˜Theœ English Drama PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download ˜Theœ English Drama PDF full book. Access full book title ˜Theœ English Drama by Frank P. Wilson. Download full books in PDF and EPUB format.
Author: Frank P. Wilson
Publisher:
ISBN:
Category :
Languages : en
Pages : 244
Get Book Here
Book Description
Author: Frank P. Wilson
Publisher:
ISBN:
Category :
Languages : en
Pages : 244
Get Book Here
Book Description
Author: F. P. Wilson
Publisher: Oxford University Press, USA
ISBN: 9780195002034
Category :
Languages : en
Pages : 252
Get Book Here
Book Description
Author: Tanya Pollard
Publisher: Oxford University Press
ISBN: 0192511602
Category : Literary Collections
Languages : en
Pages : 342
Get Book Here
Book Description
Greek Tragic Women on Shakespearean Stages argues that ancient Greek plays exerted a powerful and uncharted influence on early modern England's dramatic landscape. Drawing on original research to challenge longstanding assumptions about Greek texts' invisibility, the book shows not only that the plays were more prominent than we have believed, but that early modern readers and audiences responded powerfully to specific plays and themes. The Greek plays most popular in the period were not male-centered dramas such as Sophocles' Oedipus, but tragedies by Euripides that focused on raging bereaved mothers and sacrificial virgin daughters, especially Hecuba and Iphigenia. Because tragedy was firmly linked with its Greek origin in the period's writings, these iconic female figures acquired a privileged status as synecdoches for the tragic theater and its ability to conjure sympathetic emotions in audiences. When Hamlet reflects on the moving power of tragic performance, he turns to the most prominent of these figures: 'What's Hecuba to him, or he to Hecuba/ That he should weep for her?' Through readings of plays by Shakespeare and his contemporary dramatists, this book argues that newly visible Greek plays, identified with the origins of theatrical performance and represented by passionate female figures, challenged early modern writers to reimagine the affective possibilities of tragedy, comedy, and the emerging genre of tragicomedy.
Author: D.M. Palliser
Publisher: Routledge
ISBN: 1317901827
Category : History
Languages : en
Pages : 543
Get Book Here
Book Description
This famous book was the first up-to-date survey of its field for a generation; even today, when work on early modern social history proliferates, it remains the only general economic history of the age. This second edition, substantially revised and expanded, is clear in outline, rich in detail, stressing continuity as well as change, balancing the glamour of privilege with the misery and privation of the poor, and dealing with the dark side of Tudor life -- vagabondage, starvation, superstition and cruelty -- as well as its heroic achievements.
Author: Julie Stone Peters
Publisher: Oxford University Press, USA
ISBN: 9780199262168
Category : Literary Criticism
Languages : en
Pages : 516
Get Book Here
Book Description
This volume explores the impact of printing on the European theatre in the period 1480-1880 and shows that the printing press played a major part in the birth of modern theatre.
Author: Ian Lancashire
Publisher: Cambridge University Press
ISBN: 9780521262958
Category : Drama
Languages : en
Pages : 738
Get Book Here
Book Description
In 1800 entries this valuable reference work covers texts and records of dramatic activity for about 400 sites in Britain from Roman times to 1558. Grouped in sections - texts listed chronologically; Records of England, Wales, Scotland, Ireland, and Other, classified by county, site, and date; and doubtful texts and records - the entries summarize the contents of each record and give bibliographic information. Professor Lancashire presents a comprehensive survey of almost every type of literary and historical record, document, and work: civic, church, guild, monastic, and royal court minutes and financial accounts; national records - Chancery, Parliament, Privy Council, Exchequer; royal proclamations; wills; local court rolls; jest-books, poems, prose treatises, sermons; archaeological remains, artifacts, illustrations. He brings together works in several normally unrelated fields: Roman theatre in Britain; medieval drama as such, including the Corpus Christi play and the moral play; court revels of the Tudors, and of their predecessors in England and Scotland; and finally Latin and Greek drama as played in Oxford and Cambridge colleges. An introduction outlines the history of early drama in Britain. Appendixes include indexes of about 335 towns or patrons with travelling players, complete with rough itineraries; about 180 playwrights; and about 320 playing places and buildings. There are illustrations, four maps, and a large general subject and name index.
Author: Dr. M. Sai Krithika
Publisher: Notion Press
ISBN: 1947498827
Category : Literary Criticism
Languages : en
Pages : 270
Get Book Here
Book Description
The word Gothic has connotations of violence and grotesqueness. The popular Gothic elements are blood and gore, unnatural and supernatural occurrences, eerie passages, mystery, haunted castles, ghosts, perambulating skeletons, numerous death in a gory manner, Byronic love, passion and revenge. As Virginia Woolf rightly calls them, they are “the strange human need for feeling afraid.” It is the Hyde in every Jekyll that makes one take to the gothic. The British Revenge Tragedies, embedded with these elements, serve as forerunner of the gothic genre. In The Jew of Malta, we find the barbaric, scheming Machiavellian Barabas that plots the evil actions in the play that leads to mass graves and, eventually, himself being burned alive in a cauldron. In The Spanish Tragedy, Andrea’s ghost and Revenge; discovery of the mangled body of Horatio and the blood-stained handkerchief; letter written with blood and Hieronimo cutting out his tongue are the major Gothic elements. In Hamlet, the ghost of Hamlet’s father; the violent stabbing of Polonius; the grave digger’s eulogizing death and the introduction of Yorick’s skull never fail in creating chills down the spine of any reader. Ian Jack observes on Webster’s plays that The White Devil and The Duchess of Malfi, have no other purpose other than making the audience’s ‘flesh creep.’ Thus, gothic as a genre, has been strongly haunting literature and would still continue to haunt, not only literature but also life.
Author: Maurice Mandelbaum
Publisher: JHU Press
ISBN: 1421431971
Category : Philosophy
Languages : en
Pages : 264
Get Book Here
Book Description
Originally published in 1977. In this major work, an overview of the structure of historical writing, Maurice Mandelbaum clarifies some of the problems concerning the nature of history as a discipline, of what constitutes explanation in history, and whether historical knowledge is as reliable as other forms of knowledge. The work is divided into three parts. The first part provides an analytic account of different types of historical inquiry. The second treats at length the nature of causal explanation in everyday life and in science and considers the relation between causes and laws. The final part analyzes the concept of objectivity and estimates both the extent to which the inquiries of historians can be said to be objective and the limits of that objectivity in some types of historical accounts.
Author: S. Keenan
Publisher: Springer
ISBN: 0230597548
Category : Literary Criticism
Languages : en
Pages : 263
Get Book Here
Book Description
Travelling Players in Shakespeare's England is the first extended study of the touring practices and performances of Elizabethan and Jacobean travelling players. It opens with a general introduction to the lively, competitive world of professional touring theatre. Following chapters focus on playing practices and performances in the spaces used as temporary theatres by touring actors (such a town halls and country houses). The final chapter looks at the decline of this important theatrical tradition in the 1620s.
Author: Robert Nicholas Reeves
Publisher: Harvard University Press
ISBN: 9780674768901
Category : Language Arts & Disciplines
Languages : en
Pages : 68
Get Book Here
Book Description
Sir Philip Sidney's comic technique, in particular the comic characters in the second version of his pastoral romance, is the subject of this ably written essay. Robert Nicholas Reeves begins with a re-examination of comic theory in Sidney's Defense of Poesy, and proceeds to a reading of the humorous in the Arcadia as a happy kind of moral teaching. He discusses devices employed--irony, ridicule, deflation--and the relation of the low comic figures to the delightful elements of the main plot.
