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Languages : en
Pages :
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Author:
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Category :
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Pages :
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Author:
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ISBN:
Category :
Languages : en
Pages : 504
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Author: Edgar H. Sparks
Publisher: Univ of California Press
ISBN:
Category : Composition (Music)
Languages : en
Pages : 522
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Author: Anna Maria Busse Berger
Publisher: Cambridge University Press
ISBN: 1316298299
Category : Music
Languages : en
Pages : 1058
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Book Description
Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.
Author: James Cook
Publisher: Routledge
ISBN: 135104236X
Category : Music
Languages : en
Pages : 151
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Book Description
England in the fifteenth century was the cradle of much that would have a profound impact on European music for the next several hundred years. Perhaps the greatest such development was the cyclic cantus firmus Mass, and scholarly attention has therefore often been drawn to identifying potentially English examples within the many anonymous Mass cycles that survive in continental sources. Nonetheless, to understand English music in this period is to understand it within a changing nexus of two-way cultural exchange with the continent, and the genre of the Mass cycle is very much at the forefront of this. Indeed, the question of ‘what is English’ cannot truly be answered without also answering the question of ‘what is continental’. This book seeks, initially, to answer both of these questions. Perhaps more importantly, it argues that a number of the works that have induced the most scholarly debate are best seen through the lens of intensive and long-term cultural exchange and that the great binary divide of provenance can, in many cases, productively be broken down. A great many of these works, though often written on the continent, can, it seems, only be understood in relation to English practice – a practice which has had, and will continue to have, major importance in the ongoing history of European Art Music.
Author: Edgar H. Sparks
Publisher:
ISBN:
Category :
Languages : en
Pages : 504
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Category :
Languages : en
Pages :
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Author: Mary Elizabeth Covert
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 256
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Book Description
Author: Richard L. Crocker
Publisher: Courier Corporation
ISBN: 0486173240
Category : Music
Languages : en
Pages : 609
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Book Description
Exceptionally clear, systematic presentation of the evolution of musical style from Gregorian Chant (AD 700) to mid-20th-century atonal music. Over 140 musical examples. Bibliography.
Author: Julia Brasher Thorn
Publisher:
ISBN:
Category : Cantus firmus
Languages : en
Pages : 126
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