students in social studies and history courses will appreciate its use of Shakespeare to explore daily life in the Elizabethan age.